It’s rare that a lyricist does not touch on the theme of “The Beautiful Lady.” Here is Alexander Blok, the first poetry collection which was published in 1905, he called it that way - “Poems about To the beautiful lady».
The idea of giving such a name to the cycle was suggested to the author by the Russian poet Valery Yakovlevich Bryusov. Censorship did not have a hand in the poet's collection; this happened thanks to the patronage of E.K. Medtner, the future famous head of the Musaget publishing house, with whom the author subsequently maintained friendly relations.
"Poems about a Beautiful Lady" consists of three sections, related to each other: “Stillness”, “Intersections”, “Damage”.
The first section, “Stillness,” contains poems directly addressed to the Beautiful Lady. “In the very concept of “Immobility” Blok puts a deep philosophical meaning, and in his poetic allegory it has many shades. The most undoubted of them expresses the idea of constancy, fidelity, knightly service to the Beautiful Lady.” This section of the collection “selects the most lyrically strong, responsible, sharp-sounding poems.”
Singing dream, blooming color,
Vanishing day, fading light.
Opening the window, I saw lilacs.
It was in the spring - on a flying day.
Flowers began to breathe - and onto the dark cornice
The shadows of jubilant robes moved.
The melancholy was suffocating, the soul was busy,
I opened the window, trembling and trembling.
The second section of the collection, called “Crossroads”, has a different plan. The palette and rhythm change significantly, St. Petersburg appears in Blok’s vision. Before us is his City. If “Stillness” is all about the village, about the wonderful world of Nature, then “Crossroads” is about a certain turn that the author made. Already the opening poem “Deception”, its title, will tell us a lot. The radiance of the lines is behind, the significance and outright audacity are ahead. Instead of pink dawns there is factory fumes, red light rushes into the eyes.
Morning. Clouds. Smokes. Overturned tubs.
Blue dances merrily in the light streams.
Red slingshots are placed along the streets.
The soldiers spank: one! two! once! two!
Section “Damage”, the third in a row - of the transition plan. There is a new collection of poems ahead - “Unexpected Joy”.
“In one of his later letters (spring 1914), Blok uttered prophetic words for him relating to equally to his past, present and future, to his entire life, along which he walked “the path of truth: “... art is where damage, loss, suffering, cold. This thought always guards...” Name final section The book “Poems about a Beautiful Lady” - “Damage” - contains exactly this meaning, which was mentioned in Blok’s letter.
« The present is around you, a living and beautiful Russian girl“- this is what Blok wrote to his bride, making comments to the collection about the “Beautiful Lady”. The release of this poetic work by Blok did not go unnoticed. One of the first critics of the poet was his friend Andrei Bely ( conflict situations at that time there was no relationship between them). " There are people here in Moscow who put you at the head of Russian poetry. You and Bryusov are the most necessary poets for Russia».
Every person, to one degree or another, has a sense of beauty, a desire for beauty. At all times, the personification of this was a woman, as we can judge from ancient myths and legends. A special cult of women, ladies, developed in the Middle Ages, during the era of chivalry. Let us remember Don Quixote, who, in the name of his Dulcinea, committed a variety of, sometimes fantastic and absurd, acts. The great Dante and Petrarch immortalized the images of their beloved Beatrice and Laura in sublime, enthusiastic verses.
In Russian poetry silver age The cult of women was embodied primarily in the poetry and philosophy of Vladimir Solovyov. In his mind, a woman personified the image of the World Soul, the Eternal Wife, Sophia the Wise, and was a symbol of harmony, reason, love and beauty. The Cult of Eternal Femininity received further development in the works of Alexander Blok, for whom Vladimir Solovyov became a spiritual teacher. It was Blok who wrote the unusually lyrical and tender poems about the Beautiful Lady.
Alexander Blok made his debut in poetry as a traditional romantic, and his early poems contained corresponding motifs: alienation from the crowd, disappointment in life, disbelief in happiness. And suddenly, in the darkness of unbelief and blindness, She appears - “clear”, “radiant”, “illuminated”, “golden”. Blok describes her in the same way as icon painters usually depict the Mother of God surrounded by radiance. At the same time, the prototype of the Beautiful Lady was a real, completely earthly woman - Lyubov Dmitrievna Mendeleeva.
At first glance, there is nothing in common between the “heavenly” Mother of God and the poet’s “earthly” beloved. But in his mind, there is a connection between them, and this connection is mystical. Just like the romantic poets, Blok recreates the image of a real woman in accordance with his ideal, turning her into a Beautiful Lady, into a Madonna. The poet himself (the lyrical hero) appears before us, according to Yu. Aikhenvald’s definition, “a knight and a pilgrim.”
He has a presentiment of the Mother of God, follows “in the footsteps of her blue paths,” breaking ties with reality and being transported to a completely different world - the world of “dreams and fogs,” the world of dreams. Blok called the cycle of poems about the Beautiful Lady a “closed book of existence,” which reflected a journey through the “countries of the soul” at the “early morning dawn.” “Poems about a Beautiful Lady” convey a special—prayerful—state of the hero’s (author’s) soul, a state of inner contemplation. Blok’s lyrical hero contains the entire Universe, his soul is equal in size to the universe:
I don't care - the Universe is in me...
Blok contrasts this ideal world with the real one. It is in the realm of the ideal that he seeks salvation from the vulgarity and rudeness of earthly existence:
I'm looking for salvation.
My lights burn on the heights of the mountains -
The entire area of the night was illuminated.
But brightest of all is the spiritual gaze in me
And you are far away.
The Beautiful Lady is the undivided mistress of the poet’s soul, the motive of insight is associated with her (“I am here at the end, filled with insight”); she opens the way for him to comprehend Eternity, being her messenger:
I'm just waiting for a conventional vision,
To fly off into another void...
In many poems of the cycle, the image of the Beautiful Lady is incorporeal, unsteady, barely perceptible, perceived not so much by sight (internal) as by hearing (also internal):
The wind brought from afar
Your sonorous songs...
Thus, the Beautiful Lady becomes a link between the earthly (alien) and heavenly (native) worlds. We see that the lyrical hero values earthly attributes little - with all his being he strives upward. Let us turn to the poem “I Enter dark temples" The entire poem is imbued with a solemn mood, the hero is waiting to meet her “in the flickering of red lamps.” As you know, red is the color of fire and passion. The soul of the one awaiting the appearance of the Beautiful Lady is filled with this passion: “I tremble from the creaking of the doors.” He unbearably wants to see Her, but he knows that this is impossible:
And the illuminated one looks into my face
Only an image, only a dream about Her.
This invisible presence is more valuable to the hero than the real one. Moreover, he is afraid of a real meeting, as evidenced by, for example, a line from the poem “I Anticipate You”:
But I’m scared: You will change your appearance.
The poet understands that the earthly embodiment of a dream is impossible without the destruction of the ideal.
As we see, the image of the Beautiful Lady has more heavenly than earthly features: it seems sublime, absolutely inaccessible and incomprehensible. And yet the earthly is present in him. This is indicated by addressing Her as “you,” earthly epithets (“sweetheart”), and some features that make Her appearance visible: “virgin robe,” “white dress,” “pale beauty.” In some poems, the poet fits the image of the heroine into the real earthly landscape:
We met you at sunset
You cut through the bay with an oar.
With all his upward aspiration, Blok’s lyrical hero cannot completely break with the earth. Moreover, he begins to be burdened by this gap and strives to “overcome dreams and fogs” in the name of gaining reality. That is why Blok called “Poems about a Beautiful Lady” the beginning of the “trilogy of humanization.”
The cycles of “Poems about a Beautiful Lady” (1901-1902) primarily correspond to Blok’s lively, hot, intense feeling for L. D. Mendeleeva. This worship of her completely captured the poet and turned into the creation of poems, which became the beginning of Blok’s creative path as an already established original artist. In poems about the Beautiful Lady, the poet praises her and endows her with divinity, immortality, expressed in the boundlessness of her power, the omnipotence of feelings and deeds, the incomprehensibility of her plans for a mortal man, and the wisdom of her actions. Pozt sees all these qualities in his Beautiful Lady, who is now “in an imperishable body on goes to earth" The block echoes Vl’s spells. Solovyov, who in his philosophical research affirmed divinity Feminine and the great power of the Eternal Feminine.
Pozt thought of his life as a prayer service to his beloved; he later said: “... I met her here, and her earthly image, completely in no way disharmonious with the unearthly, aroused in me... a storm of triumph...” (1918). From now on, the poet sees himself in the image of a knight who has made a vow of eternal service to his beloved, his Beautiful Lady, and worships only her:
I enter dark temples, in the shadow of a high column
I perform a poor ritual.
I wake up from the creaking of doors.
There I am waiting for the Beautiful Lady, who looks into my face, illuminated,
In the flickering of red lamps. Only an image, only a dream about Her.
Subject to this passion-obsession and completely captured by it, the poet sees absolute perfection in the Beautiful Lady, her really visible features seem to him heavenly and divine. For the poet she is the “Mistress of the Universe”, at whose feet all the lands stretch:
I am a trembling creature. The rays of what angels flew down,
Illuminated, dreams become rigid. Who is quiet at the threshold...
Before Your depths In You they lurk in anticipation
My depths are insignificant. Great light and evil darkness -
You don’t know what the goals are, the key to all knowledge.
You hide in the depths of Your Roses, And the delirium of a great mind.
(“I am a trembling creature...”, 1902)
In “Poems about a Beautiful Lady,” Blok obediently bows his knees before Her, plunging into his “fairy tales and dreams.” He is always ready to serve the “Majestic Eternal Wife,” whose earthly image is inseparable from the one that flickers on icons in the radiance of lamps and gold vestments; he passionately desires to meekly carry out her will, which is sacred to him. It seems to him: the creation of miracles is in her power, she just has to wish them! In prayerful adoration before the Beautiful Lady, the poet rushes to the heavenly, forgets about everything earthly. Sometimes the poetics of these verses coincide in their solemnity with church hymns, psalms, and prayers:
Here is humility in the vestments of chastity,
I make vows. Oh holy one! where are you?
Love, the beginning that connects the poet with the deity, for Blok takes on grandiose, universal, “supratemporal” scales, alien to ordinary earthly dimensions.
In “Poems about a Beautiful Lady,” the words sound, the sound has a certain “divine” color: among the “unfaithful shadows of the day,” a “high and distinct bell ringing” is heard. Often, among the “fussy affairs of the world,” the poet strives to hear at least the most distant echo of the “voices of other worlds,” those worlds that are the only true existence, next to which everything earthly and “perishable” seems like a shadow and a ghost:
You will pass here, touch a cold stone,
Dressed in the terrible holiness of the ages,
And maybe you'll drop a flower of spring
Here, in this darkness, near the strict images.
Captivated by the legend about the kinship of souls doomed to an eternal search for each other, the poet believes that his soul... in silence... with tireless hearing catches... the distant call of another soul...
Blok does not need either “gold” or “bread”; all this is just a shadow before the “fixed sun” of his love:
A new day is not one that beats. Then we will open the doors,
With the wind blowing through the windows in spring! And we’ll cry and we’ll sigh,
Let our winter losses laugh incessantly
An unprecedented day in the window! Let's carry it with a light heart...
Alexander Blok is a symbolist poet who lived at the turn of the century, in time of troubles, when there was a reassessment of values, a revision of the principles of life. And suddenly “Poems about a Beautiful Lady”? In times of protests, repression, suppression of a person, as an individual, whether you are a peasant or a nobleman. At such times, I wanted to somehow escape from reality. It was precisely the writers who began to resort to symbolism in order to find an outlet, they began to resort to the mystical and unreal.
Poems about a Beautiful Lady - history of creation
Blok found his outlet in love, in that feeling that inspires and lifts to heaven. In love for the “Beautiful Lady,” which he began to write down on sheets of paper. This is how Blok’s “Poems about a Beautiful Lady” appeared. In each of his works, he sought salvation, hid from the dullness of everyday life, and he succeeded. When he wrote, he found himself in a heavenly place, in the world of love for the “Beautiful Lady,” whose image he created in his thoughts and began to worship him “sometimes as a servant, sometimes as a darling; and forever a slave,” as the poet writes in poetry.
Blok was afraid that real world he will not find such a woman, the image he created will be lost: “But I’m afraid: You will change your appearance.” However, Blok continues to search for the “Beautiful Lady”, he looks for her everywhere, hears her voice, her breathing on the streets, looks for her gaze and finds her. He finds a much more beautiful woman, real, alive.
He met his happiness, his love in the form of Lydia Mendeleeva. His love began to be reflected on paper with even greater zeal. He was afraid to scare her away, he didn’t want her to fly away like a butterfly, so he just watched her for a long time, admired her from afar, but he understood that this was the same woman, the same “Great Eternal Wife,” his soul mate “not audible.” , not a word, but I believe: Darling - You." And he decided to propose. Over the years, the feelings did not fade away, but only flared up, as evidenced by the works included in the cycle called “Poems about a Beautiful Lady.”
To whom did Blok dedicated Poems about a Beautiful Lady?
Answering the question: “To whom did Blok dedicated “Poems about a Beautiful Lady,” we can say with confidence, to her, Lydia Mendeleeva, who lived with him until his last breath. Only for her alone wonderful feeling Such wonderful masterpieces were dedicated to love.
A brief analysis of Blok's early lyrics in Poems about the Beautiful Lady
Working on Blok’s “Poems about a Beautiful Lady” and doing analysis, we can say that “two worlds” are intertwined here: heaven and earth, material and spiritual. All the poems are filled with sublime feelings; here one feels a break with reality, the creation of unearthly ideals. When you read poems about a beautiful woman, you begin to understand all the feelings that the poet experienced and it seems as if you are reading his life, because it’s not in vain early lyrics Blok’s “Poems about a Beautiful Lady” was called the poet’s lyrical diary.
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Every person, to one degree or another, has a sense of beauty, a desire for beauty.
At all times, the personification of this was a woman, as we can judge from ancient myths and legends. A special cult of women, ladies, developed in the Middle Ages, during the era of chivalry. Let us remember Don Quixote, who, in the name of his Dulcinea, committed a variety of, sometimes fantastic and absurd, acts. The great Dante and Petrarch immortalized the images of their beloved Beatrice and Laura in sublime, enthusiastic verses.
In Russian poetry of the Silver Age, the cult of women was embodied primarily in the poetry and philosophy of Vladimir Solovyov. In his mind, a woman personified the image of the World Soul, the Eternal Wife, Sophia the Wise, and was a symbol of harmony, reason, love and beauty. The Cult of Eternal Femininity was further developed in the work of Alexander Blok, for whom Vladimir Solovyov became a spiritual teacher. It was Blok who wrote the unusually lyrical and tender poems about the Beautiful Lady.
Alexander Blok made his debut in poetry as a traditional romantic, and his early poems contained corresponding motifs: alienation from the crowd, disappointment in life, disbelief in happiness. And suddenly, in the darkness of unbelief and blindness, She appears - “clear”, “radiant”, “illuminated”, “golden”. Blok describes her in the same way as icon painters usually depict the Mother of God surrounded by radiance. At the same time, the prototype of the Beautiful Lady was a real, completely earthly woman - Lyubov Dmitrievna Mendeleeva.
At first glance, there is nothing in common between the “heavenly” Mother of God and the poet’s “earthly” beloved. But in his mind, there is a connection between them, and this connection is mystical. Just like the romantic poets, Blok recreates the image of a real woman in accordance with his ideal, turning her into a Beautiful Lady, into a Madonna. The poet himself (the lyrical hero) appears before us, according to Yu. Aikhenvald’s definition, “a knight and a pilgrim.”
He has a presentiment of the Mother of God, follows “in the footsteps of her blue paths,” breaking ties with reality and being transported to a completely different world - the world of “dreams and fogs,” the world of dreams. Blok called the cycle of poems about the Beautiful Lady a “closed book of existence,” which reflected a journey through the “countries of the soul” at the “early morning dawn.” “Poems about a Beautiful Lady” convey a special—prayerful—state of the hero’s (author’s) soul, a state of inner contemplation. Blok’s lyrical hero contains the entire Universe, his soul is equal in size to the universe:
I don’t care - the Universe is in me...
Blok contrasts this ideal world with the real one. It is in the realm of the ideal that he seeks salvation from the vulgarity and rudeness of earthly existence:
I'm looking for salvation.
My lights burn on the heights of the mountains -
The entire area of the night was illuminated.
But brightest of all is the spiritual gaze in me
And you are far away.
The Beautiful Lady is the undivided mistress of the poet’s soul, the motive of insight is associated with her (“I am here at the end, filled with insight”); she opens the way for him to comprehend Eternity, being her messenger:
I'm just waiting for a conventional vision,
To fly off into another void...
In many poems of the cycle, the image of the Beautiful Lady is incorporeal, unsteady, barely perceptible, perceived not so much by sight (internal) as by hearing (also internal):
The wind brought from afar
Your sonorous songs...
Thus, the Beautiful Lady becomes a link between the earthly (alien) and heavenly (native) worlds. We see that the lyrical hero values earthly attributes little - with all his being he strives upward. Let us turn to the poem “I Enter Dark Temples.” The entire poem is imbued with a solemn mood, the hero is waiting to meet her “in the flickering of red lamps.” As you know, red is the color of fire and passion. The soul of the one awaiting the appearance of the Beautiful Lady is filled with this passion: “I tremble from the creaking of the doors.” He unbearably wants to see Her, but he knows that this is impossible:
And the illuminated one looks into my face
Only an image, only a dream about Her.
This invisible presence is more valuable to the hero than the real one. Moreover, he is afraid of a real meeting, as evidenced by, for example, a line from the poem “I Anticipate You”:
But I’m scared: You will change your appearance.
The poet understands that the earthly embodiment of a dream is impossible without the destruction of the ideal.
As we see, the image of the Beautiful Lady has more heavenly than earthly features: it seems sublime, absolutely inaccessible and incomprehensible.
nevertheless, the earthly is present in him. This is indicated by addressing Her as “you,” earthly epithets (“sweetheart”), and some features that make Her appearance visible: “virgin robe,” “white dress,” “pale beauty.” In some poems, the poet fits the image of the heroine into the real earthly landscape:
We met you at sunset
You cut through the bay with an oar.
With all his upward aspiration, Blok’s lyrical hero cannot completely break with the earth. Moreover, he begins to be burdened by this gap and strives to “overcome dreams and fogs” in the name of gaining reality. That is why Blok called “Poems about a Beautiful Lady” the beginning of the “trilogy of humanization.”
In life she is strict and angry.
Virgo, Dawn, Kupina.
Fog rises, the skies turn red.
I'm waiting for a call, looking for an answer,
God have mercy, night souls!
.
And I wait silently, yearning and loving.
Without overcoming deadly dreams!
And there they rejoice in victory
How deceitful you are and how white you are!
Finishing the day's activities,
You look quiet, strict,
In the eyes of a past dream.
I chose a different path -
I’m walking, and the songs are not the same...
Soon the evening will approach,
And the night - towards fate:
And I will return to You.
Dear project participants, we present to your attention an article about the poetry collection of A.A. Blok - “Poems about a Beautiful Lady.” After all, this first collection of poetry by the poet, which brought him fame, is inspired by love, and all 687 poems included in it are dedicated to his beloved.
Blok began creating this collection in 1901, in the summer. He himself called this summer “mystical.” There were two main reasons for this. It was during this summer that he met Lyubov Dmitrievna Mendeleeva, the daughter of the great chemist Mendeleev, and fell passionately in love with her. And the second reason is that 1901 is the year the poet became acquainted with the philosophy and poetry of Vladimir Solovyov.
One of the main ideas in Solovyov’s philosophy was the idea of searching for Eternal Femininity - the embodiment of goodness, truth and beauty. It is this idea that forms the basis of Blok’s poetry collection “Poems about a Beautiful Lady.” In it, the author calls the Beautiful Lady differently - Mysterious Virgin, Radiant Vision, Dawn, Bush, Majestic Eternal Wife, Saint, Princess, Eternal Hope, Eternal Spring, Incomprehensible, Unattainable, Guardian - and all these epithets are certainly with capital letter. In this alone we already see the height to which the poet raises the image of his beloved.
You are white, unperturbed in the depths,
In life she is strict and angry.
Secretly anxious and secretly loved,
Virgo, Dawn, Kupina.
The main antithesis of the collection is He and She – the lyrical hero and the Beautiful Lady. He personifies earthly beginning, She is heavenly. And the plot of the entire cycle is driven by the expectation of a meeting with his beloved, a meeting that will connect the heavenly and earthly, a meeting that will transform the whole world.
Let's trace this internal movement lyrical plot, based on the poems in the collection.
Before his beloved appears, the poet paints a world devoid of any colors or sounds. (“The soul is silent, in the cold sky...”). The poet's soul is also indifferent and cold, like everything around him, like the sky itself. And just the thought of a beloved, not even her very arrival, but just the thought of it, radically changes the landscape around:
Before You they turn blue without borders
Seas, fields, and mountains, and forests,
Birds call to each other in the free heights,
Fog rises, the skies turn red.
Blok purposefully emphasizes the difference between himself and Her, designating himself a “slave” in comparison with Her and next to Her:
And here, below, in the dust, in humiliation,
Seeing immortal features for a moment,
An unknown slave, full of inspiration,
Sings you. You don't know him.
In Blok’s poetic world everything is symbolic, especially on early stage creativity. If we pay attention to the symbolism of color in this poem, we will see that the image of the heroine brings a variety of colors into the world - “The seas, fields, mountains, and forests turn blue without borders,” “the skies turn red.” Nature seems to come to life in the presence of the Beautiful Lady. In other poems at the beginning of the cycle, the colors white, gold, and azure appear.
And the only color of the earth, the bottom, is just dust.
But, realizing his “humiliation” and mundaneness in comparison with Her, He still longs for a meeting with all his soul:
I'm waiting for a call, looking for an answer,
The sky is numb, the earth is silent,
Behind the yellow field - somewhere far away -
For a moment my appeal awoke.
I wait - and a new thrill embraces me.
All brighter sky, the silence is deeper...
The night's secret will be destroyed by a word...
God have mercy, night souls!
For a moment I woke up behind a cornfield, somewhere,
My appeal is a distant echo.
I'm still waiting for the call, looking for an answer,
But strangely the silence of the earth lasts.
Around the middle of the cycle, the joyful and anxious anticipation of a meeting with his beloved begins to be mixed with a feeling of anxiety - what if the upcoming meeting does not bring the poet what he expected?
I have a feeling about you. The years pass by -
All in one form I foresee You.
The whole horizon is on fire - and unbearably clear,
And I wait silently, yearning and loving.
The whole horizon is on fire, and the appearance is near,
But I’m scared: you’ll change your appearance,
And you will arouse impudent suspicion,
Changing the usual features at the end.
Oh, how I will fall - both sadly and low,
Without overcoming deadly dreams!
How clear is the horizon! And radiance is close.
But I’m scared: You will change your appearance.
What is the cause of anxiety? Firstly, it is known that Blok was not for a long time I am completely confident in Lyubov Dmitrievna’s mutual feelings, and,
secondly, the very philosophy of the early Blok, grown on the ideas
V. Solovyov, contradicted the idea of simple earthly happiness lyrical hero and the Beautiful Lady. “Earthly” He and “heavenly” She, in principle, cannot be together.
“But I’m scared: you’ll change your appearance”- a key phrase that marks the turn of the entire plot. The poet is afraid that the Ideal will cease to be an ideal, that earth's shell will consume him and deprive him of Divine perfection.
And what happens - the premonition does not deceive the poet, the beloved actually changes her appearance:
You are different, dumb, faceless,
Hiding, casting a spell in silence.
But I don’t know what you’ll turn into,
And you don’t know if I’ll be yours
And there they rejoice in victory
Over a single and terrible soul.
According to the poet’s logic, having descended from heaven to earth, the beloved must inevitably change.
How deceitful you are and how white you are!
I like white lies...
Finishing the day's activities,
I know you will come again in the evening.
However, changed, that is, no longer so unattainably elevated, perfect, but completely earthly, real, with shortcomings, weaknesses, he needs her like air.
You look quiet, strict,
In the eyes of a past dream.
I chose a different path -
I’m walking, and the songs are not the same...
Soon the evening will approach,
And the night - towards fate:
Then my path will be overturned,
And I will return to You.
So, we see that at the beginning of the cycle the Beautiful Lady is the bearer of the Divine Principle, Eternal Femininity. Then this image decreases, becomes earthly, acquires real features, but this does not make the beloved less dear.
“Poems about a Beautiful Lady” is a kind of hymn to love and the image of the beloved, it is also a book of the poet’s personal, intimate experiences.
Blok’s poems are not easy to read and understand, and we hope that after reading this article, you will take a fresh look at this apparent complexity and pick up a volume with his poems. And perhaps you will analyze Blok’s lyrics as part of our project! Good luck to you!
Analysis of the cycle of poems – About a beautiful lady
Poems about the “Beautiful Lady” are the first step of Alexander Alexandrovich Blok in his long-term creative path from romantic symbolism to critical realism. This is his first and most brilliant achievement, in my opinion. These works are amazingly beautiful, warm and tenderly written...
Poems about the “Beautiful Lady” were written at the end of the 19th century and the beginning of the 20th century, a difficult, troubled time; time of revaluation of values, revision life principles; a time of repression and revolution, protest, humiliation and ignorance of man as an individual. Everyone suffered, from peasant to nobleman. Thus, people, exhausted by a ruthless reality, sought an outlet, peace in the mystical.
The philosophy of Solovyov, especially the thesis, had a huge influence on the formation of the worldviews of many of Blok’s contemporaries, especially the thesis: “the very love of the world is open through love for a woman... in love is our salvation...”, in the same way, our Poet, creating his small works, tried to hide from the gray, rough reality, sought salvation in the heavenly, perhaps even utopian, world of his endless love for the “Beautiful Lady”, in the beauty of her “Eternal Femininity”. The poet completely dissolved in the pool of beautiful dreams, worship of this heavenly goddess, he clearly saw every feature of her face, knew everything about the creature created by his thought, he was a slave to his dream:
I am defeated by your passions,
Weak under the yoke.
Sometimes - a servant; sometimes - cute;
And forever - a slave.
For some reason, Blok anticipated the arrival of this amazing maiden, he was afraid that on the way to reality the gentle creature would lose part of her pristine beauty:
How clear is the horizon! And radiance is close.
But I’m scared: You will change your appearance.
In fear of the terrible, burning and corroding everything in its path elemental world, Alexander Alexandrovich himself begins to look for his “Beautiful Lady”: a soft, bewitching voice in the bustling shops, quiet breathing in the noise of the never-ending street, a modest look in the crowd of passers-by... He is looking for his soulless, wordless creation - he finds an even more beautiful, real, living woman , independent and free, like the wind is light and transparent... His soul was filled with joy, hope for happiness, he wanted to take his beloved by the hand and fly to a free future. The power of beauty of Lydia Dmitrievna Mendeleeva (She was truly a “Beautiful Lady”: graceful, well-mannered. She illuminated everyone not only with the light of the goodness of her heart, but also outwardly was like a golden ray of sun in the gray dust of the present: a light brown braid neatly descended to the waist, huge sapphire eyes often woke up sincere smiles on tired faces ordinary people.) was so large and bright that he was not afraid to get hurt on the sharp thorns of all-consuming time, on the evil “rabbit-like glances of drunkards,” the mockery of the “twelve” on that long and bottomless path to the star of supreme contentment shining somewhere in the distance:
And full of treasured trembling
Long-awaited years
We'll rush off-road
Into the unspeakable light.
So the poet fell in love with an earthly woman, forever burying somewhere in the depths of his soul the image of my woman, forever burying somewhere in the depths of his soul the image of his dream. This is what he felt then:
No melancholy, no love, no resentment,
Everything has faded, passed, moved away...
AND your golden paddle.
But nevertheless, the “Beautiful Lady” was still alive, she simply reincarnated, like Blok’s feelings. They became even more sublime and at the same time closer to reality. Alexander Alexandrovich still did not fully believe in the reality of Lydia Dmitrievna’s existence. He loved her pure, sincere, divine love, trembled at the thought of scaring her away, believed that she would fly away like a butterfly if she heard steps nearby, and therefore for a very long time he simply admired the perfection of her beauty:
In the shadow of a tall column
I'm shaking from the creaking of the doors.
And he looks into my face, illuminated,
Only an image, only a dream about Her.
In those moments, the lover knew for sure that this particular girl was his “Great Eternal Wife,” the very soul mate he was lucky enough to meet at the very beginning of his life:
I can't hear neither sighs nor speeches,
But I believe: Darling - You.
It was really her. In January 1903, the solemn wedding of Alexander Alexandrovich Blok and Lydia Dmitrievna Mendeleeva took place.
With this woman great poet lived until last day his life, and until his last breath he never stopped loving her. Over the years, this feeling grew stronger; in the most difficult moments, only the thought of my beloved helped me survive and gave me the strength to rise again and again and move on towards my cherished goal, to distract myself at least a little from the evil injustice of existence:
...And there, having sharpened the axes,
Merry red people
Laughing, they lit fires...
With me is a spring thought,
I know that you are not alone...
Violins moan tirelessly
Sings to me: “Live!”
The image of a beloved girl -
A Tale of Tender Love.
This is exactly what tender feeling and illuminated the whole life path poet.
Blok was able to brilliantly portray it in his cycle of poems about the “Beautiful Lady.” Each of which is a small masterpiece, since it was written under the influence of emotions, moments, fragments... All these individual and harmonious fragments are alive, each of them breathes love, and if you listen, you can even feel the rhythm of its heartbeat:
Oh, I'm used to these robes
Majestic Eternal Wife!
They run high along the cornices
Smiles, fairy tales and dreams!
The poet poured the raging music of his feelings into poetry, and now each of us can enjoy this wonderful consonance in the cycle “About a Beautiful Lady.”
