Yes, the poet was a loving person, his life was complicated and multifaceted. But each of his loves was sincere, frank, sincere. All this found its place in poetry. Many of the author’s lyrical works have a hidden philosophical meaning, although it may immediately seem that they are simply about nature. “How unexpected and bright” is exactly such a poem.
Features of Fyodor Ivanovich’s creativity
During his career, Fyodor Ivanovich created many diverse literary works with a lyrical direction. Such masterpieces were able to significantly enrich Russian literature and decorate it with all sorts of delights. Many critics of the past and modern century consider Tyutchev to be a treasure of Russia.
Poets have always looked for inspiration from different sources. These include versatile personalities, natural landscapes that are particularly natural, discussions on the topic of existence with philosophical overtones, and, of course, relationships tied to love.
Women who changed the author's destiny
Fyodor Ivanovich Tyutchev was married twice during his life. While married for the second time, he met a very beautiful and attractive girl. Her name was Elena Deniseva. It was she who captivated the heart of the lyrical creator more than others and inspired him to create numerous works.Late love excited the inner world of Fyodor Ivanovich. He devoted himself body and soul to the new romance that had begun. It didn’t matter to him at all what was actually happening in his family, what his wife thought about him, or how the public would talk. At the same time, the author of many works retained a piece of love for his wife.
For Fyodor Ivanovich’s beloved Lena Deniseva, this love became a real test. The romance that arose between them led to a quarrel with almost all relatives. The girl’s father abandoned her, previously close friends and beloved relatives stopped communicating, and people around her, strangers, condemned her. This union brought a lot of pain to Deniseva, who constantly suffered from such relationships, but chose love instead of public recognition.
It was not an easy passion. People in love spent about fourteen years together. It should be noted that all this time Fyodor Ivanovich was married and had no plans to separate, and Elena’s position was always questionable. Moreover, the diplomat deceived his beloved, saying that he was married for the third time, which means the church would not allow him to marry a fourth time. In the 19th century, the law of religion allowed only three marriages.
Of course, Fyodor Ivanovich understood the ambiguity of their relationship, it burdened him. He wrote poems to his beloved one after another and was going to release them in one collection. True, Elena did not live to see this. Later, these poems will be combined into the so-called “Denisevsky cycle”.
When the poet's last love died, he was broken as never before. Such a blow literally threw the diplomat to the sidelines of life, which prepared new blows of fate one after another - in the same year, two of Fyodor Ivanovich’s children died from Elena.
The poems written by Tyutchev after Denisyeva’s death are filled with pain and longing for his beloved. The poem “How unexpected and bright...” was written immediately after the anniversary of the death of a loved one. Here we track a sharp change in mood that occurred over time. From that moment on, the poet began to perceive life in a completely different way and in his lines tries to convey these changes in his inner world as accurately as possible.
Analysis of the poem “How unexpected and bright...”
The work very sensually conveys to the reader a picture of the sky. A special philosophical thought is traced here. The lyrical hero looks to the heavens, since it is to them that life on earth is opposed. He makes it clear that the path of life is a temporary phenomenon, and heaven can hide eternity. Fyodor Ivanovich makes the reader understand that not every earthly person who has received peace is able to get into the Kingdom of Heaven. Everyone has their own sins that affect the disposition of the soul after death. The lines in the work combine the opposition of earth and heaven.
The work contains a huge number of all kinds of exceptional images that make it possible to connect two different worlds as efficiently as possible. A striking example of such an image is a rainbow, which begins on earth and ends somewhere deep in the heavens. This carefully described phenomenon is perceived by both the author and readers in the form of a bridge that appears after a gloomy rain. For Tyutchev, a rainbow is goodwill directed towards humanity. The author also notes that this phenomenon is fleeting and it was given too short a period of time, but I would like more. The author describes the time of the appearance of the rainbow as an instant, a kind of moment aimed at infinity. If you caught this moment and also felt it, you have become a witness to eternal beauty and this eternity will remain in your soul for a long time in the form of a certain imprint...
A rainbow is a fleeting natural phenomenon, a certain particle of the heavenly expanse. It is with its help that the author tries to convey to the reader that people are just as temporary and perishable. Sooner or later, everything ends, no matter how much you fuss and no matter what a person is like. The author writes in the poem that time has passed, as has breath and life.
As in many of Fyodor Ivanovich’s poems, the work begins with a simple observation of a certain natural landscape. Nature is described here down to the smallest detail, and the most significant things are revealed to the maximum. All this allows you to create in the reader’s imagination the most colorful picture that will take your breath away.
Gradually, the meaning of the work “How unexpected and bright...” moves from a review and description of the significance of natural nature to human personalities and the significance of people in the cycle of things in nature. Tyutchev gives various arguments that the life path of every person is short and sooner or later everyone will have to return to their origins, precisely to the place where their soul once originated and was sent to earth.
Reasoning of this kind, according to many critics of that time and today, helped to cope with the problems, melancholy and severe pain that occurred after the loss of a loved one. The author makes it clear to the reader that people do not actually die, but move on to a further, especially eternal life.
It was from this moment that Fyodor Ivanovich looked at the world completely differently. The look at the sky is described as sincerely as possible and represents the judgment that a person who finds himself in another world will receive something better than what happened to him on earth. The author understands perfectly well that it could not have happened any other way and human nature is such that sooner or later everyone will find themselves in a different reality. Tyutchev hopes for the best that awaits his beloved in the next world. It should be noted that there is no anger towards heaven at all, he does not describe it with grumbling and despair, but seeks a special connection between man and his unity with nature.
In the work “How unexpected and bright...” Fyodor Ivanovich Tyutchev touches on the deepest feelings that a person can ever experience. It was because of these feelings that the author constantly suffered and felt somehow guilty. It took the poet many years to fully realize that the world is not eternal and all good things come to an end sooner or later.
The feelings and thoughts used in the poem “How unexpected and bright...” gave inspiration to the writer every year. Re-reading his own work, he expressed new thoughts, feelings and sensations in poetry.
It was love lyrics that occupied a special place in the work of Fyodor Ivanovich Tyutchev, and also helped to cope with the bitterness and pain in the soul that tormented him in various life situations. The author rethought his attitude to both death and life. Over time, he began to correctly evaluate his human path, which led him on earth and understood that life is just the beginning.
For many years, for F.I. Tyutchev, the number July 15 was “blissfully fatal.” On this day in the summer of 1850, he first saw Elena Alexandrovna Denisyeva, a beautiful Russian girl. Love flared up in him immediately, as if something had struck his heart. By this time, Tyutchev had already been married twice, but he gave all of himself, his whole soul to his new affection, almost breaking with his family, but without ceasing to love his wife in his own way. His letters to her speak about this: “Oh, how much better you are than me, how much higher! How much dignity and seriousness there is in your love, and how small and pathetic I feel next to you! “And this was his drama.
But what was even more depressing was the “human vanity” around history, which was talked about a lot at that time. However, contrary to rumor, Tyutchev sacrificed his position in society to his love. For Elena, the situation turned out to be much more complicated, because the world is always more lenient towards a man, not forgiving anything to a woman. In the fourteen years that they lived together, she had to go through a lot. She was rejected by her former acquaintances, her father disowned her, and her aunt had to leave the Smolny Institute. “The crowd has entered, the crowd has broken into the sanctuary of your soul,” writes Tyutchev in one of the poems dedicated to her.
Tyutchev, despite all Denisyeva’s pleas, did not legalize his relationship with her, which he often regretted after her death. And he considered himself guilty of what happened. Tyutchev endured each anniversary of her death (August 4, 1864) very hard. He relived the pain of losing a loved one. The day before the first anniversary of her death, August 4, 1865, he wrote the poem “On the Eve of the Anniversary of August 4, 1864” and the day later “How unexpected and bright...”. The epithets “wet blue”, “airy arch”, “rainbow vision” make the poem brighter and more colorful. To enhance the effect, Tyutchev uses high-calm verbs: “erected,” “stabbed,” “exhausted.” Only the last stanza has a coloring similar to the poem “On the eve of the anniversary...”. There are also a lot of sibilants in it: “gone,” “breathe,” “live.” And the verb “turned pale” radically changes the mood from the previous stanzas - from sublimely joyful to tragic.
“How unexpected and bright...” Fyodor Tyutchev
How unexpected and bright
In the damp blue sky,
Aerial arch erected
In your momentary celebration!
One end stuck into the forests,
Gone behind the clouds for others -
She covered half the sky
And she became exhausted at the height.Oh, in this rainbow vision
What a treat for the eyes!
It is given to us for a moment,
Catch him - catch him quickly!
Look - it has already turned pale,
Another minute, two - and then what?
Gone, somehow gone completely,
What do you breathe and live by?
Analysis of Tyutchev’s poem “How unexpected and bright...”
The middle-aged poet had a hard time with the untimely death of Elena Denisyeva, his tragic muse and common-law wife. In the summer of 1865, on the anniversary of her death, a poetic text appeared, striking in its contrasting combination of light and tragic intonations.
The work begins with a landscape sketch, the main detail of which is a rainbow. It is interesting that the text does not contain a direct “everyday” name for a natural phenomenon. Instead, the author uses sublimely poetic definitions: “air arch”, “rainbow vision”. The listed metaphors are supported by book vocabulary, among which the examples “erected” and “exhausted” stand out. Artistic means are designed to emphasize the unusualness and solemnity of the appearance of a bright natural image standing out against the blue sky.
The sheer size of the rainbow is the subject of the next episode. The multi-colored arc is characterized by four verbs: the technique enlivens the image, rewarding it with anthropomorphic qualities and endowing it with the ability to act independently. The verb sequence demonstrates the gradual fading of the active principle. If at the beginning of the enumeration there is a lexeme with connotations of strength “stabbed”, then it ends with the word “exhausted”, denoting the loss of physical strength.
By focusing on the beauty of the atmospheric phenomenon, the lyrical subject emphasizes its fleeting nature. This idea, which appears in the first four lines, is developed in the final episode. Here, enthusiastic intonations conveyed by syntax coexist with emotional conversational remarks. The latter are increasing, involving the reader in the situation with the help of the lyrical “you” and verbs in the imperative mood: “catch”, “look”. Admiration gives way to confusion, and syntactic structures reflect the change in the hero’s mood: exclamations give way to a rhetorical question.
The final couplet contains a philosophical conclusion inspired by the beautiful but fleeting view. He informs the lyrical addressee about the frailty of earthly life and the inevitability of bitter losses.
The two-part strophic division of the work is characteristic of Tyutchev’s style. Structural tension, which is achieved with the help of composition and rhythmic and intonation means, makes it possible to convey changes in natural scenes and shades of the mood of the lyrical subject.
Composition
For many years for F.I. Tyutchev’s date, July 15, was “blissfully fatal.” On this day in the summer of 1850, he first saw Elena Alexandrovna Denisyeva, a beautiful Russian girl. Love flared up in him immediately, as if something had struck his heart. By this time, Tyutchev had already been married twice, but he gave all of himself, his whole soul to his new affection, almost breaking with his family, but without ceasing to love his wife in his own way. His letters to her speak about this: “Oh, how much better you are than me, how much higher! There is so much dignity and seriousness in your love, and how small and pathetic I feel next to you!” And this was his drama.
But what was even more depressing was the “human vanity” around history, which was talked about a lot at that time. However, contrary to rumor, Tyutchev sacrificed his position in society to his love. For Elena, the situation turned out to be much more complicated, because the world is always more lenient towards a man, not forgiving anything to a woman. In the fourteen years that they lived together, she had to go through a lot. She was rejected by her former acquaintances, her father disowned her, and her aunt had to leave the Smolny Institute. “The crowd has entered, the crowd has broken into the sanctuary of your soul,” writes Tyutchev in one of the poems dedicated to her.
Tyutchev, despite all Denisyeva’s pleas, did not legalize his relationship with her, which he often regretted after her death. And he considered himself guilty of what happened. Tyutchev endured each anniversary of her death (August 4, 1864) very hard. He relived the pain of losing a loved one. The day before the first anniversary of her death, August 4, 1865, he wrote the poem “On the Eve of the Anniversary of August 4, 1864.” and a day later “How unexpected and bright...”.
These poems were created by Tyutchev almost simultaneously, with an interval of two days. Both belong to the Denisievo cycle, but are completely different from each other. Even their sizes are different. Despite the fact that Tyutchev wrote most of his poems in iambic, “On the Eve of the Anniversary...” is written in trochee.
And the appeals “my dear friend”, “my angel” distance the action of the poem from the real world. The entire poem is imbued with the expectation of something inexplicable, unreal.
The poem “How unexpected and bright...” has a polar opposite coloring. It is dominated by voiced “n”, “l” and “m”:
One end stuck into the forests,
Gone behind the clouds for others -
She covered half the sky
And she became exhausted at the height.
The epithets “wet blue”, “airy arch”, “rainbow vision” make the poem brighter and more colorful. To enhance the effect, Tyutchev uses high-calm verbs: “erected,” “stabbed,” “exhausted.” Only the last stanza has a coloring similar to the poem “On the Eve of the Anniversary...”. There are also a lot of sibilants in it: “gone,” “breathe,” “live.” And the verb “turned pale” radically changes the mood from the previous stanzas - from sublimely joyful to tragic.
The differences in coloring of these poems can be explained by the significance of the date of the fourth of August for F.I. Tyutcheva. It was a kind of barrier that he had to step over every year. Moreover, the poems were written on opposite sides of him.
Lyubov Tyutcheva brought a new worldview to his work. With it, an extraordinary depth arose in his poems, “some kind of frenzied shyness of feeling and some new superstitious passion, similar to suffering and a premonition of death.” We owe to this love the birth of a magnificent lyrical cycle of poems that enriched Russian poetry with immortal masterpieces.
F. Tyutchev's work is simply replete with a rich description of all the colors of life. The poem is very sonorous and melodic, it can easily be set to music.
The author filled the creation with many epithets, which makes the lines bright. You can immediately imagine a colorful picture; it’s simply impossible not to fall in love with this description. The poet put into poetry many words of the imperative mood, which convey solemnity in sound and pronunciation.
Some lines are very bold not only for their time, but also today. Critics were struck by the word “exhausted.” This expression shows the depth of feelings and at the same time, not everyone dares to use it in their presentation. This word enhances the expression of emotions.
The work was written after tragic events in his personal life. The poem evokes melancholy, despite the beautiful metaphors and description. During this period, the poet was tormented by a feeling of guilt; all his works were permeated with melancholy. Nevertheless, in the work one can sense Tyutchev’s change of mood. A year has passed since the death of his beloved, he returned to life.
The author's gaze is directed to the sky, he talks about the continued existence of the soul after death. The poet seems to see a huge arch that connects half the sky. Perhaps this is the entrance to Paradise, or perhaps a bridge along which you can wander across the boundless expanses of the azure surface. Tyutchev seems to be enjoying the vision, catching the fleeting haze of the image. This vision is fleeting and impermanent, just like human life.
The poem feels the bitterness of the author's loss. He emphasizes that everything will go away, everything you breathe and live with. Such tragedy is explained by a revaluation of values and a clear sense of the finitude of life.
The author was worried about the end of his life's journey. He refused to believe that he could leave forever. His beloved continued to live in his heart; it was difficult for him to come to terms with her departure. Only a year later he was able to find answers to his questions, there in the sky. He barely made out this answer. Perhaps everyone can find their own answers, it just takes time.
