Emperor Nicholas I. Photo: www.globallookpress.com
On December 19, 1833, on the day of St. Nicholas, the first official performance of the Russian national anthem “Prayer of the Russian People” took place, which went down in history as “God Save the Tsar!”
The appearance of the official anthem in the Russian Empire is associated with the victory in the Patriotic War of 1812 and the glorification of Emperor Alexander I.
In 1815, V. A. Zhukovsky published his poem “The Prayer of the Russians,” dedicated to Alexander I, in the magazine “Son of the Fatherland.” The first line of this poem was the words: “God save the Tsar.” In 1816, A. S. Pushkin added two more stanzas to the poem. On October 19, 1816, they were performed by students of the lyceum to the music of the English anthem. Thus, the text of the “Prayer of the Russian People,” the Russian anthem, was practically created, but when it was performed, the music remained English. With this music, military bands in Warsaw greeted Alexander I, who arrived there in 1816. For almost 20 years, the Russian Empire officially used the melody of the English anthem.
Emperor Nicholas I, the first Russian monarch of modern times, who understood the need to create a state ideology, commissioned his court composer A.F. Lvov to write the music for the anthem. At the same time, the Emperor remarked: “ It’s boring to listen to English music that has been used for so many years.” A.F. Lvov recalled:
Count Benckendorff told me that the Emperor, regretting that we do not have a national anthem, and, bored with listening to the English music that has been used for so many years, instructs me to write a Russian anthem. I felt the need to create a majestic, strong, sensitive hymn, understandable to everyone, bearing the imprint of nationality, suitable for the Church, suitable for the troops, suitable for the people - from the learned to the ignorant.
The difficulty of the task was that the national anthem is not just a musical and poetic work performed on special occasions. The anthem is a symbol of the state, reflecting the worldview and spiritual mood of the people, their national idea.
On March 21, 1833, the newly appointed new Minister of Public Education S.S. Uvarov for the first time promulgated in his circular the then famous formula “Orthodoxy, Autocracy, Nationality” as an expression of the official ideology approved by the Sovereign.
Therefore, Zhukovsky’s lines expressed this ideology in the best possible way. However, the text of the poem was greatly shortened.
Today, many people mistakenly sing the original long version of the anthem. In fact, “God Save the Tsar” consisted of only two quatrains:
God save the Tsar!
Strong, sovereign,
Reign for glory, for our glory!
Reign to the fear of your enemies,
Orthodox Tsar!
God save the Tsar!
Before his death, Zhukovsky wrote to Lvov:
Our double work together will outlive us for a long time. A folk song, once heard, having received the right of citizenship, will remain alive forever as long as the people who appropriated it live. Of all my poems, these humble five, thanks to your music, will outlive all their brothers.
The first listening to the anthem took place in the Imperial Court Singing Chapel in St. Petersburg, where Emperor Nicholas I, Empress Alexandra Feodorovna, Tsarevich Alexander Nikolaevich and the Grand Duchesses arrived on November 23, 1833. The performance was carried out by court singers and two military bands. Thanks to the sublime, choral melody, the anthem sounded extremely powerful.
The appearance of the official anthem in the Russian Empire is associated with the victory in the Patriotic War of 1812 and the glorification of Emperor Alexander I. www.globallookpress.com
The Emperor listened to the music several times and really liked it. The Emperor approached A.F. Lvov, hugged him, kissed him deeply and said:
Thank you, it couldn't be better; you completely understood me.
The first public performance of the National Anthem took place in Moscow at the Bolshoi Theater on December 6 (19), 1833.
The orchestra and the entire theater troupe took part in the performance of the “Russian Folk Song” (as the anthem “God Save the Tsar!” was named in the poster). This is how an eyewitness described this memorable evening:
I am returning now from the Bolshoi Theater, delighted and touched by what I saw and heard. Everyone knows Zhukovsky’s Russian folk song “God Save the Tsar!” Lvov composed music for these words. As soon as the words of the chant “God Save the Tsar!” were heard, all three thousand spectators who filled the theater rose from their seats, following the representatives of the nobility, and remained in this position until the end of the singing. The picture was extraordinary; the silence that reigned in the huge building breathed majesty, the words and music so deeply affected the feelings of all those present that many of them shed tears from excess emotion. Everyone was silent during the singing of the new anthem; it was only clear that everyone was holding back their feelings in the depths of their souls; but when the theater orchestra, choirs, regimental musicians numbering up to 500 people began to repeat together the precious vow of all Russians, when they prayed to the Heavenly King for earthly things, I could no longer restrain the noisy delight; The applause of the admiring spectators and the cries of “Hurray!”, mingling with the choir, orchestra and the brass music that was on stage, produced a roar that seemed to vibrate the very walls of the theater. These animated delights of Muscovites devoted to their Sovereign only stopped when, at the unanimous universal demand of the audience, the people's prayer was repeated several times. For a long, long time this day in December 1833 will remain in the memory of all residents of Belokamennaya!
The anthem was performed for the second time on December 25, 1833, on the day of the Nativity of Christ and the anniversary of the expulsion of Napoleon’s troops from Russia, in all halls of the Winter Palace in St. Petersburg during the consecration of banners and in the presence of high military ranks. On December 31 of the outgoing year, the commander of the Separate Guards Corps, Grand Duke Mikhail Pavlovich, gave the order:
The Emperor was pleased to express his permission to play newly composed music at parades, parades, divorces and other occasions instead of the currently used anthem, taken from national English.
By the Supreme Decree of December 31, 1833, it was approved as the National Anthem of Russia. The Emperor ordered that on the day of the liberation of the Fatherland from enemies (December 25), the Russian anthem should be performed annually in the Winter Palace.
On December 11, 1833, the first public orchestral and choral performance of the anthem “God Save the Tsar” took place at the Bolshoi Theater in Moscow. The next day, rave reviews appeared in the newspapers. Director of the Moscow Imperial Theaters M.P. Zagoskin wrote:
I cannot describe to you the impression that this national song made on the audience; all the men and women listened to her standing, shouting “Hurray!”
The anthem was performed several times.
The majestic and solemn official anthem of the Russian Empire "God Save the Tsar!" existed until the February Revolution of 1917.
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The appearance of the official anthem in the Russian Empire is associated with the victory in the Patriotic War of 1812 and the glorification of Emperor Alexander I. “In honor” was then in Russia the melody of the English anthem “God Save the King,” as mentioned above. Some musical works glorified the Russian victorious Tsar. Similar songs appeared already in 1813: “Song to the Russian Tsar” by A. Vostokov with the melody of the English anthem contained the following words: “Accept the crown of victory, Father of the Fatherland, Praise be to you!”
In 1815 V.A. Zhukovsky wrote and published in the magazine “Son of the Fatherland” a poem called “The Prayer of the Russians,” also dedicated to Alexander I. Someone believes that this was a translation from English, at least of the first line - “God Save the Tsar” (“God Save the Tsar” (“God Save the Tsar”). God save the king." In 1816 A.S. Pushkin added two more stanzas to the poem. On October 19, 1816, they were performed by students of the Lyceum to the music of the English anthem. Thus, on the occasion of the celebration of the anniversary of the Lyceum, Zhukovsky’s translation received an original continuation written by Pushkin. Zhukovsky supplemented his work in 1818 - it was performed at a public exam for students of the St. Petersburg gymnasium.
Thus, the text of the “Prayer of the Russian People,” the text of the Russian anthem, was practically created, but when it was performed, the music remained English. With this music, military bands in Warsaw greeted Alexander I, who arrived there in 1816. From that time on, the Emperor was ordered to always play the anthem when meeting the sovereign. For almost 20 years, the Russian Empire officially used the melody of the English anthem.
Usually the history of the creation of the official anthem of the Russian Empire is explained by the whim of Emperor Nicholas I, who allegedly said: “It’s boring to listen to English music, which has been used for so many years...” It has already been noted that Nicholas I was extremely interested in the issue of Russian state attributes, strengthening them, giving weight to monarchical symbols. It is unlikely that he decided to create a “folk song” out of boredom.
The tsar chose a person close and devoted to him as the author of the music - A.F. Lvov, although he could have chosen the number one Russian composer - M.I. Glinka. It is believed that some kind of secret competition was organized, about which the composer’s stepmother Lvova recalled: “We knew that many people compose new music to these (?) words, that even the Empress sings and plays these compositions, that the Tsar hears and does not say a word " Contemporaries in their memoirs call M.Yu. Vielgorsky and M.I. Glinka, who supposedly wrote the music of the hymn. However, the latter later reported that no one instructed him to write the anthem.
Alexey Fedorovich Lvov
Alexey Fedorovich Lvov was born in Reval in 1798 into an aristocratic and musical family. His father, F.P. Lvov, was the director of the Court Singing Chapel. Alexey Fedorovich received a good musical education and studied violin. However, by the will of fate, after graduating from the Corps of Railway Engineers in 1818, he entered military service - in the military settlements of the Novgorod province under the command of A.A. Arakcheeva. Lvov continued to study music, in particular, he made a new orchestration of Pergolesi’s Stabat Mater, which was performed in St. Petersburg at the Philharmonic Society. For this he receives the honorary title of composer of the Bologna Academy.
Lvov tried more than once to leave the service and focus only on music. However, he could not refuse the chief of gendarmes A.Kh. Benckendorf and went to serve in the Ministry of Internal Affairs, convincingly asking, however, for the benefit of the service, “not to use him in secret matters,” for which he was incapable. In 1826, he was seconded to the retinue of Nicholas I, first to “carry out affairs related to voyages,” and then became the manager of the affairs of the Imperial Apartment. He took part in the war with Turkey of 1828-1829, participated in the battles near Varna, receiving his first military awards. In 1832, Lvov was enlisted in the honorary Cavalry Regiment, he commanded the royal convoy, accompanying the king on all trips.
From that time on, he became close not only to the emperor, but also to his family, accompanying the princess’s singing on the violin and participating in home concerts of the imperial family.
It was to him that Nicholas I approached through Benckendorff with a proposal to try to write a “Russian anthem.” This happened in 1833 after the Tsar returned from Austria and Prussia. Lvov recalled that the task seemed very difficult to him, especially when he thought about the majestic English anthem. “I felt the need,” Lvov wrote, “to create a majestic, strong, sensitive hymn, understandable to everyone, bearing the imprint of nationality, suitable for the church, suitable for the troops, suitable for the people - from the scientist to the ignorant.”
Although all these thoughts worried and frightened the young musician, one evening, returning home, he sat down at the table - and in a few minutes the hymn was written. Here, as we see, A.F. Lvov became like Rouget de Lisle. Zhukovsky provided practically already existing words, “tailoring” them to the melody. This is how the masterpiece of Zhukovsky - Lvov appeared. The text consisted of only 6 lines:
Strong, sovereign,
Reign for our glory;
Reign to the fear of your enemies,
Orthodox Tsar!
However, thanks to its sublime, choral melody, it sounded exceptionally powerful.
On November 23, 1833, the Tsar with his family and retinue specially arrived at the Singing Chapel, where the first performance of the anthem music composed by Lvov took place with court singers and two military bands. After listening to the melody several times, the king liked it, and gave the order to “show” it to the general public.
On December 11, 1833, at the Bolshoi Theater in Moscow, the orchestra and the entire theater troupe took part in the performance of the “Russian Folk Song” (as the anthem “God Save the Tsar” was named in the playbill). The next day, rave reviews appeared in the newspapers. This is what the director of the Moscow Imperial Theaters M.P. says about the historical premiere. Zagoskin: “At first the words were sung by one of the actors, Bantyshev, then repeated by the whole choir. I cannot describe to you the impression that this national song made on the audience; all the men and ladies listened to her standing; first “hurray” and then “foro” thundered in the theater when it was sung. Of course, it was repeated...”
On December 25, 1833, on the anniversary of the expulsion of Napoleon's troops from Russia, the anthem was performed in the halls of the Winter Palace during the consecration of banners and in the presence of high military officials. On December 31 of the outgoing year, the commander of the Separate Guards Corps, Grand Duke Mikhail Pavlovich, gave the order: “The Emperor was pleased to express his permission to play newly composed music at parades, reviews, divorces and other occasions, instead of the currently used anthem, taken from national English.”
On August 30, 1834, a monument, the Alexander Pillar, was opened on Palace Square in St. Petersburg in honor of the victory over Napoleon in the War of 1812. The grand opening of the monument was accompanied by a parade of troops, before which the Russian anthem “God, the Tsar” was performed for the first time in such an official setting keep it."
In 1840, Lvov went on vacation, and as a non-military person, an artist. He performed concerts in Germany, England, France and everywhere else with great success; Mendelssohn, Liszt, and Schumann admired his talent as a violinist. The latter, in the article “Alexey Lvov,” wrote: “Mr. Lvov is a violinist so remarkable and rare that he can be put on a par with the first performers in general.”
The music of the hymn “God Save the Tsar” quickly became famous in Europe. The musical theme of the anthem varies in several works by German and Austrian composers. In Russia P.I. Tchaikovsky “quotes” him in two musical works - “Slavic March” and the “1812” overture, written in 1880 and performed on the occasion of the consecration of the Cathedral of Christ the Savior in Moscow.
Lvov, favored by the sovereign (he received a precious snuff box with diamonds, and later a motto for the coat of arms: “God Save the Tsar”), is engaged in active musical activity, writes church music, creates several operas, violin concerts, and songs. After the death of his father, he “inherited” the court singing chapel, created a wonderful ensemble and school of singing skills, and then the St. Petersburg Symphony Society.
In military service, he also received ranks - aide-de-camp to the Tsar, two years later - colonel, and in 1843 - major general.
However, the authorship of the creation of the national anthem came from A.F. Lviv the greatest glory. His co-author understood this very well. Shortly before the death of V.A. Zhukovsky wrote to A.F. Lvov: “Our joint double work will outlive us for a long time. A folk song, once heard, having received the right of citizenship, will remain alive forever as long as the people who appropriated it live. Of all my poems, these humble five, thanks to your music, will outlive all their brothers. Where have I not heard this singing? In Perm, in Tobolsk, at the foot of Chatyrdag, in Stockholm, in London, in Rome!
The music of the anthem was not to the liking of the famous critic V.V. Stasov, she did not delight M.I. Glinka, but A.F. Lvov forever entered the galaxy of Russian composers, as evidenced, in particular, by the painting by I.E. Repin, hanging on the landing of the stairs at the Moscow Conservatory. The painting is called “Slavic Composers”, and in it, along with Glinka, Chopin, Rimsky-Korsakov and others, the author of the official Russian anthem A.F. is depicted in an embroidered court uniform. Lviv.
The national anthem is not just one of the symbols of the country, it is also a reflection of the era. The main song of the state should contain not just a set of memorable words, but also certain ideological postulates of its time. This is exactly what the anthem “God Save the Tsar,” which was the main song of Russia from 1833 to 1917, successfully did.
For the first time in Russia they thought about their own anthem at the end of the 18th century, after victories in the Russian-Turkish wars. In 1791 the poet Gabriel Derzhavin, inspired by the capture of Ishmael by the army under the command of Alexandra Suvorova, wrote the song “Roll the Thunder of Victory.” Created the music for the work Osip Kozlovsky, and within a short time the song gained extremely great popularity in Russia. I liked the song and, so to speak, “at the very top.” Thanks to this, “Roll the Thunder of Victory” became the unofficial anthem of the Russian Empire for a quarter of a century. Unofficial, because no one made an official decision about this.
A new patriotic impulse swept Russia after the victory in the war with Napoleon. Famous writer and statesman, mentor of the Tsarevich Alexander Nikolaevich, future emperor Alexandra II, Vasily Andreevich Zhukovsky wrote in 1815 the poem “Prayer of the Russian People”, which began with the following terms:
God save the Tsar!
The glorious one has long days
Give it to the earth!
The work, the first two stanzas of which were published in the magazine “Son of the Fatherland” for 1815, was to the taste Alexander I, and in 1816 it was approved as the official anthem of the Russian Empire.
True, a purely Russian incident occurred here. The anthem had lyrics but no original music. However, the emperor and those close to him decided that the music of the English anthem “God save the king” would be quite suitable for this.
Photofact AiF
Pushkin and incorrect borrowing
Vasily Andreevich Zhukovsky, an incredibly talented man, remained in history in the shadow of his younger friend and another genius - Alexander Sergeevich Pushkin. And, imagine, even Pushkin indirectly participated in the story with the anthem.
In the same 1816, when Zhukovsky’s text became the national anthem, the Tsarskoye Selo Lyceum celebrated its 5th anniversary. The director of the institution turned to the lyceum student Pushkin, who wrote his loyal poem called “The Prayer of the Russians.” The young poet added two verses of his own to Zhukovsky’s original lines.
It is important to note that the text of the anthem approved by Alexander I was also called “The Prayer of the Russians,” which gave rise to subsequent confusion.
Zhukovsky was very unlucky in this story. Some believe that his “Prayer of the Russian People” is a free translation of the text of the English anthem, others point to Pushkin, believing that the “Sun of Russian Poetry” is the real author of the anthem. Although, if we can talk about “incorrect borrowing,” it would be by Pushkin from Zhukovsky, but not vice versa.
Photo fact: AiF
Lvov, Zhukovsky and a drop of “Sun”
For the next 17 years, Russia lived with an anthem with words by Zhukovsky and British music, until the next Russian emperor Nicholas I after one of his foreign visits, he did not ask a very logical question: how long will the Russian anthem have someone else’s music?
According to legend, a competition was supposedly organized among the best Russian composers, at which the music was chosen. In fact, Emperor Nikolai Pavlovich did not deign to compete. In his circle at that time there was Alexey Lvov, a talented composer and violinist who successfully combined music studies with public service. The emperor commissioned him to write music. Lvov was inspired by the idea and created music, as they say, on the fly.
Photofact AiF
And then Vasily Andreevich Zhukovsky did what the creator of the Soviet anthem would later repeat Sergei Vladimirovich Mikhalkov— he wrote a corrected version of the text:
God save the Tsar!
Strong, Sovereign,
Reign for glory, for our glory!
Reign to the fear of your enemies,
Orthodox Tsar!
God save the Tsar!
When they say that Alexander Sergeevich Pushkin was the author of the anthem “God Save the Tsar,” they mean the line “Strong, sovereign,” which was not in the first version of Zhukovsky’s anthem. But the line “strong power” was in the text written by Pushkin at the Lyceum.
Photofact AiF
The most enduring anthem
The new version of the anthem was first heard on December 18, 1833 under the title “Prayer of the Russian People” and received the highest approval. Since 1834 it has become the official anthem of the Russian Empire.
Today, “God Save the Tsar” is the most enduring national anthem. It existed in this status for more than 80 years.
The extreme laconicism of the anthem is striking - only six lines, designed to be repeated three times in verses, and 16 bars of music. As they say, everything ingenious is simple.
After the revolution of 1917, “God Save the Tsar” disappeared from the life of our state for a long time, returning about 40 years later. In Soviet cinema, the anthem was performed either by ideological monarchists (strongly negative characters) or by positive heroes who used it to achieve their goals. This was most clearly manifested in the film “New Adventures of the Elusive,” where a Soviet intelligence officer, trying to establish contacts with a white counterintelligence officer, asks the artists in a restaurant to perform “God Save the Tsar,” which turns into a fabulous fight between representatives of different political views. It must be said that this film episode could easily be repeated in our present life, if someone suddenly suddenly wants to perform “God Save the Tsar” in a restaurant.
In 1833, Prince Alexei Fedorovich Lvov accompanied Nicholas I during His visit to Austria and Prussia, where the Emperor was greeted everywhere with the sounds of the English march. The Emperor listened to the melody of monarchical solidarity without enthusiasm and upon his return instructed Lvov, as the musician closest to Him, to compose a new anthem. And in 1833, to the anthem “God Save the Tsar!” Russian composer A.F. Lvov (1798–1870) wrote another melody. This was done by order of the Tsar, who did not like the fact that the Russian anthem sounded to the melody of the English one. Zhukovsky also had to redo the original words.
On November 23, 1833, the Tsar with his family and retinue specially arrived at the Singing Chapel, where the first performance of the anthem music composed by Lvov took place with court singers and two military bands. After listening to the new anthem, the emperor approached A.F. Lvov, hugged him, kissed him deeply, and said:
"Thank you, thank you, lovely; you completely understood me."
Another eyewitness to the execution recorded almost the same words of the emperor:
“It couldn’t be better, you completely understood me.”
The Emperor, repeating several times: "C" est superbe! 1833 The deeply moved sovereign granted A.F. Lvov a gold snuffbox studded with diamonds with his own portrait.
Only six lines of text and 16 bars of melody were easy to remember and were designed for verse repetition - three times.
The history of the creation of the Russian Anthem "God Save the Tsar..."
Our wonderful colleague Evgeniy Aleksandrovich Rusanov wrote a very useful research article about the pre-revolutionary anthem of Russia “God Save the Tsar...”. I was attracted by many of the facts and historical references he presented. The message also attracted attention: “Vasily Andreevich Zhukovsky, “doomed by nature to songs”* in 1808 (he was 25 years old) wrote the verse “Hymn”, where the scale of the poet’s state thinking was already revealed and the main features of the high theme were outlined. After 7 years, Zhukovsky deservedly stood at the origins of the creation of the National Anthem.”
Let us pay attention to the fact that this was the time of the reign of Emperor Alexander I in Russia, whose 240th anniversary we are celebrating this year (born December 12, 1777 - old style). Rescue from an evil Masonic conspiracy when his father, the great reformer Paul I, who tried to guide Russia along the path of social prosperity by increasing the responsibility of the nobility for the lives of other classes, was killed, was followed by a careful, verified strategic policy. The Emperor organized state and public councils everywhere, created new collegial governing bodies, consistently increased the state budget, and developed education. The sovereign himself became wise day by day.
Russia was developing rapidly. Of course, this caused a certain envy and concern among its neighbors for maintaining the previous alignment of world forces. The main concerns came from England and France, who entered into the struggle for hegemony in Europe, for the possession of colonies, and therefore for world domination. They understood that without bringing Russia to their side, such hegemony would not take place. Attempts to attract Russia to its side on the part of France led to opposition from England and the death of the Russian emperor as a result of a funded conspiracy with guarantees of escape in case of failure. Alexander Pavlovich, faced with vile hypocrisy and the danger of the death of the entire family (remember that, in addition to Empress Maria Feodorovna, 10 children of the emperor were subject to death), realized that open actions could not correct the situation. I had to enter into an alliance with England, Prussia and Austria. This caused a negative reaction from Napoleonic France, which, under speculative revolutionary slogans, tried to cause discord in the governments and court circles of the surrounding countries. Moreover, in order to attract the elites of European countries to their side, they had to promise the property and income of their sovereigns. The latter were supposed to be removed from power and income, and if they disagreed, subjected to revolutionary execution.
In godless Europe, shocked by the Great French Revolution (1789), when sovereigns, clergy and their children, who were supposedly impossible to re-educate, were subjected to mass guillotining, this seemed possible. But in Russia there were other values of life and preserved traditions of their priority. In Russia, the Orthodox Church was very strong, which nourished the population during the creation of each family from matchmaking to dormition, raised and educated new generations, consecrated all state institutions up to the Anointed of God the Sovereign Emperor himself and His Crowned Family.
It is characteristic that it was precisely during these harsh years of our confrontation with France, when the battles of Preussisch-Eylau (January 1807) and Friedland (June 1807) in Prussia took place, that Vasily Andreevich Zhukovsky composed the original Hymn “Prayer of the Russian People.” The poetic style and music of the Anthem were borrowed, since there was no experience in creating this kind of work in Russia. The author of a study on the creation of the Anthem writes: “Since the second half of the 18th century, most European states greeted their Monarchs with a melody borrowed from the British: “God save the King”** (“God save the King!”). The British anthem, with minor changes in melody and text variations, became the basis for the national anthems of Denmark in 1750, Prussia in 1793, Germany in 1801 and Switzerland in 1830. The British Royal Anthem, with various modifications, was also adopted by twenty-five German-speaking principalities and states. In fact, “God save the King” became the common anthem of the European Crown Bearers.”
Russia also had to move away from the march of the “Preobrazhensky Regiment”, approved by Peter the Great. New times - new songs.
The melody of the Russian Anthem was taken from English and spread to the Russian army after the victory in the Patriotic War of 1812.
Today, as we celebrate the 205th anniversary of the Victory, it is important to recognize the origins of the Anthem and its original dedication to the Russian Emperor Alexander I, to whom, after the capture of Paris on March 19/31, 1814 and the subsequent capitulation of France on March 25/April 6, 1814, the Governing Senate of Russia approved addition to the name - Blessed. However, our humble emperor did not accept this gift, just as he did not accept the wish of the French to become their king! In addition, he banned the Russian governors from all demonstrations and fireworks on the way to the return of the Russian army to their homeland after the victory. In November 1825, he faked his death and went on a pilgrimage under the name of Feodor Kuzmich. The latter has been proven by research by historians (Doctor of Historical Sciences Marina Mikhailovna Gromyko) and will someday be made public.
Further, the author of a modern study of the anthem E.A. Rusanov writes: “In 1815, in the magazine “Son of the Fatherland” V.A. Zhukovsky publishes a poem called “The Prayer of the Russians”! In 1816, he also supplemented the anthem on behalf of Emperor Alexander I himself, who was the initiator and creator of the European unification of countries - the “Holy Union” based on the principles of Christian faith and morality.
The researcher then continues: “…. In 1818, two years later, V.A. Zhukovsky added five more verses to the Anthem.....
... It remains a mystery why later this blessed text, this brilliant example of National Traits, fell out of the official anthem of Imperial Russia. After all, each of these five couplets contains, first of all, a moral foundation, without which the existence of a state is unthinkable, where the highest Goal of the Nation is not material enrichment, but “Life Above Heaven”!”
However, the complete completion of the anthem was carried out by the same Zhukovsky in 1833, after the celebration of the 20th anniversary of the Victory. Obviously, these two events cannot be separated in any way! The music was composed by composer Alexey Fedorovich Lvov.
The author further states that the first public performance of the anthem in Moscow took place on December 11, 1833. Sorry, but this is on the eve of the next anniversary of the birth of Emperor Alexander I (December 12, 1977). Such was the respect for the great strategist emperor who delivered Europe from Napoleonic tyranny. Here it should be noted that his successor, Emperor Nicholas I, named after Him his first-born son, the future Emperor Alexander II, and his daughter Alexandra.
Researcher Rusanov quotes words from the newspaper “Molva” (No. 148, December 12, 1833): “Yesterday, December 11, the Bolshoi Petrovsky Theater witnessed a magnificent and touching spectacle, a triumph of the reverent love of the Russian people for the Russian Tsar...
... Waiting was the main, dominant feeling. Finally, the curtain rose, and the huge stage of the theater, before the eyes of the audience, was filled with a magnificent group, stretching to four hundred people. In addition to the singers, the entire Russian drama troupe, the theater school, in a word, everything that had a voice, that could sing, united and formed an extraordinary, unique choir. The full orchestra of the theater was supplemented by regimental music and a chromatic orchestra (of trumpeters). At the first blow, an involuntary attraction made all the spectators rise from their seats. The deepest silence reigned everywhere while Mr. Bantyshev sang the opening word in his clear, clear voice. But when, after this, the thunder of the regimental orchestra burst out, when at the same instant the whole wondrous mass of singing voices merged with it, the unanimous “Hurray!”, which burst out in an instant from all lips, shook the high arches of the huge building. The thunder of applause began to argue with the thunder of the orchestra... everything demanded repetition... And again the same clicks, the same applause were heard!.. It seemed that one soul was trembling in the agitated mass of spectators, that was the cry of Moscow! Cry of Russia! ... God save the Tsar! This cry will forever remain Russia’s rallying cry on the path to perfection and glory!”
To this wonderful epilogue of research, it should be added with bitterness that, unfortunately, today our state does not celebrate the 205th victory in the Patriotic War of 1812 and the 240th anniversary of the Birthday of the Savior of Europe, Russian Emperor Alexander I the Blessed. Apparently, we should repeat the famous words of Nicholas II, the Passion-Bearer: “There is treason, cowardice and deceit all around.”
Only by curing these and other disorders, getting rid of liars and traitors, restoring the traditional family culture, which gave birth to geniuses like Lomonosov and Suvorov, Kutuzov and Dokhturov, the crowned Paul I, Alexander I and Nicholas I, is our revival and the next VICTORY possible.
And now we present the words from the complete Anthem of Russia, presented by the respected author, which he recommends to carefully consider, learn and perform everywhere during the celebrations! Otherwise we won't have any luck!
Full text of the article about the research of the author E.A. Rusinov will be additionally presented on the website “Society of Descendants of Heroes of the Patriotic War of 1812” - http://potomki-1812.ru.
GOD SAVE THE KING!
Prayer of the Russian People
Full text of the Anthem
Music by Alexey Fedorovich Lvov,
Words by Vasily Andreevich Zhukovsky
God save the Tsar!
Strong, Sovereign,
Reign with glory
To our glory.
Reign to the fear of your enemies,
Orthodox Tsar!
God save the Tsar!
God save the Tsar!
The glorious one has long days
Give it to the earth, give it to the earth!
Proud to the humbler,
Guardian of the weak,
Comforter of all -
Everything has been sent down!
First-power
Orthodox Rus'
God bless, God bless!
The kingdom is harmonious for her,
Calm in power!
Still unworthy
Get away!
The army is blasphemous,
Glory's chosen ones,
God bless, God bless!
To the avenging warriors,
Honor to the saviors,
To the peacemakers -
Long days!
Peaceful warriors,
Guardians of truth
God bless, God bless!
Their life is exemplary,
Unhypocritical
Faithful to valor,
Remember!
Oh, Providence!
Blessing
It was sent down to us, it was sent down to us!
Striving for good
In happiness there is humility,
Patience in sorrow
Give it to the earth!
Be our Intercessor,
Faithful Companion
See us off, see us off!
Light-wonderful,
Heavenly Life,
Known to the heart
Shine on your heart!
God save the Tsar!
Strong, Sovereign,
Reign with glory
To our glory.
Reign to the fear of your enemies,
Orthodox Tsar!
God, bring back the Tsar!
