Speech characteristics of the characters in the story The meadow is empty. Characteristics of the main characters of the story “Bezhin Meadow”

, Fedya,

The images of peasant children are described in the work with all the skill inherent in the author. Throughout the entire narrative, the writer in every possible way shows his sympathy for the ordinary Russian people. The images of children described in the story “Bezhin Meadow” were no exception.

According to the plot of the work, the narrator-hunter, who went hunting on a fine summer day, got lost. And the approaching night took him by surprise. Quite by accident, the narrator saw the light from the fire. So he ended up in a huge meadow, popularly called Bezhin. Five village boys were sitting around the fire. The children went out into the night to herd the horses. Having settled down for the night, the narrator pretended to be asleep. And this circumstance makes it possible for boys to behave at ease.

The oldest boy in this company was Fedya. Based on his appearance and behavior, he could be described as a boy from a wealthy family. He is older than everyone present and emphasizes this in every possible way. He didn't need to go out to pasture. He just kept up with everyone out of boredom.

Behind the simple and unattractive appearance Pavlik a strong character is visible. He is two years younger than Fedya, but thoughtful beyond his years. One cannot deny him courage. He does not believe in beliefs and prejudices. But he blindly believes in fate.

The next boy was the same age as Pavlushi - Ilya. A boy with a face marked with some kind of concern. Possessing a nondescript appearance, this boy knew how to interest listeners with his extraordinary stories. Ilyusha knew a countless number of stories. Ilya already knew the hardship of physical labor. Together with his brother, he worked in a paper manufacturing plant. This childish work required great responsibility. And this gave him seriousness in the eyes of the narrator.

He was small and frail Kostya. On his sickly, seemingly emaciated face, only his eyes lived a separate life. All other facial features were inconspicuous. Ten years old, he, like everyone else, listened and told his stories. Stories about brownies, mermaids and goblin frightened him.

The smallest participant in the events was Vanechka. Inconspicuous and quiet, he slept with his head covered. When he woke up and saw the starry sky above his head, he expressed his delight. And he shared his impressions with his friends.

Cycle of stories “Notes of a Hunter” by Turgenev I.S. were published in 1852. This cycle also included the work “Bezhin Meadow”.

The writer's stay in the family estate of Spasskoye-Lutovinovo is reflected in the story. The narrator, on whose behalf the story is told, seems to build a bridge between the characters in the story and the reader himself.

Essay Characteristics and images of boys

During his lifetime, Ivan Sergeevich Turgenev gained popularity; with his works he pushed the people to fight slavery. In Turgenev’s stories, nature came to life every time; the writer could describe the beauty of Russian nature very vividly and colorfully. In the story “Bezhin Meadow”, Ivan Sergeevich took child psychology and the vision of the world through children's eyes as a basis.

In his story, Turgenev described a summer July night, where five children Fedya, Kostya, Vanechka, Ilyusha, Pavlusha gathered around the fire, who guard a herd of horses at night. The guys allow the hunter who got lost to stay near his fire and it is from the words of the narrator that the story is told. Turgenev describes the appearance of each of the guys, what they are wearing, their appearance and character traits.

The oldest of the boys, who looked to be about fourteen years old, Fedya, according to the description, could not go to the field for the night because he gave the impression of a wealthy boy. He had very beautiful and neat facial features, a slender and tall boy with a constant smile on his face went to the field to have fun.

At first glance, Kostya was no more than ten years old; his small, pointed, freckled face looked like a squirrel. The lips were so small that they were almost invisible, and his huge black eyes, which sparkled, made an indelible impression. The hunter noticed that Kostya had an intelligent look and that he seemed to want to say something, but could not find the right words for it.

At first, the hunter did not even notice a boy of about seven years old lying quietly under the matting; he was dozing and only raised his voice once. Vanya looked at the starry sky and noticed that the stars on it looked like a swarm of bees. The boy had beautiful brown curly hair; at seven, Vanya was very honest and fair. The boy loved his family very much and at such a young age he already knew what responsibility was.

Ilyusha was a twelve-year-old boy with a kind of painful solicitude, his almost white hair stuck out in different directions under a small felt cap, which he kept trying to pull over his ears. His clothes were neat and clean, and his eyebrows were tightly knit together, as if he were squinting from the fire.

Pavlusha, like Ilyusha, was about twelve years old, his black hair was tousled, and his eyes were gray and intelligent. He was poorly dressed, he only had on a fancy shirt and old trousers. Despite the fact that the boy looked clumsy, and his head looked larger than his unsightly body, the hunter noticed that Pavlusha was very smart. The boy's voice was very firm and decisive, so it seemed to the narrator that he was a very brave young man. His face was unusual, with a large mouth and pockmarked and too pale skin.

All these five guys were gathered around the fire by the desire to help their parents and loved ones, as well as the desire to tell stories near the fire. Each of the boys had his own character, some of them were cowards, others, on the contrary, were too bold. Despite their different social statuses in society, the guys knew what true friendship was and valued each of their friends. Each of them fit harmoniously into the company and performed their function, telling horror stories that they heard in their village and they like to spend time around the fire.

Turgenev lovingly describes children who at such a young age behave and reason like adults. In his story, the writer writes about the huge spiritual world of the guys and writes that if all people were the same, the world would be a much better place. Boys personify an example for attitude towards life and people.

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In the story by I.S. Turgenev's "Bezhin Meadow" we meet a hunter lost in the forest, on whose behalf the story is told. He belonged, by all accounts, to a rich family and went out into the field not out of necessity, but just for fun. All the images of boys in Turgenev’s story turned out to be bright and expressive. He listened carefully to all the boys, but with all his appearance he showed that he did not believe in their stories.

Watching them and listening to their conversation, the hunter gives each of the guys a detailed description, noting their natural talent. And although he was unprepossessing in appearance, Ivan Petrovich immediately liked him. What a nice boy!” - this is how the hunter assessed him. Only his innate courage and strong character did not reward him with a long life.

What did I. S. Turgenev want to convey with the images of boys around the fire?

It’s a pity, he was a nice guy!” - Turgenev finishes his story with sadness in his soul. During the conversation, he behaves in a businesslike manner, asks questions, puts on airs, and patronizingly allows the boys to share amazing stories. Ilyusha is a twelve-year-old boy with an insignificant appearance, a hook-nosed face, and an elongated, dim-sighted face, expressing “some kind of dull, painful solicitude.”

How does the author manage to show a different attitude towards each of the boys in the story “Bezhin Meadow”? Find words that show this attitude.

Ilyusha differs from other village boys in his ability to retell scary stories in an interesting and exciting way. However, he also retells to his friends the story he heard from his father about the mermaid, about the voice from the butch, and also about the unfortunate Vasya, a boy from his village. The hunter, listening to their conversation, identifies each boy with his own characteristics and notices their talent. The eldest of them is Fedya. He comes from a rich family, and he went out at night for fun.

He also had a comb, a rare item among peasant children. The boy is slender, not hard-working, with beautiful and small features, with blond hair, “white-handed.” He also paid attention to his talents: Pavlusha looked very smart and direct, “and there was strength in his voice.” The author paid attention to the clothes in the last place.

The boy is very superstitious, he believes in mermaids and mermaids, which he told the other guys about. He imitates adults and often says “my brothers” in his speech. The author called Kostya a coward for his fear of wolves, comparing him with Pavel.

Busy and serious, with all their childish spontaneity, the guys not only make us smile, but also real respect. Night time, bonfires, conversations while waiting for “potatoes” - this is not fun at all.

He was not afraid when he went alone into the darkness to the river, because “I wanted to drink some water.” In the leisurely conversations of the boys, in the “tales” they tell about goblins, merman and mermaids, all the richness of the spiritual world of the ordinary Russian person is revealed to us. In the poetic story “Bezhin Meadow”, images of peasant children appear. Turgenev gives their detailed emotional and psychological characteristics. These guys are very active and inquisitive.

In peasant boys, Turgenev reveals the poetic nature of the Russian people, their living connection with their native nature. Against the backdrop of the poetic and mysterious Central Russian nature, the author with extraordinary sympathy draws village children in the night. The lost hunter sits next to the lit fires and, in the mysterious light of the fire, peers into the faces of the boys.

Description of Ilyusha from the story “Bezhin Meadow”

The lost hunter loves the rare prowess, determination, courage and modesty of Pavlusha, who gallops after the dogs on a frightening night, without even a simple twig in his hands. The hunter also likes little Kostya, endowed with a “thoughtful gaze” and a developed imagination. Real life, according to Turgenev, will soon dispel the boys’ illusions and mystical moods, but will certainly preserve their rare poetic feelings.

This is a collection that includes essays, short stories and short stories. In the story “Bezhin Meadow,” the main character got lost after a hunt, lost his way and ended up in a meadow near a river. There he met “peasant children from neighboring villages who were guarding the herd.”

The story very briefly and clearly gives a portrait of each of the boys and tells their stories in detail. The author does not give a portrait description of Vanya, only writes that he was only seven years old. He lay and did not move under his matting. One of the boys met by the hunter in the valley was Pavlusha. All the scary stories in the story are selected in such a way that they are in harmony with both the night landscape and the excitement of children thirsting for something extraordinary.

1) The history of the creation of the collection by I.S. Turgenev "Notes of a Hunter".

In 1845 I.S. Turgenev decided to devote himself entirely to literary activity. Two years before this, Ivan Sergeevich met the famous critic V.G. Belinsky, who was the ideological inspirer of the future collection “Notes of a Hunter”. Summer months I.S. Turgenev spent time in the village, where he devoted all his free time to hunting. Hunters, due to the special wandering nature of their profession, differed from simple serfs: they were more open, sensitive to the beauties of nature, and retained a free and independent mind. Meeting with various hunters from the people, listening to their stories, Turgenev gradually immersed himself in the elements of folk life, and the writer began to formulate an idea for a future literary work. Thus, in 1847, the first story by I.S. was published in the Sovremennik magazine. Turgenev “Khor and Kapinich”, which laid the foundation for the collection called by the writer “Notes of a Hunter”. Already during Ivan Sergeevich’s lifetime, the collection was very popular.

2) Features of the genre of the work I.S. Turgenev "Bezhin Meadow". Work by I.S. Turgenev's "Running Meadow" is a short story. A story is a short epic work that tells about one or more events in a person’s life.

3) Characteristics of the heroes of the story “Bezhin Meadow”. The character of the hero is revealed by Turgenev through descriptions of appearance, through his attitude to the stories that the boys tell.

The image of Pavlusha. Pavlusha is one of five boys whom the narrator met at the fire that the boys were burning. The whole appearance of the boy speaks of the plight of his family: all his clothes “consisted of a simple, rugged shirt and patched ports.” Outwardly awkward: “hair... tousled, black, gray eyes, wide cheekbones, pale, pockmarked face, mouth, as they say, like a beer kettle, squat, clumsy body,” Pavlusha attracts with his intelligent and direct gaze, as well as strength, sounded in the voice. It is Pavlusha who is entrusted with watching the pot brewing on the fire. This means that this is a familiar thing for the boy. The hero speaks with knowledge about both the fish that flashed on the river and the rolling star: “...Look, it splashed,” he added, turning his face in the direction of the river, “it must be a pike... And there the star rolled.” Pavel behaves more courageously than other guys. When, after Ilyusha’s story about the forest evil spirits, everyone shuddered when they heard someone’s hissing whistle, Pavel shouted: “Eh, you crows!.., why are you alarmed?” - and immediately turned the conversation to an everyday topic, saying that the potatoes were boiled. The hero is well versed in the habits of forest animals and birds: either he hears the cry of a heron, or he explains that a white dove has strayed from the house and is now looking for a place to sleep. Returning from the river, Pavel says that it seemed to him as if a merman was calling him. Ilyusha, who was afraid of everything, notes that this is a bad omen. But Pavel is not afraid to accept, because he believes in fate and believes that “you cannot escape your fate.” At the end of the story, the reader learns about the tragic death of the boy, but not in the water: “he was killed by falling from a horse.” It is Pavlusha who arouses the narrator’s greatest sympathy, since, unafraid, he “rushed after the dogs with a scream.” At this moment he was especially good: “His ugly face, animated by fast driving, burned with bold prowess and firm determination. Without a twig in his hand, at night, he, without hesitation at all, galloped alone towards the wolf...”

Who is the main character of the story? (peasant boys from neighboring villages who guarded the herd)

How did the narrator get to Bezhin Meadow? (he got lost)

Characterize each of the five boys (Fedya, Pavlusha, Ilyusha, Kostya, Vanya) according to the following plan (work carefully with the text of the work of fiction):

Age;
- appearance, features of clothing;
- attitude towards other boys;
- the story being told;
- behavior during any unexpected rustling.
-Which of the boys evokes the narrator’s greatest sympathy? Why? (Pavlusha, because he is the most courageous.)
- Which of the boys understands folk beliefs best of all? On what basis did you draw this conclusion? (Ilyusha, since he is the one who tells the largest number of different stories.)
- Which of the boys behaves most patronizingly? Why? (Fedya, since he is the eldest - he is about fourteen years old - and from a rich family, therefore he went to the field not out of necessity, but for fun.)

4) The image of the narrator in the story. The narrator in Turgenev's story is an outside observer, a hunter who got lost and accidentally ended up in Bezhin Meadow. The image of the narrator in “Notes of a Hunter” is very necessary and active, appearing in several guises. It’s like a hunter encountering interesting people, when his belonging to a privileged class is not at all important. Either he is a casual spectator or an involuntary witness to a meeting or conversation (“Date”, “Office”). One can feel the class distance: he is a gentleman meeting with gentlemen, recalling previous meetings with persons who shed light on what is happening (“Yermolai and the miller’s wife”). Then the narrator seems to completely dissolve in the narrative (“Singers”). But he is always handsome, noble, and stands closer to the righteous peasants than to the masters. He even takes the side of the oppressed: he persuaded Biryuk to pardon the peasant, and is disgusted with Penochkin and others like him. This is undoubtedly an enlightened “friend of humanity” in the spirit of the forties, preaching social equality, seeing the vices of the serfdom system that oppresses the humiliated and insulted.

5) The role of landscape in the story of I.S. Turgenev "Bezhin Meadow". A passionate lover of nature, Turgenev made extensive use of descriptions of nature in “Notes of a Hunter.” Turgenev treated nature as an elemental force living an independent life. Turgenev's landscapes are strikingly concrete and at the same time covered in the experiences of the narrator and the characters; they are dynamic and closely related to the action. The landscape in Turgenev's story is not only a background, but also through the description of nature the feelings and experiences of the heroes of the work are revealed.

The story “Bezhin Meadow” begins with a description of a beautiful summer July day. Here I.S. Turgenev uses epithets: “dawn... spreads with a gentle blush”, “the sun is not fiery, not incandescent”, “lilac... fog”, “the color of the sky, light, pale lilac”, metaphors: “sun... floats up peacefully”, “clouds... almost do not budge”, “the colors are all softened”, comparisons: “clouds disappear... like smoke”, “like a carefully carried candle,... an evening star”, which convey beauty , spilled in nature. Landscape sketches reflect the excellent mood and wonderful impressions of the narrator. The state of serene peace and silence emanating from nature is conveyed to the reader, who becomes, as it were, an accomplice in the events and feels, just like the narrator, all the facets of the July day and the approaching evening: both “the scarlet glow... over the darkened earth,” and “the stamp of some touching meekness”, and “accumulated heat”, and the smell of wormwood, rye, buckwheat. The change in landscape conveys the changing mood of the narrator, his anxiety and excitement. Instead of the bright colors of a summer day, dark and black colors appear: “dark and round brown”, “gloomy gloom”, “blackening”, “bluish airy emptiness”. Nature reflects the state of the hunter, therefore the epithets and metaphors used by the writer create an atmosphere of fear: in the ravine “it was mute and deaf”, “places almost completely drowned in darkness”, “no light flickered anywhere, no sound was heard”, “he found himself above a terrible the abyss." Together with the narrator, the reader feels fear and excitement. The landscape in Turgenev's story “Bezhin Meadow” helps the reader to more deeply convey the changing mood of the narrator.

How does a writer begin his work? (from a description of nature)

What time of year is the story about? (July)

Find in the text epithets for the word sun (“not fiery, not red-hot... not dull purple... but bright and welcoming-radiant”)

Choose synonyms for the word sun used by the writer in the text of the story (“mighty luminary”, “scarlet radiance”, etc.)

How does the color scheme of the work gradually change? How does the reader understand that the narrator is lost? (Gradually, light color epithets are replaced by: “a dark and round hillock”, “places ... drowned in darkness”, “above a terrible abyss”, etc.)

Ivan Sergeevich Turgenev is one of the galaxy of remarkable Russian writers of the 19th century who received worldwide recognition and the love of readers during his lifetime. In his works, he poetically described pictures of Russian nature, the beauty of human feelings. The work of Ivan Sergeevich is a complex world of human psychology. With the story “Bezhin Meadow,” the image of the child’s world and child psychology was first introduced into Russian literature. With the appearance of this story, the theme of the world of Russian peasants expanded.

History of creation

Peasant children are depicted by the writer with tenderness and love; he notes their rich spiritual world, ability to feel nature and its beauty. The writer awakened in readers love and respect for peasant children, and made them think about their future destinies. The story itself is part of a large cycle under the general title “Notes of a Hunter.” The cycle is notable for the fact that for the first time in Russian literature, types of Russian peasants were brought onto the stage, described with such sympathy and detail that Turgenev’s contemporaries considered that a new class had emerged that was worthy of literary description.

In 1843 I.S. Turgenev met the famous critic V.G. Belinsky, who inspired him to create “Notes of a Hunter.” In 1845, Ivan Sergeevich decided to devote himself entirely to literature. He spent the summer in the village, devoting all his free time to hunting and communicating with peasants and their children. Plans for creating the work were first announced in August September 1850. Then, notes containing plans for writing the story appeared on the draft manuscript. At the beginning of 1851, the story was written in St. Petersburg and in February it was published in the Sovremennik magazine.

Analysis of the work

Plot

The story is told from the perspective of the author, who loves to hunt. One day in July, while hunting for black grouse, he got lost and, walking towards the fire of a burning fire, came out into a huge meadow, which the locals called Bezhin. Five peasant boys were sitting near the fire. Having asked them for an overnight stay, the hunter lay down by the fire, watching the boys.

In the further narration, the author describes five heroes: Vanya, Kostya, Ilya, Pavlusha and Fyodor, their appearance, characters and stories of each of them. Turgenev was always partial to spiritual and emotionally gifted people, sincere and honest. These are the people he describes in his works. Most of them live hard lives, but they adhere to high moral principles and are very demanding of themselves and others.

Heroes and characteristics

With deep sympathy, the author describes five boys, each of whom has his own character, appearance, and characteristics. This is how the writer describes one of the five boys, Pavlusha. The boy is not very handsome, his face is wrong, but the author notices a strong character in his voice and look. His appearance speaks of the extreme poverty of the family, since all his clothes consisted of a simple shirt and patched trousers. It is he who is entrusted with monitoring the stew in the pot. He speaks knowledgeably about a fish splashing in the water and a star falling from the sky.

It is clear from his actions and speech that he is the most courageous of all the guys. This boy evokes the greatest sympathy not only from the author, but also from the reader. With one twig, unafraid, at night he galloped alone towards the wolf. Pavlusha knows all the animals and birds very well. He is brave and not afraid of acceptance. When he says that it seemed to him that the merman was calling him, the cowardly Ilyusha says that this is a bad omen. But Pavel answers him that he does not believe in omens, but believes in fate, from which you cannot escape anywhere. At the end of the story, the author informs the reader that Pavlusha died after falling from a horse.

Next comes Fedya, a boy of fourteen “with beautiful and delicate, slightly small features, curly blond hair, light eyes and a constant half-cheerful, half-absent-minded smile. He belonged, by all accounts, to a rich family and went to the field not out of necessity, but just for fun.” He is the oldest among the guys. He behaves importantly, according to the right of his elder. He speaks patronizingly, as if afraid of losing his dignity.

The third boy, Ilyusha, was completely different. Also a simple peasant boy. He looks no more than twelve years old. His insignificant, elongated, hook-nosed face had a constant expression of dull, painful solicitude. His lips were compressed and did not move, and his eyebrows were knitted together, as if he was constantly squinting from the fire. The boy is neat. As Turgenev describes his appearance, “a rope carefully tied his neat black scroll.” He is only 12 years old, but he already works with his brother in a paper mill. We can conclude that he is a hardworking and responsible boy. Ilyusha, as the author noted, knew well all the popular beliefs, which Pavlik completely denied.

Kostya looked no more than 10 years old, his small, freckled face was pointed, like a squirrel’s, and his huge black eyes stood out on him. He was also poorly dressed, thin and short in stature. He spoke in a thin voice. The author's attention is attracted by his sad, thoughtful look. He is a slightly cowardly boy, but, nevertheless, he goes out with the boys every night to graze horses, sit by the night fire and listen to scary stories.

The most inconspicuous boy of all five is ten-year-old Vanya, who was lying near the fire, “quietly huddled under the angular matting, and only occasionally exposed his light brown curly head from under it.” He is the youngest of all, the writer does not give him a portrait description. But all his actions, admiring the night sky, admiring the stars, which he compares to bees, characterize him as an inquisitive, sensitive and very sincere person.

All the peasant children mentioned in the story are very close to nature, they literally live in unity with it. From early childhood, they already know what work is and independently learn about the world around them. This is facilitated by working at home and in the field, and during night trips. That is why Turgenev describes them with such love and reverent attention. These children are our future.

The writer's story does not belong only to the time of its creation, to the 19th century. This story is deeply modern and timely at all times. Today, more than ever, a return to nature is required, to the understanding that we must protect it and live in unity with it, as a beloved mother, but not a stepmother. Raise our children on work and respect for it, on respect for the working person. Then the world around us will change, become cleaner and more beautiful.

Characteristics of the Boys from the work “Bezhin Meadow” by I.S. Turgenev

Night. There are five boys in the meadow near the fire. Potatoes are boiled in a pot. Horses graze nearby. Suddenly the dogs barked and rushed into the darkness. The broad-shouldered, clumsy boy silently jumped up, jumped onto the horse and galloped after the dogs.
It was Pavel, one of the heroes of Ivan Sergeevich Turgenev's story "Bezhin Meadow". I liked Pavel more than the other guys. He was from a poor peasant family and was dressed very poorly, his face was pitted with smallpox, and his head, as they say, was as big as a beer kettle. Pavel is a little unprepossessing, but he had an iron will.
But there was something very attractive about Pavel. Especially clear intelligent look, strong voice, calmness and confidence. What makes him even more attractive is his activities. All the guys sat, and he cooked potatoes and looked after the fire. And his stories were different from the stories of other guys. Pavel always spoke only about what he saw himself; there was humor in his stories. And when he told how they were waiting for the day when Trishka the Antichrist was supposed to descend to earth, all the guys laughed.
Another of the boys I liked was Kostya. True, he differed from Paul in many ways. Kostya is two years younger than Pavel. He has a thin face, with a sharp chin, like a squirrel’s, and his big black eyes always looked a little sad, as if they wanted to say something, but there were no such words in his language. Thin, he was dressed as poorly as Pavel. And his face was tired, with a painful expression. If I found myself in the forest at night, I would probably also be afraid of the night screams. But not because, of course, he imagined goblin, but simply because it’s somehow scary in the dark.
The boys Turgenev writes about were illiterate, superstitious, and they seriously believed what Kostya, Ilyusha and Fedya said.

But I liked not only Pavel and Kostya, but also the other boys: Fedya, Ilyusha and Vanya. Fedya was one of the ringleaders, the son of a wealthy peasant. Vanya was the quietest, taciturn boy of about seven. And Ilyusha had an inconspicuous face, but he knew a lot of jokes and legends.

But they knew a lot and knew how to do: herded horses, helped adults in the field and at home, picked berries and mushrooms in the forest, Pavel felt especially good at night. He knew nature better than anyone, explained to the children what bird was screaming, who was splashing in the river.
Kostya said that he passed by the bully, and there someone moaned pitifully. Kostya got scared, imagining a merman. And Pavlik said that little frogs can scream like that.
At the same time, Kostya described nature best in his stories. He very colorfully described how the carpenter Gavrila met a mermaid in the forest. Pavel loved the real life of the forest and fields, and Kostya saw something fabulous in all this.
I, like Turgenev, liked Pavel’s humor and common sense in his speech, and Kostya’s speech was dreamy and poetic.
There was one more difference between them. Pavel was a brave, decisive boy. I already wrote at the beginning how Pavel galloped decisively on his horse. It was he who wanted to scare away the wolf, but he took nothing with him except a twig. And when he returned, he didn’t even think about boasting about his courage. And Turgenev himself even called Kostya a coward. And for good reason. After all, Kostya was afraid of everything incomprehensible, even the cry of a frog in a storm.
Kostya was a kind boy. He was very sorry for Feklista, the mother of the drowned Vasya. When Pavel went to the river, Kostya warned him and said: “Be careful, don’t fall!”
But Pavel cared about others not in words, but in reality he rushed to save not his horse, but all horses from the wolf. And I cooked potatoes not for myself, but for all the guys.

All five guys are not alike. They are very different, but still found a common language and were very friendly with each other.