Blok's love lyrics enjoy significant popularity. And by many it is revered as something worthwhile. The poem, named after the first line “About valor, about exploits, about glory...” refers to the author’s love lyrics and offers a rather banal plot. The lyrical hero talks about lost youth and love, the past years have passed just as early love has gone, they are gone irrevocably and the lyrical hero laments about this fact.
The subject of the speech begins his own monologue with a mention of the portrait of his beloved, which he eventually removes both from his own table and from his own memory. The block has two narrative threads that act as complementary factors. Along with parting, the subject of speech explores the end of youth; more precisely, there is a motive for parting, which occurs with both love and youth.
In general, the story is a rather simple situation, the girl leaves for another, Blok calls out, but receives no answer, he drowns his sadness in wine and debauchery, and after that he goes to the temple and even there he remembers his love. After this, he completely breaks up with his love and also leaves his youth. In these discussions, the lyrical hero forgets about exploits and glory and he doesn’t need anything else and worldly vanity is alien.
Probably, the symbolism of the blue cloak, as well as the combination of the portrait and the lectern, have some significance, and Blok could well have encrypted some details and double meanings into this narrative. However, to my taste, the poem looks almost meaningless and empty, most of all similar to the whining of a jaded metropolitan dandy who is alien to the noble struggle for love and any achievements.
In a sense, such an interpretation may seem rather primitive, but, if you look at it, the lyrical hero is nothing more than a simple person who wasted his own youth and missed his own opportunities. His situation is bleak, but most of all I am outraged and saddened by the attitude of the subject of speech towards the woman who rejected him. He easily parts with this memory and erases it from his own memory; such instability in his views largely explains his lack of intention to fight for love and, in general, a more or less courageous attitude towards life.
Option 2
Alexander Blok is a brilliant Russian symbolist poet at the turn of the 19th and 20th centuries, like others when he wrote love lyrics based on his impressions of his own love in life.
He compared his love with the knightly ideal of the Beautiful Lady. The purpose of his life was constant service to this ideal.
However, over the years, the image of the Lady gradually changed. In 1906, the poem “Stranger” was written, where this is already visible. In two years, Blok also wrote the sad poem “About valor, about exploits, about glory.” In it, the poet is sad for the lost ideal.
If you carefully analyze the work, you will notice that it looks like a love letter. The first line in the verse repeats the last, but is the opposite of it. Kohl The main character turns to the woman who left him, to his lost love. He bitterly regrets that time cannot be returned, but he is still tormented by a passionate desire to return his love.
The hero is so absorbed in love that he even forgot about his valor, exploits and glory. He compares love to his youth. Having lost love, romantic youthful dreams are also lost. The poet uses the symbol of a “terrible world” as a key symbol in his poem. The past is symbolized by the “blue cloak” in which his beloved wrapped herself and left him from home. Blok writes how his time passed after the loss. These were difficult days that dragged on like a “damned swarm.” Every day he was tormented by frustration, pity and unfulfilled passion.
The poet uses many epithets “beautiful, tender.” This is what he calls his youth and love, the images of which merge. The hero called to his departing beloved, but in vain. She didn’t even look back, didn’t condescend, and he even shed tears all the time. She left for someone else, giving him her destiny. All that remained for the hero was to forget the “beautiful face.” Blok endows the heroine with great pride, or maybe even accuses her of it. He does not know where “shelter for her pride is.” The last lines are especially bitter. The hero bitterly realizes that time is inexorable, that life is short. Youth and its attributes - glory, tenderness are gone and can no longer be returned by any means. The hero resolutely removes his beloved’s face from the table. This means that he decided to forget the past and still continue to live.
You can notice that the verse echoes Pushkin’s work “I remember a wonderful moment...” However, the ending is completely different and even the opposite of it. Against Blok's bitterness and disappointment in Pushkin, we see the awakening of the soul at the end.
Love is probably the main feeling in Blok’s work. He believed in her unusual power, and throughout his life he tried to serve her.
Analysis of the poem About valor, about exploits, about glory according to plan
“About valor, about exploits, about glory...” (1908)
The theme of love in the works of Alexander Blok occupies a lot of space. The poet always perceived love as an organic combination of joy and sadness. His ideal is a woman who is refined and sublime, proud and trusting, beautiful and tender. This image did not find earthly embodiment.
The poet was very passionate about Lyubov Dmitrievna Mendeleeva. He dedicated the cycle “Poems about a Beautiful Lady” to her. Everything that is written in it is imbued with a thirst “to see the unearthly in the earthly” (V. Bryusov). Blok dedicated poetry to this woman for six years - until 1903, when they got married. At this point, the lyrical diary addressed to the Beautiful Lady ended, and new themes and images entered Blok’s poetic world. The plot of the poem “About valor, about exploits, about glory...” and the image of its lyrical hero are autobiographical - it was written at that period of his life when Blok’s wife left for his close friend, the poet Andrei Bely.
This poem is part of the “Retribution” cycle, in which the poet predicts a quick trial and retribution for the society that enslaved a person. The first line of the poem, “About valor, about exploits, about glory...” deceives the reader’s expectations. It seems that we will be talking about high civic duty. But love experiences for the lyrical hero turn out to be no less important. The bitterness of his loss is limitless. And the mood of the work is immediately determined by the epithet: “on a sorrowful land.”
In terms of genre, the poem can be called a love letter. The lyrical hero talks with his distant lover, who left him. He perceives her portrait as a living, spiritualized image. He talks to him as if his beloved could hear these words, realize his mistake and return. Looking at the portrait of his beloved woman, the lyrical hero forgets not about his sorrows and troubles, but about valor, exploits and glory - this tells us what his soul is full of.
In the second stanza, the central image is the “treasured ring” - a traditional symbol of fidelity. The departure of his beloved causes despair - the lyrical hero throws away the “cherished ring”. The night here symbolizes darkness and the unknown. However, the meaning of the symbol can never be completely exhausted, and in this case it can be perceived more broadly: night is the time of rampant demonic forces. Despair and loss of meaning in life are described by epithets (damned swarm; damp night). The comparison tells us how much his chosen one meant to the hero: “he called you like he called his youth.”
It is symbolic that the hero remembers his beloved in front of the lectern. A lectern is a high table with a sloping top, on which icons and holy books are placed in the church. A wedding ceremony is held in front of the lectern in the temple. This image is used by the author to show how dear the oath of eternal love and fidelity is to his lyrical hero.
Having parted with his beloved, the hero lost the meaning of life. Now he is tormented by wine and passion, and this is not spiritual life, but only a sinful parody of it, which burns and devastates his soul. During this difficult period, the poet breaks with his Symbolist friends and drowns his despair in wine. But the main theme of his poems still remained love. However, the woman to whom the poet dedicates his poems is no longer the former Beautiful Lady, but a fatal temptress and destroyer. This passion burns the poet, and he cannot escape from its power.
In the last stanza of the poem we see that the lyrical hero manages to make a mature decision:
I removed your face in its simple frame from the table with my own hand.
The first line of the last stanza: “Don’t dream about tenderness, about glory...” - concludes the poem, forming a ring composition.
Blok includes in the poem his favorite blue color - “blue cloak”, which, according to Marina Tsvetaeva, was sadly loved by all of Russia. In the art of the late Middle Ages, the color blue denoted treason, which the poet was certainly well aware of.
The poem contains repetitions and refrains: a simple frame; blue cloak; damp night - each of these important details for the poet is repeated twice.
The meter of the poem is iambic pentameter. Cross rhyme.
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Being an extremely romantic person, generous with spiritual personal feelings, with his poems he literally created a school of love experiences.
Dedicating poems to his muse, his beautiful lady, the poet literally dissolves in his own emotional impulses and difficult moods. This is the highest value of his life.
Blok considered spiritual intimacy to be the pinnacle of relationships.
The history of the conception and creation of the poem
Blok’s poem “About valor, about exploits, about glory...” was created based on real events that happened to the poet himself. It is known that when he saw his future wife for the first time, the author was captivated and delighted. That is why the lyrics of this period are so passionate and so impressionable. He hoped that his marriage with the woman he loved would be happy. But everything turned out not at all as the poet planned.
But Lyubov Mendeleeva was missing something in her marriage. She became interested in someone else again and went to him. She gives birth to a son from this man, but then decides to return to the poet again. All this time they did not interrupt contact, since Alexander Blok himself insisted on friendship, for whom spiritual intimacy was always more important than physical intimacy. It is known that they knew each other from early childhood, but then, having separated for a while, they met again. After they began to live together, the poet did not want any carnal relationships, since for him it was secondary and overshadowed spiritual intimacy. Lyubov Mendeleeva was an actress who, every time, both after her tours and after new hobbies, still returned to Alexander Blok.
All these love triangles eventually spilled out into a lyrical work in 1908.
About valor, about exploits, about glory
I forgot on the sorrowful land,
When your face is in a simple frame
It was shining on the table in front of me.
But the hour came, and you left home.
I threw the treasured ring into the night.
You gave your destiny to someone else
And I forgot the beautiful face.
The days flew by, spinning like a damned swarm...
Wine and passion tormented my life...
And I remembered you in front of the lectern,
And he called you like his youth...
I called you, but you didn't look back,
I shed tears, but you did not condescend.
You sadly wrapped yourself in a blue cloak,
On a damp night you left home.
I don’t know where my pride has a refuge
You, dear, you are tender, you found...
I sleep soundly, I dream of your blue cloak,
In which you left on a damp night...
Don't dream about tenderness, about fame,
Everything is over, youth is gone!
Your face in its simple frame
I removed it from the table with my own hand.
With great sadness, the poet describes the situation in which he found himself. The departure of the beloved is a tragedy that plays out before the reader’s eyes. Complete despair and disappointment engulfs the main character in “I threw the treasured ring into the night.”
Memories remain, a bright image, and as proof that everything happened, a photograph on the table “of your face in a simple frame.” Sadness and pain of loss do not cause negative feelings. The main character remembers the bright image “in front of the lectern.” Even the fact that the beloved has left for another man does not allow her image to be tarnished.
The poet does not blame anyone for his suffering; not a single bad word is said about the departed woman. The hero has no choice but to accept his fate. With a heavy heart, he mentally lets go of the object of his adoration.
To make it easier to cope with the loss, the abandoned lyricist removes the photograph of the woman with his own hand, hoping that this will make him feel better.
Composition “About valor, about exploits, about glory...”
Blok’s entire poem is divided into three large parts: the first is the author trying to forget the woman he loves, the second is his memory of her, the third is the decision to let go. he ends up removing her photograph from his desk. The composition in the work is circular and helps the author show the present time, the past and what awaits in the future.
The poet, trying to explain his main idea to the reader, uses a large number of verbs, but all of them are used in the past tense. The poet shows that everything has already passed, and there is now no suffering in his life at all. The author talks about those feelings that he has already experienced, it’s just that the memory remains of them. The soul of the main character has now calmed down and he can even sleep, calmly and without worries.
An interesting female image is shown by Alexander Blok in just a few descriptive features. She is beautiful, gentle, independent, fearless and proud. The poet’s attitude towards her is tender, as if he is creating a deity out of her. And her photograph, like an icon, stood on his table. He dreams of her as if she were bliss; dreams of her bring joy to the poet, not suffering. Perhaps that is why the author chooses the form of a message for this poem - a declaration of love.
Expressive means
The declaration of love that sounds in Alexander Blok's poem refers to the time when they were together with the woman they loved, but now this time has passed and will never return. The author tries to use as many expressive means as possible to diversify the literary text:
★ Metaphors.
★ Anaphora.
★ Epithets.
★ Syntactic parallelism.
★ Comparisons.
★ Paraphrase.
★ Personifications.
★ Inversion.
★ Dots.
All this helps the perception of the poem. By the end of the work, the reader sincerely sympathizes with the author, sharing his tragedy.
Symbols in the poem
One of the symbols that the author successfully introduced into the text is a ring. Its main character throws himself into the night, as an indicator of a complete break. The rings that spouses gave each other are no longer a symbol of love and fidelity, so there is no need to stand on ceremony with this accessory.
The second symbol is a blue cloak, which is repeated several times in the text. The cloak is a symbol of the road, and the blue color itself is anxiety and loneliness. Blue is also the color of betrayal. For our lyrical hero, everything is mixed up from the betrayal of his beloved woman and disappointment, and Blok chooses a blue cloak to show even more clearly the tragedy of the situation.
Photography becomes a symbol of love and tenderness, and the author emphasizes “in a simple frame” several times. The author is so in love that he doesn’t care what quality the frame is. Photos are dear to my heart.
Analysis of the poem
The love story described in the poem is controversial and controversial. You can't return your former happiness. A problem that has arisen in family life is a fateful fate!
Alexander Blok treated his own wife more like a muse, like a creative inspirer. And Lyubov Mendeleeva, although she was a person of art and an actress, apparently wanted to remain an earthly woman. This was the contradiction between the spouses, so talented and so different.
For the poet, his wife is not only a source of purity. He associates it with freshness, with youth. He notes that after her departure there is a farewell to youth: “Everything is over, youth is gone!” It’s as if with the woman’s departure the main character lost all his bearings, but realized that this was the point of no return. The point of no return to youth, love, past happiness.
His hopes were dashed, which is why he removes the portrait of his beloved woman from the table at the very end of the poem. It’s difficult for him to do this, but he understands that he must. The poet showed the reader that reason still triumphed over feelings, and no matter how sad he was, he still committed the final act. This decision turned out to be the most correct and correct. Now this enormous feeling of love will no longer bring him so much pain and suffering. And maybe happiness will soon appear in his life, and sadness and tragedy will go away.
Description of the presentation by individual slides:
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Municipal budgetary educational institution Biokombinat secondary school in the village of Biokombinat, Shchelkovsky municipal district, Moscow region Analysis of the poem by A.A. Blok “On valor, about exploits, about glory...” Prepared by Irina Azimova, a student of 11th grade, p.BIOKombinat, 2017.
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Goals and objectives: . get acquainted with the poem “On Valor, About Feats, About Glory”, analyze it (ideological content, artistic features; develop the skill of analyzing lyrical text; develop the ability to work in a group; develop aesthetic taste; instill a love for Russian poetry;
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About valor, about exploits, about glory... About valor, about exploits, about glory I forgot on the sorrowful earth, When your face in a simple frame shone on the table in front of me. But the hour came, and you left home. I threw the treasured ring into the night. You gave your destiny to someone else, And I forgot your beautiful face. The days flew by, spinning like a damned swarm... Wine and passion tormented my life... And I remembered you in front of the lectern, And I called you like my youth... I called you, but you didn’t look back, I shed tears, but you didn't condescend. You sadly wrapped yourself in a blue cloak, You left the house on a damp night. I don’t know where the shelter of your pride is. You, my dear, you, gentle one, have found... I sleep soundly, I dream of your blue cloak, In which you left on a damp night... I can’t dream of tenderness, of glory, It’s all over , youth is gone! Your face in its simple frame I removed it from the table with my hand.
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Alexander Alexandrovich Blok lived and wrote in very difficult historical conditions, painfully feeling the lack of harmony in the “terrible world.” He did not feel it in his soul either. Only love could bring Blok that necessary, desired peace, without which it was impossible to live. Love was designed to eliminate chaos not only in the soul, but also in the world around the poet. Blok deified love, which revealed to him the high meaning of life. He dedicated a large number of poems to this wonderful feeling. One of them is “About valor, about exploits, about glory...”.
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This work was written in 1908. It has the structure of a ring composition: the first line repeats the last, but is opposed to it; at the conclusion of the poem, the author seems to want to repeat the first line, but he no longer thinks about valor or exploits, he is looking for at least tenderness, but does not find it either.
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The genre of the poem is a love letter. The hero turns to the woman he loves who has left him. He feels a passionate desire to return the love lost many years ago: And I remembered you in front of the lectern, And I called you, like my youth... I called you, but you did not look back, I shed tears, but you did not descend.
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It is no coincidence that the poet compares the heroine with his youth, because separation from his beloved means the loss of the former ideal, the youthful romantic dream. The heroine of the poem is called “sweet, gentle”, and her face is beautiful. But this ideal image contrasts with an imperfect, disharmonious world, with the image of a “sorrowful land” and a “cursed swarm” of days. The “terrible world”, embodied in the image of a “damp night”, turns out to be stronger than the hero and takes away his beloved. The lyrical hero is so resigned to the loss of happiness that he decides to commit a monstrous act: Your face in its simple frame I removed it from the table with my own hand.
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Those days when the beloved’s face shone were replaced by terrible days, spinning like a “cursed swarm.” The image of a “terrible world” is symbolic; it is one of the key ones in the poem. Merging with the image of a damp night, it contrasts with the “blue cloak” of the past, the cloak in which the heroine wrapped herself when leaving home, the only tangible detail associated with the heroine’s appearance. In Blok, as in the poetry of the late Middle Ages, this color symbolizes betrayal, and not so much betrayal in love as betrayal of ideals, as well as the collapse of youthful faith in the happy mystical life of the spirit, in world harmony. You sadly wrapped yourself in a blue cloak, You left the house on a damp night. I don’t know where the refuge for my pride is. You, my dear, you, gentle one, have found... I sleep soundly, I dream of your blue cloak, in which you left on a damp night...
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Days are like nights, life seems like a dream (“I’m fast asleep”). The poem contains a large number of epithets: “on a sorrowful land”, “cherished ring”, “cursed swarm”, “on a damp night”. The tenderness with which the hero remembers his beloved, comparing her with his youth: “And he called you like his youth...” is emphasized in the work with such epithets as: “beautiful face”, “you, dear”, “you , tender.” There are personifications and metaphors in the poem: “when your face in a simple frame shone on the table in front of me”, “I threw the treasured ring into the night”, “you gave your destiny to another”, “the days flew by”, “wine and passion tormented my life "
Composition
Early work of Alexander Blok. His first collection is Poems about a Beautiful Lady. It reflected the thoughts, mood and attitude of a twenty-two-year-old young man. Just look at the photograph taken in 1904. What universal sadness in the eyes! Anna Akhmatova called Alexander Blok the tragic tenor of the era.
A. Blok's first collection contains poems containing often opposing views on the world.
Vladimir Solovyov had a great influence on the poet and his work. The idea of two worlds and the feminine principle did not leave Blok. The poet's desire to comprehend the world was reflected in his early lyrical works. The world is ruled by the feminine principle; it is eternal, imperishable. According to Blok, a person in a state of love breaks through to the higher spheres of existence. The poet's love is a constant expectation.
The first collection contains the admiration and service of fate to the eternal Beautiful Lady and the expectation of love. But over time, the realization comes that it is impossible to meet the harmonization of the world that rules the universe. There is a break between the poet and the Lady, which the poet experiences very hard. The bright dream is replaced by hopelessness and incomprehensibility. Symbols such as blizzard, whirlwind, and blizzard appear. The flickering light of the lantern symbolizes the local world, white countries, dawns, azure, other places that go back to the early lyrics of A. Blok. Bloody, red, crimson tones appear. The city appears before the reader's eyes in a mystical appearance. The hero's knightly armor is replaced by a harlequin costume. Instead of a bowing monk, there is a laughing jester, a fantastic, ghostly vision: A black man was running around the city... For Blok, ordinary, everyday life is intertwined with the mystical, unreal.
But, despite the contradictory thoughts, the main motives and views of A. Blok’s early poems were preserved throughout the poet’s entire work. The cycle of poems about the Beautiful Lady is an attempt to merge the individual soul of the poet with the world soul. The collection of Poems about a Beautiful Lady has three sections, internally interconnected; through them, as it were, the dramatic movement of the poet’s creative thought is carried out: these are the sections-chapters Stillness, Crossroads, Damage.
The first section, Stillness, contains poems directly addressed to the Beautiful Lady. The title was distributed similar to the poem by V. Solovyov Poor friend! The path has exhausted you...:
Death and Time reign on earth,
Don't call them rulers;
Everything, spinning, disappears into the darkness,
Only the sun of love is motionless.
And the very concept of immobility Blok gives a deep philosophical meaning, and in his poetic allegory it has many shades. The most undoubted of them expresses the idea of constancy, fidelity, knightly service, yurg! desiring the most important, intimate and unspeakable.
Oh, Holy One, how tender the candles are,
How pleasing are Your features!
I can't hear neither sighs nor speeches,
But I believe: Darling You.
Stillness is a poetic prologue to Blok’s entire work. It is here that the story of the Knight’s sacrificial love for the Beautiful Lady is told, and at the same time this is a true, real, earthly story of A. Blok’s love for L. D. Mendeleeva. In Stillness, a sacred theme for Blok arises: the poet and his ideal of the Beautiful (the fusion of Good, Beauty, Truth), to which he was faithful all his life.
The love story of a Knight and a Beautiful Lady is dramatic from beginning to end. The plot movement of the first book is based on the initial and ever-increasing drama, hidden in the very nature of the heroes, and above all in the character of the Beautiful Lady. Her appearance is changeable, she is incomprehensible. This motive emerged immediately, in the second poem of the collection, I Anticipate You...
... But I’m scared: You will change your appearance.
This prophetic poem is a tuning fork to all lyrics. It prophesies not only the future damage to the Beautiful Lady
... impudently arouse suspicion,
Having changed the usual features at the end,
But also the future inevitable path of the lyrical hero:
Oh, how I will fall both sadly and low,
Without overcoming deadly dreams!
The poem ends with a couplet that expresses the tragic inconsistency of Blok’s hero:
How clear is the horizon!
And radiance is close.
But I’m scared: You will change your appearance.
The poem I kept them in John's chapel... was written the day after L. D. Mendeleeva agreed to become Blok's wife. ... Something has happened that has never happened before, something that I have been waiting for for four years... Blok wrote in his diary.
And then the vaults lit up with an evening ray.
She gave me the Royal Answer.
In the second section of the collection, which Blok called Crossroads, the tonality and rhythm change sharply, and Blok’s Petersburg, his City, appears. In Stillness, attention is drawn to the extraordinary merging of the poet with the natural world. This merger is similar to I. Bunin’s worldview.
Perekrestki reflected a sharp turn in Blok's lyrics. The Crossroads section opens with the meaningful and frankly daring poem Deception, far from the radiance of the first part of the collection. Instead of the pink dawns of the factory fumes, the red color catches the eye: a red dwarf, a red cap, a red sun: Red slingshots are placed along the streets. Soldiers spank...
The following poems increasingly develop the theme of deception, the theme of the city in which vice and death are concentrated. The red tones are even more intensified: the bloody sun, the red limits of the city, the red wiper, the drunken scarlet water. In the poem City in Red Limits..., dedicated to his best friend Evgeniy Ivanov, who also experienced a painful love-hate for the city of Peter, Blok thickens the colors to such an extent that before us is no longer a city, but a gray-stony body with a dead face, a bell with bloody tongue.
The poems in this section Everyone shouted at the round tables..., The light in the window was shaking..., I went out into the night... anticipate Blok, the poet of the Terrible World. Here the tragic themes of farce, harlequin, and duality appear.
Not believing the admiration
Alone with the darkness
At the brooding door
The harlequin laughed.
Blok explains that duality, that is, the splitting of the human soul, crossroads, crossroads, comes from a precise understanding of the tragic dialectics of life at the turn of the century. Crossroads, Crossroads, Crossroads are also synonyms for the historical turn of the late 19th century and the beginning of the new 20th century.
In one of his last letters, Blok said prophetic words for him, which can be attributed equally to his past, present and future, to his entire life: ... art is where there is damage, loss, suffering, cold. This thought is always there. The title of the final section of the cycle of Poems about the Beautiful Lady Damage contains exactly this meaning, which was mentioned in the letter.
The first poem that opens the final section of the book, Ecclesiastes. This is a frank story about the inevitability of disaster. The epigraph to the poem was taken by Blok from the Bible.
Everything is confused with wild fear.
People and animals crowded together.
And they close the doors in vain
Hitherto looking out the window.
It doesn't hurt mommy, pink babies,
Mommy herself lay down on the rails.
To a kind person, a fat neighbor,
Thank you, thank you. Mom didn't help...
It would seem that here the Beautiful Lady disappears, giving way to the heroine of the harsh, dramatic everyday life of the city. But here is the elegy When I retire from time... does not let me forget this magical image. Moreover, if we consider A. Blok’s work as a whole, then this poem is perceived as a harbinger of Blok’s elegy About valor, about exploits, about glory..., which opens the lyrical book Night Hours.
The collection ends with the poem Dali is blind, the days are without anger... This poem in its tone resembles a poem from the cycle of Prayer, placed by Blok at the end of the first section of Stillness We are guarding at the entrance to the tower... It picks up the last lines of the Prayer:
Let's silently tie our hands together,
Let's fly into the azure.
