In this essay-analysis of Tyutchev’s poem “The earth still looks sad”, you can see how the interpretation of various figurative and expressive means, primarily tropes, helps to understand the meaning of the lyrical work.
“The earth still looks sad…” - analysis of the poem.
Man has always been an integral part of nature, which for many millennia fed him, clothed him, gave shelter. But with the growth of urbanization, everything has changed. Many of us have lost the natural sense of harmony and unity with the world around us, which was originally inherent in every person.
One philosopher called poetry "a pure spring in art." Of course, it was about real poetry. After all, it is she who helps people to understand simple and at the same time complex things. The theme of the interaction of nature and man was touched upon by many poets.
But the poems of F. I. Tyutchev are especially expressive and penetrating in this regard, for the sensitive soul of this person was able to feel not only himself in nature, but also nature in himself.
In a poem "Even the earth looks sad..." Tyutchev uses the technique of figurative parallelism, comparing the phenomena of nature and the state of the human soul. In the first stanza, we are presented with an image of nature that has not yet awakened from its winter sleep. It is the image, since nature is perceived by the poet as alive, endowed with the qualities inherent in man. Personifications speak of this: nature " didn't wake up», « she heard spring" and " she involuntarily smiled».
In the very first lines we see the antithesis: “ sad look"earth is opposed to fresh," spring» breathing air. Metaphor " sad look” in the first line helps to highlight the word “lands” to enhance the contrast between winter, still sleeping nature, and already waking up, depicted in the second line. It is noteworthy that a barely perceptible breath of spring is still felt only in the air. The mobility of air masses is drawn using a series of verbs: " breathes», « sways», « stirs". And then, in opposition to them, the motionless is shown, “ dead» the state of the earth, depicted with the help of an epithet. This is also the meaning of the verbs. “Sway”, “move” is to set in motion objects frozen in any one position. The creation of the image of air “breathing” in “spring” is also facilitated by the alliteration on “sh” in these verbs, which helps to catch by ear this barely noticeable stirring of objects on the awakening earth: a stem dead in the field, branches of fir trees. The awakening of nature is also completed with the help of the epithet "thinning sleep". The word "sleep" helps to understand why "the earth still looks sad", and the epithet shows that the earth does not have long to remain in this state. Moreover, in a semantic sense, this epithet is unusual, because it is simply impossible to use it in the literal sense in relation to the word "dream".
What does thinning dream mean? The word “thin” means “become rare, decrease in number”, and the word “rare” means “one in which parts are located at a known distance, at intervals” (Ozhegov's Dictionary). But sleep cannot be quantified. And it is also problematic to imagine spatial gaps in dreams. This is if you take the meaning of the word in the poem literally. But the fragility of nature's sleep is vividly represented to the imagination, especially since the sound of the word also contributes to this.
The second stanza shows that nature, smiling at spring through a dream, is compared with the psychological state of the lyrical hero: "Soul, soul, you were sleeping too ...". In the center of this stanza is an image that can be simultaneously attributed to the description of both man and nature: “ Blocks of snow glitter and melt, // Azure glitters, blood plays ... ". If this image is attributed to the description of nature, then in our imagination there is a picture of rapid snowmelt, which also contributes to the awakening of nature from winter sleep. But, if this description is correlated with the soul to which the poet addresses at the beginning of the stanza, then we understand that he used a metaphor that depicts the human condition. It can be defined with the help of another metaphor that arises associatively in memory: "the soul has thawed." The legitimacy of such ideas is confirmed by the second line of this quotation, where the images of nature and the human soul are placed in one row: “ glitters azure "(clearly heavenly)," playing blood (it is clear that in humans). Thus, the semantic field expands. This fusion of the state of nature and man, created through the interaction of figurative series that cannot be separated, is a feature of Tyutchev's poetry. This feature helps the poet in his striving " capture the soul of nature, its language "(V. Bryusov) and show that a person -" just a dream of nature ».
I hope you liked this analysis of the poem by F. I. Tyutchev “The earth still looks sad ...”
The poem was published only after the death of Fyodor Ivanovich in 1876. Nobody knows the exact date of its writing. Many have noticed that Tyutchev, when writing his poems, approaches them from a philosophical side. In his works, nature and human feelings are intertwined and described very vividly and beautifully.
The verse can be divided into two parts, in the first a description of nature, and in the second of the human soul. From the first lines of the poem it is clear that the writer describes the imminent arrival of spring. Nature has not yet woken up, but it is already clear that soon everything will begin to bloom and the air will be filled with the aroma of inflorescences. The flowers have not yet bloomed, and the earth has not yet become covered with a green, living carpet, but the light aroma of spring is already in the air. The writer allows the reader to imagine a picture of how nature comes to life and everything becomes beautiful and blooms.
In the second part of the poem, Tyutchev writes about the soul, which also woke up after a dream. After all, everyone knows that spring is the time of love. Spring is a wonderful time of the year when everything in the soul also blooms. New feelings are born in the soul, and fills with joy. Tyutchev colorfully described the awakening of the human soul, which is ready to plunge into this wonderful feeling of love. During this period, a person is waiting for something bright and pure. The writer combines the human soul and natural rebirth together. As if they merge together and wake up after a long, cold, winter sleep.
Nature woke up, almost all the snow melted, and this brought warmth and light to the soul. The author calls to see that thread when nature helps a person's mood. A very beautiful lyrical verse, which very accurately describes both the awakening of spring and the awakening of the soul after a cold winter.
In his poems, Tyutchev refers to the description of nature as a living being and pays a lot of beautiful words and phrases. Until now, the creations of Fyodor Ivanovich Tyutchev are studied in the school curriculum, because his poems are filled with the beauty of nature and spirituality.
Analysis of the verse Still the earth is sad view of Tyutchev
It is not known exactly when the poem “The earth still looks sad” was written. Literary critics agree that this happened no later than 1836. That is, it can be attributed to the early period of Tyutchev's work. This is a brighter, more serene period, when the poet has not yet suffered a terrible grief - the death of the muse, Elena Denisyeva. After that, Tyutchev's lyrics darkened, sad notes appeared, and the poet himself lived very hard. With the death of Denisyeva, it was as if a large piece had been torn out of his soul.
But so far, none of this has happened. While the soul is light and good, and this is read from Tyutchev's poems. There is no darkness, no sadness, and the future looks bright and joyful. And you can write poems like "The earth still looks sad." These are more songs of innocence than songs of experience, if you draw parallels with William Blake. And the poem itself was not published during the life of Tyutchev.
It saw the light only in 1876. Tyutchev died, and his archive was dug up and turned over. That's how we found this piece. And published. Now we know the poet's work better and can understand it better, because it is surprisingly integral, and all his poems can be combined into a single, monolithic work. An image from one meets in another, a theme from intimate lyrics is developed in landscape, and so on.
What is the poem “Still the earth looks sad” about? It's about spring. Despite the fact that nothing is growing or blooming yet, the air is already spring, fresh. The wind stirs the dead stem in the field, the branches of fir trees. Nature feels spring, although it has not yet undergone the metamorphosis of this season. But already involuntarily smiles at him. Tyutchev considered nature to be a living organism, acting like a living organism, therefore he allowed epithets like “smiled” to her.
The poet then describes the human soul. She, too, slept, but suddenly she was filled with new life. She got excited, dreams became even brighter. Nature and soul are united in a single process of rebirth. Spring has come for the soul too. But what caused it? Season or love of a woman? Who knows who knows.
Either way, it's time to wake up.
Option number 3
Tyutchev created this poem at the height of his career as a poet, but unfortunately the remarkable work was not published until after the author died. A distinctive feature of the author is the equating of nature with man, so one should not be surprised at the many interweaving of people and nature in Tyutchev's work. We are talking about the poem "Even the earth is a sad sight ...".
The author in his work describes two pictures that are intertwined in this, and this is the main meaning of the poem. The first component of the verse is a description of nature, which is just beginning to come to its senses after the cold of winter. The time of the year is about March, winter has not completely gone yet, but spring is already reminding of itself. The second picture is the human soul, which, like nature, wakes up with the arrival of spring warmth. It is also common for a person to wake up in the spring and activate all his most wonderful feelings and hopes. And here Tyutchev's manner is visible, he shows the reader that nature and people must exist in harmony, and they are inseparable.
The author also devoted a few lines to such a concept as love. Tyutchev very beautifully compares this concept in man and nature. Love comes to people in the spring, but what is love for nature? Spring is the very love that comes to nature. Thus, the author here tries to intertwine man and nature.
The poet is famous not only for his methods of comparing nature and man, but also skillfully knows how to describe the beauty of nature or convey to the reader the beauty of some wonderful picture. The author skillfully conveys the beauty of Russian nature in the work and emphasizes that the main thing in the awakening of nature is the fresh air of spring, which envelops the plants and makes them wake up after hibernation.
4, grade 10, briefly according to the plan
Picture to the poem Another sad view of the earth
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Fedor Ivanovich Tyutchev is a poet-philosopher. First of all, deep thoughts about the relationship between the world and the human soul are reflected in his landscape lyrics. The image of nature and the experience of it are one here. Tyutchev's landscapes are symbolic.
So, in the poem “Even the earth looks sad ...” the following picture arises before us: nature is waiting for spring. But this seems only at first glance. The composition of Tyutchev's poems, as a rule, is two-part. This work is no exception. First, an image of spring is given:
Still the earth looks sad
And the air is already breathing in spring ...
It is really sad to look at the naked black earth, which was left without a beautiful, fluffy, snow cover. But what aromas come from moist soil, how thick and fresh the air becomes! The young dreamer, the spring wind, tries to revive even the withered stalk and wakes up the fir branches frozen in their grandeur.
Nature responds to the high spirits of the lyrical hero. Although everything around is not so beautiful yet, but the heavy winter dream is ending, this is already pleasing:
Nature has not woken up yet
But through thinning sleep
She heard spring
And she involuntarily smiled ...
The opposition and negation at the end of the first stanza express the struggle of spring with winter, so imperceptible at the beginning, but so fertile, important for the whole living world. The author very subtly shows the end of the winter season with the epithet "thinning" ("sleep"). In general, the second part of the stanza, I would say, is gracefully "written out" by Tyutchev. He selects such vocabulary (“heard”, “involuntarily”), which emphasizes the light, almost imperceptible feeling of spring, its foreboding, which is barely realized by both man and nature.
The landscape is dynamic, thanks to the abundance of verbs, but the movements of the images are special: affectionate and gentle. Yes, it is spring, the most pleasant time of the year. Nature cannot but smile at her. The man is too. Spring gives birth to a special state of mind. We become dreamy, romantic. The lyrical hero of the poem is thoughtful, this is evidenced by the dots throughout the text. The thoughts of this man are revealed in the second part of the work:
Soul, soul, slept and you ...
But what are you suddenly concerned about?
Your dream caresses and kisses
And gilds your dreams?..
Glittering and melting chunks of snow
Shines azure, blood plays ...
Or spring bliss?..
Or is it female love?
Here comes the comprehension of the image of spring. The human soul responds sensitively to this time of year. We are waking up, waiting for something new, bright. I think Tyutchev shows that man, as part of nature, is renewed in spring, reborn together with the whole living world. However, he sometimes does not understand what is happening in his soul. So here. Turning to the inner world, the lyrical hero asks several rhetorical questions. He tries to understand himself, but he can't, it's beyond his strength. Why?
The tragedy of man, according to the poet, is at odds with nature. We do not realize and refuse to accept the laws common to the whole living world. The lack of a single language with nature leads to such questions. But it's good that the hero sets them.
A person seeks to know the world around him, his soul opens towards spring, which means that someday he will find the truth.
Or maybe it's not even that important. The important thing is that the hero enjoys the spring. His soul is filled with conflicting feelings, including joy, anxiety, confusion, awe, bliss, love. I think this is wonderful, because a person realizes how rich his inner world is. Everything else is less significant. No, it is no coincidence that the poem ends with rhetorical questions. The charm of the work lies precisely in the mystery. The mystery is, probably, both spring itself and its reflection in the soul of the lyrical hero. Man dreams of a miracle. May his dreams come true!
In this work, Tyutchev, it seems to me, sings not of the approach of spring, but of a person’s attitude to such an event. That is the idea of the poem. No less important here is another thought: the desire of the hero to find harmony with nature. The author depicts this especially vividly, combining in one line the brilliance of azure sky and the play of human blood.
I was attracted by the ambiguity of the work, beauty, originality of images, expressiveness and accuracy of the language. But the most interesting thing in the poem is the image of a borderline, transitional moment in nature and human consciousness. This shows a true creator and an outstanding personality.
Great about verses:
Poetry is like painting: one work will captivate you more if you look at it closely, and another if you move further away.
Little cutesy poems irritate the nerves more than the creak of unoiled wheels.
The most valuable thing in life and in poetry is that which has broken.
Marina Tsvetaeva
Of all the arts, poetry is most tempted to replace its own idiosyncratic beauty with stolen glitter.
Humboldt W.
Poems succeed if they are created with spiritual clarity.
The writing of poetry is closer to worship than is commonly believed.
If only you knew from what rubbish Poems grow without shame... Like a dandelion near a fence, Like burdocks and quinoa.
A. A. Akhmatova
Poetry is not in verses alone: it is spilled everywhere, it is around us. Take a look at these trees, at this sky - beauty and life breathe from everywhere, and where there is beauty and life, there is poetry.
I. S. Turgenev
For many people, writing poetry is a growing pain of the mind.
G. Lichtenberg
A beautiful verse is like a bow drawn through the sonorous fibers of our being. Not our own - our thoughts make the poet sing inside us. Telling us about the woman he loves, he delightfully awakens in our souls our love and our sorrow. He is a wizard. Understanding him, we become poets like him.
Where graceful verses flow, there is no place for vainglory.
Murasaki Shikibu
I turn to Russian versification. I think that over time we will turn to blank verse. There are too few rhymes in Russian. One calls the other. The flame inevitably drags the stone behind it. Because of the feeling, art certainly peeps out. Who is not tired of love and blood, difficult and wonderful, faithful and hypocritical, and so on.
Alexander Sergeevich Pushkin
- ... Are your poems good, tell yourself?
- Monstrous! Ivan suddenly said boldly and frankly.
- Do not write anymore! the visitor asked pleadingly.
I promise and I swear! - solemnly said Ivan ...
Mikhail Afanasyevich Bulgakov. "The Master and Margarita"
We all write poetry; poets differ from the rest only in that they write them with words.
John Fowles. "The French Lieutenant's Mistress"
Every poem is a veil stretched out on the points of a few words. These words shine like stars, because of them the poem exists.
Alexander Alexandrovich Blok
The poets of antiquity, unlike modern ones, rarely wrote more than a dozen poems during their long lives. It is understandable: they were all excellent magicians and did not like to waste themselves on trifles. Therefore, behind every poetic work of those times, a whole Universe is certainly hidden, filled with miracles - often dangerous for someone who inadvertently wakes dormant lines.
Max Fry. "The Talking Dead"
To one of my clumsy hippos-poems, I attached such a heavenly tail: ...
Mayakovsky! Your poems do not warm, do not excite, do not infect!
- My poems are not a stove, not a sea and not a plague!
Vladimir Vladimirovich Mayakovsky
Poems are our inner music, clothed in words, permeated with thin strings of meanings and dreams, and therefore drive away critics. They are but miserable drinkers of poetry. What can a critic say about the depths of your soul? Don't let his vulgar groping hands in there. Let the verses seem to him an absurd lowing, a chaotic jumble of words. For us, this is a song of freedom from tedious reason, a glorious song that sounds on the snow-white slopes of our amazing soul.
Boris Krieger. "A Thousand Lives"
Poems are the thrill of the heart, the excitement of the soul and tears. And tears are nothing but pure poetry that has rejected the word.
Fedor Ivanovich Tyutchev
Still the earth looks sad
And the air is already breathing in spring,
And the dead stalk sways in the field,
And the oil stirs the branches.
Nature has not woken up yet
But through thinning sleep
She heard spring
And she involuntarily smiled ...
Soul, soul, slept and you ...
But what are you suddenly concerned about?
Your dream caresses and kisses
And gilds your dreams?..
Glittering and melting chunks of snow
Shines azure, blood plays ...
Or spring bliss?..
Or is it female love?
For the first time, the poem “The earth still looks sad ...” was published after the death of Tyutchev - in 1876. The exact date of its creation is unknown. Literary critics managed to find out that the work was written no later than April 1836. Accordingly, it refers to the early period of the poet's work.
The main technique on which “Even the earth looks sad…” is based on psychological parallelism, that is, the human soul is compared with nature. The poem can be divided into two parts. First, the poet draws a landscape. The nature of the end of February - the beginning of March appears before readers. Already in the first lines, Tyutchev manages to very accurately describe the early spring. Many researchers of Fedor Ivanovich's work noted his amazing ability to depict a complete picture with just a couple of details. The sad sight of the earth that has not yet woken up after the winter is conveyed by almost a single line: “And the stem sways dead in the field.” This creates a kind of opposition. Despite the fact that nature sleeps, the air is already breathing in spring.
The March awakening after a long winter awaits the human soul. Tyutchev speaks about this in the second part of the poem. Spring is a time of love, rebirth, joy, a time of rejoicing for the soul. Similar thoughts are found not only in the work of Fedor Ivanovich under consideration, but also in some others (“No, my addiction to you ...”, “Spring”). It is worth paying attention to the verbs used by the poet: “kisses”, “caresses”, “gilds”, “excites”, “plays”. All of them are associated with tenderness, love. At the end of the poem, the images of the human soul and nature merge into one, which is typical for Tyutchev's lyrics. The last four lines clearly intersect with "Spring Waters": the same snow, shining in the sun, almost melted, the same feeling of happiness, the fullness of being, the joy of waking up after a long sleep.
Tyutchev is a master of landscape lyrics. The poet managed to achieve amazing accuracy in the descriptions thanks to his endless love for nature. He sincerely considered her animated. According to the philosophical ideas of Fedor Ivanovich, a person should try to comprehend and understand nature, but it is practically impossible to do this. Tyutchev's views were formed mainly under the influence of the German thinker Friedrich Schelling with his perception of nature as a living organism.
