Called him "truly popular." And this really was so, because every literary character of Ivan Andreevich Krylov still teaches what is good, bright and eternal.
Brief biography
The future playwright was born on February 2, 1769 in a poor family. From an early age he served the landowner, so he did not have the opportunity to receive a decent education. But exceptional learning abilities He himself successfully developed himself, studying languages and mathematics, literature and drawing.
Left without parents, he worked in St. Petersburg as a copyist of documents and at the same time wrote plays - tragedies and comedies. After gaining fame in literary circles, he worked for some time as a journalist. He traveled a lot and lived in the provinces, without ceasing to compose. After moving to Moscow, his first fables were published, which became proverbs and catchphrases. People began to call the writer himself "grandfather Krylov"- this name is firmly entrenched in his biography. The fabulist died on November 9, 1844.
Creativity, plots and heroes
Krylov was a successful playwright, wrote satires and pamphlets, and poetic stories. But his genius was revealed most clearly in his fables. Their stories are about topical topics and the authenticity of what is happening. Each piece makes fun of human vices - greed or laziness, stupidity or vanity. Despite the fact that most of Krylov’s characters are animals, the association with people is visible to everyone. These are lawless people and bureaucrats, officials and nobles, as well as ordinary poor people.
Inspiration and most famous works
Each of Krylov's fables is simple and understandable to people of all ages. It is a real learning lesson. Some of the most famous works include: 
- “The Crow and the Fox;
- "Quartet";
- "Swan, pike and crayfish";
- "Elephant and Moska";
- "Dragonfly and Ant".
The author gave his creations a unique hidden meaning, revealing important questions for a person about good and evil, deception and flattery, stupidity and stubbornness. The author's creativity was inspired by a variety of social events: the actions of the tsarist government and the events of the Patriotic War, violence against serfs and political innovations.
Krylov as a person: social circle, interests, interesting facts
Contemporaries characterized Krylov's personal qualities in different ways. Some sincerely they called him funny and mysterious at the same time, others were not ashamed of the sincere message that he was simply a glutton and a slob.
Rumor has it that the writer really loved to eat properly and didn’t take too much care of his own appearance. But one thing is absolutely certain: the real Ivan Andreevich was known to few people. He I practically did not communicate even with close relatives. However, the writer’s social circle often included rich people and famous personalities. Krylov surprised those around him with his unpredictability.
Once, for example, he bet that he would learn ancient Greek. He succeeded in this. The fabulist was also known as a unique eccentric - people even made up jokes about his playful and funny antics. An interesting oddity of Krylov was his passion for fires: he rushed to every disaster. He also loved excitement: cockfights, fist fights, card games. He loved to play the violin, although he did not have outstanding musical abilities.
If this message was useful to you, I would be glad to see you
Ivan Andreevich was born on February 2, 1769 in Moscow into a military family that did not have high incomes. When Ivan turned 6 years old, his father Andrei Prokhorovich was transferred for service to Tver, where the family continued to exist in poverty, and soon lost its breadwinner.
Due to the move and low income, Ivan Andreevich was unable to complete the education he began in Moscow. However, this did not prevent him from gaining considerable knowledge and becoming one of the most enlightened people of his time. This became possible thanks to the young man’s strong desire for reading, languages and sciences, which the future publicist and poet mastered through self-education.
Earlier creativity. Dramaturgy
Another “school of life” of Ivan Krylov, whose biography is very multifaceted, was the common people. The future writer enjoyed attending various folk festivals and entertainments, and often took part in street battles. It was there, in the crowd of ordinary people, that Ivan Andreevich drew pearls of folk wisdom and sparkling peasant humor, succinct colloquial expressions that would eventually form the basis of his famous fables.
In 1782, the family moved to St. Petersburg in search of a better life. In the capital, Ivan Andreevich Krylov began government service. However, such activities did not satisfy the young man’s ambitions. Having been carried away by the then fashionable theatrical trends, in particular under the influence of the play “The Miller” by A.O. Ablesimova, Krylov manifests himself in writing dramatic works: tragedies, comedies, opera librettos.
Contemporary critics, although they did not show high praise for the author, still approved of his attempts and encouraged him to continue his work. According to Krylov’s friend and biographer M.E. Lobanova, I.A. himself Dmitrievsky, a famous actor of that time, saw in Krylov the talent of a playwright. With the writing of the satirical comedy “Pranksters”, even the brief content of which makes it clear that Ya.B. was ridiculed in the play. Prince, considered the leading playwright of the time, the author quarrels not only with the “master” himself, but also finds himself in the field of insults and criticism from the theater management.
Publishing activities
Failures in the field of drama did not cool, but, on the contrary, strengthened the satirical notes in the talent of the future fabulist Krylov. He takes on the publishing of the monthly satirical magazine “Mail of Spirits”. After eight months, however, the magazine ceases to exist. After retiring in 1792, the publicist and poet acquired a printing house, where he began publishing the Spectator magazine, which began to enjoy greater success than Spirit Mail.
But after a search it was closed, and the publisher himself devoted several years to travel.
Recent years
In Krylov’s brief biography it is worth mentioning the period associated with S.F. Golitsyn. In 1797, Krylov entered the prince's service as a home teacher and personal secretary. During this period, the author does not stop creating dramatic and poetic works. And in 1805 he sent a collection of fables for consideration to the famous critic I.I. Dmitriev. The latter appreciated the author’s work and said that this was his true calling. Thus, a brilliant fabulist entered the history of Russian literature, who devoted the last years of his life to writing and publishing works of this genre, working as a librarian. He has written more than two hundred fables for children, studied in different classes, as well as original and translated satirical works for adults.
Chronological table
Other biography options
Quest
We have prepared an interesting quest about the life of Ivan Andreevich -
Born on February 2 (February 14 n.s.) in Moscow in the family of a poor army captain, who received the rank of officer only after thirteen years of military service. In 1775, the father retired, and the family settled in Tver.
The future fabulist received a meager education, but, possessing exceptional abilities, reading a lot from childhood, persistently and persistently engaged in self-education, he became one of the most enlightened people of his time.
After the death of his father, the family was left without any means of subsistence, and Krylov had to work as a scribe in the Tver court from the age of ten. The mother was unable to obtain a pension after the death of her husband, and in 1782 it was decided to go to St. Petersburg to apply for a pension. In the capital, too, nothing was achieved, but for Krylov a place was found as a clerk in the Treasury Chamber. In addition, Petersburg opened up the opportunity for him to engage in literary work. During 1786 - 1788, Krylov wrote the tragedies "Cleopatra" and "Philomela" and the comedies "Mad Family" and "Pranksters". The name of the young playwright soon becomes famous in theatrical and literary circles.
In 1789, Krylov began publishing the satirical magazine “Mail of Spirits,” which continued the traditions of Russian satirical journalism. Because of its radical direction, the magazine could only exist for eight months, but Krylov did not abandon his intention to resume it. In 1792, he created a new satirical magazine, The Spectator, which immediately became popular due to the topicality of its subject matter. The story "Kaib" allegorically presents the arbitrariness and deceitful liberalism of the totalitarian regime, in which the reader easily recognized contemporary Russia. In the summer of 1792, a search was carried out in the printing house, Krylov came under police surveillance, and publication of the magazine had to be stopped.
In 1791 - 1801, Krylov retired from journalism and wandered around the provinces: he visited Tambov, Saratov, Nizhny Novgorod, and Ukraine. He did not stop composing, but his works only occasionally appeared in print.
After the death of Catherine II, he managed to enter the service of Prince S. Golitsyn as a personal secretary and teacher of his children. In Golitsyn's home theater, the joke-tragedy "Trumph, or Podschipa" written by Krylov in 1800 was staged - a witty and apt satire on Paul I and the royal court.
In 1801, Krylov completed the comedy "Pie", staged in St. Petersburg and Moscow.
In 1806 he returned to St. Petersburg, where he established new literary connections and wrote the comedies “Fashion Shop” (1806) and “A Lesson for Daughters” (1807). In 1809, the first book of Krylov’s fables was published, in which he acted not only as a moralist, but as an accuser of the “powerful” of this world who oppress the people. It was the fable that became the genre in which Krylov’s genius expressed itself unusually widely. Nine books, including more than 200 fables, make up Krylov’s fable heritage.
8 1812 became a librarian at the newly opened Public Library, where he served for 30 years, retiring in 1841. Krylov not only turned out to be a good collector of books, the number of which increased greatly during his time, but he worked a lot on compiling bibliographic indexes and a Slavic-Russian dictionary.
Russian writer, fabulist, academician of the St. Petersburg Academy of Sciences (1841). He published satirical magazines “Mail of Spirits” (1789) and others. He wrote tragedies and comedies, and opera librettos. In 1809 43 he created more than 200 fables, imbued with a democratic spirit, distinguished by satirical sharpness, bright and apt language. They exposed social and human vices. N.V. Gogol called I. Krylov’s fables “...the book of wisdom of the people themselves.”
Biography
Born on February 2 (February 14 n.s.) in Moscow in the family of a poor army captain, who received the rank of officer only after thirteen years of military service. In 1775, the father retired, and the family settled in Tver.
The future fabulist received a meager education, but, possessing exceptional abilities, reading a lot from childhood, persistently and persistently engaged in self-education, he became one of the most enlightened people of his time.
After the death of his father, the family was left without any means of subsistence, and Krylov had to work as a scribe in the Tver court from the age of ten. The mother was unable to obtain a pension after the death of her husband, and in 1782 it was decided to go to St. Petersburg to apply for a pension. In the capital, too, nothing was achieved, but for Krylov a place was found as a clerk in the Treasury Chamber. In addition, Petersburg opened up the opportunity for him to engage in literary work. During 1786 1788 Krylov wrote tragedies “Cleopatra” and “Philomela” and comedies “Mad Family”, “Pranksters”. The name of the young playwright soon becomes famous in theatrical and literary circles.
In 1789, Krylov began publishing the satirical magazine “Mail of Spirits,” which continued the traditions of Russian satirical journalism. Because of its radical direction, the magazine could only exist for eight months, but Krylov did not abandon his intention to resume it. In 1792, he created a new satirical magazine, The Spectator, which immediately became popular due to the topicality of its subject matter. The story "Kaib" allegorically presents the arbitrariness and deceitful liberalism of the totalitarian regime, in which the reader easily recognized contemporary Russia. In the summer of 1792, a search was carried out in the printing house, Krylov came under police surveillance, and publication of the magazine had to be stopped.
In 1791 1801, Krylov retired from journalism and wandered around the provinces: he visited Tambov, Saratov, Nizhny Novgorod, and Ukraine. He did not stop composing, but his works only occasionally appeared in print.
After the death of Catherine II, he managed to enter the service of Prince S. Golitsyn as a personal secretary and teacher of his children. Golitsyn’s home theater staged the play-acting tragedy “Trumph, or Podschipa,” written by Krylov in 1800, a witty and apt satire on Paul I and the royal court.
In 1801, Krylov completed the comedy "Pie", staged in St. Petersburg and Moscow.
In 1806 he returned to St. Petersburg, where he established new literary connections and wrote the comedies “Fashion Shop” (1806) and “A Lesson for Daughters” (1807). In 1809, the first book of Krylov’s fables was published, in which he acted not only as a moralist, but as an accuser of the “powerful” of this world who oppress the people. It was the fable that became the genre in which Krylov’s genius expressed itself unusually widely. Nine books, including more than 200 fables, make up Krylov’s fable heritage.
8 1812 became a librarian at the newly opened Public Library, where he served for 30 years, retiring in 1841. Krylov not only turned out to be a good collector of books, the number of which increased greatly during his time, but he worked a lot on compiling bibliographic indexes and a Slavic-Russian dictionary.
Born on February 13, 1768 in Moscow. Krylov's father was a retired military man who served as a collegiate adviser in Tver. Krylov’s mother was an intelligent and interesting woman, but at one time she did not receive an education and remained illiterate for the rest of her life. However, the woman was smart enough to understand the need for education for her child. She herself drew up a plan for her son’s education and monitored its implementation. Literary historians suggest that Krylov, in addition to home education, also studied at the Tver School. In this regard, Krylov’s level of knowledge seemed small, but the boy had great abilities and intelligence, read a lot, and was engaged in self-education.
In 1778, Krylov’s father died, leaving the family without a means of subsistence. Ivan Andreevich was then only ten years old, he worked in the magistrate, copying papers. The Krylov family went to St. Petersburg in 1782 in order to obtain a pension in connection with the death of their breadwinner. The issue of a pension was never resolved, but Krylov managed to get a job in the office of the Treasury Chamber. By this time, Ivan Andreevich had already begun to write poetry, as well as dramatic works. Krylov's tragedies were published, but were not successful. In 1786, Krylov wrote two comedies, which brought him his first fame and new work.
In 1787, Krylov’s mother dies, and a little later he quarrels with his employer and loses the opportunity to publish his plays.
In 1788, Ivan Andreevich began working with the magazine "Morning Hours", where Krylov's first fables were published.
In 1789, Krylov published his own magazine, “Mail of Spirits,” which published mainly translated works. The magazine was soon closed due to increased political backlash.
Since 1792, Krylov was able to begin publishing again. He organizes the publication of the Spectator magazine. But this magazine was not destined to exist for long, since the articles published in it were satirical and topical. The magazine's printing house is searched, and then the magazine is closed.
In 1793, Krylov began publishing the magazine "St. Petersburg Mercury". And this magazine is closed by the authorities. Ivan Andreevich, having made so many attempts at active publishing activity, is forced to give up his ideas for a long time. Krylov goes traveling, almost never publishes his works, although he does not give up his literary activities. Afterwards he becomes the home teacher of the children of Prince I Olitsyn and his personal secretary. Prince Golitsyn is exiled, and Krylov follows him; after the end of the exile, Golitsyn goes to Riga with Krylov, and then Ivan Andreevich goes to his brother.
("1806, Krylov lives in St. Petersburg, is engaged in literary creativity, writes fables, making this genre completely new, changing a lot, introducing social and psychological elements into the fable. Since the publication of the fables, success and recognition have come to Krylov.
In 1808, Krylov served at the Mint, then worked at the Public Library, where his career developed successfully. Over time, Ivan Andreevich began to move up the career ladder and received awards several times.
In 1809, Krylov did not enter the Russian Academy, and two years later Ivan Andreevich was elected there.
In 1828 and 1833, Krylov made unsuccessful attempts to travel around Europe. His plans did not come true; Ivan Andreevich was unable to leave Russia.
In 1838, Krylov celebrated his 70th anniversary, which was attended by the entire elite of St. Petersburg.
Krylov worked at the Public Library until 1841. He retired and moved to live on Vasilyevsky Island.
