“Prayer (I, Mother of God, now with prayer...)” M. Lermontov

MOTHER'S PRAYER
Vladimir Krupin

“A mother’s prayer will reach you from the bottom of the sea” - everyone knows this proverb, of course. But how many people believe that this proverb was not said for rhetorical purposes, but is absolutely true, and has been confirmed by countless examples over many centuries.
Father Pavel, a monk, told me an incident that happened to him recently. He told it as if everything was as it should have been. This incident struck me, and I will retell it; I think that it is surprising not only for me.
On the street, a woman approached Father Pavel and asked him to go see her son. Confess. She gave the address.
“I was in a hurry,” said Father Pavel, “and didn’t have time that day.” Yes, I must admit, I forgot the address. And a day later, early in the morning, she met me again, very excited, and urgently asked, directly begged me to go to my son. For some reason I didn’t even ask why she didn’t come with me. I went up the stairs and rang the bell. The man opened it. Very unkempt, young, it’s immediately obvious that he’s a heavy drinker. He looked at me impudently, I was in vestments. I said hello and said: your mother asked me to come to you. He jumped up: “Okay, lie, my mother died five years ago.” And on the wall there is her photograph among others. I point to the photo and say: “This is exactly the woman who asked to visit you.” He said with such a challenge: “So you came from the other world for me?” - “No,” I say, for now from this. But what I tell you
I’ll say, you do it: come to the temple tomorrow morning.” - “And if I don’t come?” - “You will come: your mother asks. It’s a sin not to fulfill your parents’ words.”
And he came. And in confession he was literally shaking with sobs, saying that he kicked his mother out of the house. She lived with strangers and soon died. He even found out later, he didn’t even bury her.
- And in the evening I'm last time met his mother. She was very happy. The scarf she was wearing was white, but before that it was dark. She thanked him very much and said that her son was forgiven because he repented and confessed and that she had already seen him. Then I myself, in the morning, went to his address. Neighbors said he died yesterday and they took him to the morgue.
This is the story of Father Pavel. But I, a sinner, think: this means that the mother was given the ability to see her son from the place where she was after her earthly death, which means that she was given the opportunity to know the time of her son’s death. This means that her prayers there were so fervent that she was given the opportunity to incarnate and ask the priest to confess and give communion to the unfortunate servant of God. After all, it’s so scary - to die without repentance, without communion.
And most importantly: it means that she loved him, loved her son, even such a drunken one who drove him out my own mother. This means that she was not angry, she was sorry, and, already knowing more than all of us about the fate of sinners, she did everything to ensure that this fate passed her son. She pulled him out from the bottom of sin. It is she, and only she, by the power of her love and prayer.

“Prayer” Mikhail Lermontov

I, Mother of God, now with prayer
Before your image, bright radiance,
Not about salvation, not before battle,
Not with gratitude or repentance,

I don’t pray for my deserted soul,
For the soul of a wanderer in a rootless world;
But I want to hand over an innocent maiden
Warm intercessor of the cold world.

Surround a worthy soul with happiness;
Give her companions full of attention,
Bright youth, calm old age,
Peace of hope to a kind heart.

Is the time approaching the farewell hour?
Whether on a noisy morning, or on a silent night -
You perceive, let's go to the sad bed
The best angel, a beautiful soul.

Analysis of Lermontov's poem "Prayer"

The poem "Prayer", written in 1839, refers to late period creativity of Mikhail Lermontov. The author is only 25 years old, but he has already been in exile and rethought own life, in which he alternately played the role of a socialite and a rowdy.

Returning from the Caucasus with the rank of cornet in the Life Guards, the poet realized that he was unable to change anything in the world that surrounded him. And the feeling of his own powerlessness forced him to turn to God, whom, despite his classical religious upbringing, Mikhail Lermontov never took seriously.

The poet's contemporaries and, in particular, Vissarion Belinsky, note that the stormy and active nature of Mikhail Lermontov very often forces him to first perform actions, and then comprehend them. A rebel in life, he didn’t even try to hide his Political Views. However, several months spent in the Caucasus made the poet indelible impression. He was not only amazed by Eastern wisdom, but also imbued with the ideas of a certain higher principle, to which the fate of every person is subject. Still remaining a rebel, Mikhail Lermontov apparently decided for himself that trying to prove to others their stupidity and worthlessness was not at all the mission that was destined for him from above. Upon returning to Moscow, he again shines at social events and even experiences some pleasure from the attention to his person from the fairer sex, who are seduced by his fame as a hero, rebel and daredevil. However, of all the young ladies, Mikhail Lermontov singles out young Maria Shcherbakova, who once tells him that only prayer addressed to God gives peace of mind and helps in the most difficult moments of life.

Of course, it would be very naive to believe that a person with the makings of an atheist will go to church or make the Psalter his reference book. Nevertheless, Mikhail Lermontov found in the words of the young lady a certain truth that was inaccessible to his understanding. And he wrote his own “Prayer,” which became one of the poet’s brightest and most lyrical works.

In this poem there are no words addressed to God, no requests, self-flagellation and repentance. However, the poet admits that ordinary words can have healing powers, cleansing the soul from sorrow, melancholy and heavy burden caused by the awareness of one’s own powerlessness. But, most importantly, Mikhail Lermontov really follows the advice of Maria Shcherbakova and begins to pray when he feels trapped in his own thoughts and experiences. An equally terrible enemy of the poet is doubt, which, however, is common to all young people. However, for Mikhail Lermontov they are something of a punishment, since they call into question not only the poet’s lifestyle, but also his goals, desires and aspirations. What if the passion for literature is an empty self-deception, and the bright ideals that identify equality and mutual respect of people are just a fiction generated by a rich imagination? But there are Pushkin and Vyazemsky, Belinsky and Kraevsky, who adhered to similar worldviews. And then, in order to dispel doubts and find spiritual support, Lermontov begins to pray, fervently, with tears and with a feeling of repentance for even allowing the thought that his fate could be different.

The poem “Prayer” is, to some extent, an attempt to come to terms with the path that is destined for the poet. But, at the same time, it strengthens his faith in own strength and, which is not excluded, a premonition of imminent death. This is repentance in verse, the meaning of which is to fight one’s own weaknesses, which force Lermontov to constantly hide his true feelings and thoughts under the guise of decency.

This article contains: poem mother’s prayer analysis - information taken from all over the world, electronic network and spiritual people.

Analysis of Sergei Yesenin's poem "Mother's Prayer" write There, an old woman prays in front of an icon. Her son in a distant land saves his homeland, And dreams bloom in the eyes of the tired, Where her hero's son lies murdered, And in the frozen hands of the enemy banner, She bowed her gray head in her hands, And from her eyes, like beads, tears are falling

Write an analysis of Sergei Yesenin’s poem “Mother’s Prayer”

On the edge of the village old hut,

There is an old woman praying in front of the icon

The old woman's prayer remembers her son,

A son in a distant land saves his homeland

The old woman prays, wipes away her tears,

And dreams bloom in the eyes of the tired

She sees a field, a field before a battle,

Where lies the murdered son of her hero

On the wide chest splashes blood like a flame,

And in the frozen hands is the enemy banner

And she froze with happiness and grief,

She bowed her gray head in her hands

And sparse gray hairs covered the eyebrows,

And tears fall from the eyes like beads

IN this poem S. Yesenin paints a portrait of a real mother. She prays day and night for the salvation of her son, who is saving the Motherland. But her mother’s heart tells her that her son will never return home. This poem reflects a portrait of a real mother who remembers and worries about her children until her last breath.

“Prayer (...)” M. Lermontov

I, Mother of God, now with prayer

Sergei Yesenin - On the edge of the village there is an old hut (Mother's Prayer)

On the edge of the village there is an old hut,

There, an old woman prays in front of the icon.

The old woman's prayer remembers her son,

No. 4 A son saves his homeland in a distant land.

The old woman prays, wipes away her tears,

And dreams bloom in the eyes of the tired.

She sees a field, a field before a battle,

No. 8 Where her hero’s son lies murdered.

On the wide chest splashes blood like a flame,

And in the frozen hands is the enemy banner.

And she froze with happiness and grief,

No. 12 She bowed her gray head in her hands.

And sparse gray hairs covered the eyebrows,

And tears fall from the eyes like beads.

Analysis of the poem

Number of characters

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Word count

Number of unique words

Number of significant words

Number of stop words

Number of lines

Number of stanzas

Classic nausea

Academic nausea

Semantic core

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If you have your own analysis of Sergei Yesenin’s poem “On the edge of the village there is an old hut” (Mother’s Prayer) - leave a comment with your option! It is necessary to determine the theme, idea and main idea of the poem, as well as describe what literary devices, metaphors, epithets, comparisons, personifications, artistic and figurative expressive means were used.

Comments

Prayer materi

Na krayu derevni staraya izbushka,

There pered ikonoy molitsya starushka.

Prayer starushki syna pominayet,

Syn v krayu dalekom rodinu spasayet.

Molitsya starushka, utirayet slezy,

A v glazakh ustalykh rastsvetayut grezy.

Vidit ona pole, pole pered boyem,

Where lezhit ubitym syn yee geroyem.

Na grudi shirokoy bryzzhet krov, what plamya,

A v rukakh zastyvshikh vrazheskoye znamya.

I ot schastya s gorem vsya ona zastyla,

Golovu seduyu na ruki sklonila.

I closed my eyebrows redkiye sedinki,

A iz glaz, kak biser, syplyutsya slezinki.

Vjkbndf vfnthb

Yf rhf/ lthtdyb cnfhfz bp,eirf,

Nfv gthtl brjyjq vjkbncz cnfheirf/

Vjkbndf cnfheirb csyf gjvbyftn,

Csy d rhf/ lfktrjv hjlbye cgfcftn/

Vjkbncz cnfheirf, enbhftn cktps,

F d ukfpf[ ecnfks[ hfcwdtnf/n uhtps/

Dblbn jyf gjkt, gjkt gthtl ,jtv,

Ult kt;bn e,bnsv csy tt uthjtv/

Yf uhelb ibhjrjq ,hsp;tn rhjdm, xnj gkfvz,

F d herf[ pfcnsdib[ dhf;tcrjt pyfvz/

B jn cxfcnmz c ujhtv dcz jyf pfcnskf,

Ujkjde ctle/ yf herb crkjybkf/

B pfrhskb ,hjdb htlrbt ctlbyrb,

F bp ukfp, rfr ,bcth, csgk/ncz cktpbyrb/

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Analysis of Mikhail Lermontov’s poem “Prayer (I, Mother of God.)”

The poem “Prayer,” written in 1839, belongs to the late period of Mikhail Lermontov’s work. The author is only 25 years old, but he has already been in exile and rethought his own life, in which he alternately played the role of a socialite and a rowdy.

The poem “Prayer” is, to some extent, an attempt to come to terms with the path that is destined for the poet. But, at the same time, this is a strengthening of his faith in his own strength and, which is not excluded, a premonition of imminent death. This is repentance in verse, the meaning of which is to fight one’s own weaknesses, which force Lermontov to constantly hide his true feelings and thoughts under the guise of decency.

Analyzes of other poems

I, Mother of God, now with prayer

Before your image, bright radiance,

Not about salvation, not before battle,

Not with gratitude or repentance,

I don’t pray for my deserted soul,

For the soul of a wanderer in a rootless world;

But I want to hand over an innocent maiden

Warm intercessor of the cold world.

Surround a worthy soul with happiness;

Give her companions full of attention,

Bright youth, calm old age,

Peace of hope to a kind heart.

Is the time approaching the farewell hour?

“Prayer (I, Mother of God, now with prayer)”, analysis of Lermontov’s poem

Prayer for a believer is an opportunity to turn to the Lord or a saint. The canonical texts of prayers were created by church ministers and devotees of Christianity. However, prayer can be a request ordinary person. The desire to find protection and help from higher powers sometimes forces even non-believers to say the words “Our Father” - the most famous prayer.

Often a prayer becomes a work of art - a poem or a piece of music. That is why the genre of prayer appeared in literature, and many poets of the 19th century and the twentieth centuries used it in their creativity. Mikhail Yuryevich Lermontov, who wrote more than one prayer, was no exception. This analysis will focus on the “Prayer” of 1837, but two more “Prayers” are also known - from 1829 and 1839. The poem of 1837 differs not only in the year of creation - it differs in the addressee.

When reading a prayer, each person turns to his own saint: some to Nicholas the Wonderworker, some to the Son of God. But more often they resort to the help of the Mother of God, calling her “Mother Intercessor.” The hero of the poem does the same, but immediately explains that he turns to her for help and prays “not for salvation, not before battle, not with gratitude or repentance,” because these are the main motives when turning to the saints.

Considering yourself unworthy and calling your soul "desert", the hero asks for "innocent maiden". Researchers of Lermontov’s work are sure that the poet means Varenka Lopukhina, the love of his life. Once in love with her, young Lermontov was going to get married, but life circumstances separated the young people.

At the insistence of her parents, the girl married a man who was much older than her: she was 20 years old, he was 37. Lermontov took the news of this very hard; according to contemporaries, he hated Bakhmetyev, Varya’s husband, ridiculing him in many of his works, and subsequently bombarded his older sister Maria with letters, although they were addressed to Varya. The poet introduced this poem in a letter dated February 15, 1838, entitled “The Wanderer’s Prayer,” explaining that it was allegedly lost in a heap of travel papers, and the poet forgot about it.

The message begins with a request for prayer not "for the soul of a wanderer in a rootless world", and for "innocent maiden", which the hero would like to give “warm intercessor of the cold world”. Thus, the image of the heroine with her defenselessness against cruel world, and the image of the hero takes on new features: before us is a person capable of showing deep participation in the fate of another.

Prayer contains a request "surround with happiness" worthy soul of the heroine, the hero asks that his beloved have "bright youth" And "deceased old age", because her "kind heart" worthy of hope, that is, hope.

In the last quatrain, the hero suddenly begins to talk about the farewell period, which the still young maiden will approach. It is then that the Mother of God must send best angel so that he takes over "beautiful soul".

If we remember the further circumstances of the lives of Lopukhina and Mikhail Yuryevich, we can once again marvel at the insight of Russian poets. It so happened that the life of both the poet and his beloved was short-lived. The poet was killed in a duel for less than 28 years, and Varvara Alexandrovna lived in marriage for 16 years, but was ill almost all the years and suffered from nervous disorders. Her health was further undermined by the news of Lermontov's death. IN recent years she refused to even go for treatment "on the water", remaining, according to the recollections of sister Maria, sick and weak, which was clearly caused by the “death of Michel.”

The poem “Prayer” is imbued with a mood of enlightened sadness, which is typical for poetry XIX century. This attitude resembles the feeling of awe that ordinary people experience to higher powers, including to the Mother of God.

It is noteworthy that this lyrical prayer written in dactyl tetrameter, just like the famous “Heavenly Clouds”. But “Clouds” are full of sadness and despair, and “Prayer,” addressed "warm intercessor", sounds measured, reverent, majestic, as an appeal to the heavenly patroness should sound.

Analysis of Lermontov's poem Prayer I am the Mother of God

T.V. Nadozirnaya, L.A. Skubachevskaya. " Prayer » (« I. Mother of God. now with

by prayer. ") Poem « Prayer" written in 1837.

Valentin Sholokhov Artificial intelligence(567516) 2 years ago

“Prayer” (“I, Mother of God, now with prayer”), a poem related to Lermontov’s mature lyricism (1837), is structured as a monologue of the lyrical hero - a plea for the happiness of a beloved woman, for her soul. During the monologue, three images emerge: the Mother of God, the lyrical hero and the one for whom he prays. In the general context of Lermontov’s lyrics, it is significant that the internal drama of the hero, a lonely wanderer with a “desert soul,” is relegated to the background, and the image of the heroine comes to the fore—her moral purity and defenselessness against the hostile forces of the cold world.” Praying for her illuminates with new side the image of the hero himself: the tragedy of spiritual loneliness did not destroy his deep participation and interest in the fate of another person. “Prayer” is imbued with an intonation of enlightened sadness associated with a special refraction of religious motifs in the poem: the existence of a “kind heart”, a kindred soul makes the hero remember another, bright “world of hope”, in which a “warm intercessor” protects the entire life path of a “worthy soul” ” and the angels overshadow her on the verge of death. At the same time, the hero rejects traditional forms turning to God with a prayer for himself (“Not for salvation, not before battle, / Not with gratitude or repentance, / Not for my deserted soul”), as if knowing in advance that grace will not touch his own “desert soul”

Analysis poems M.Yu. Lermontov " Prayer" Miscellaneous .

So, the first two quatrains are a kind of beginning,

exposition to the main text " Prayers »: I. Mother of God. now with

Analysis of the poem by M.Yu. Lermontov "Prayer".

The great poet's lyrics can be roughly divided into early and late periods. And if early works have a tinge of imitation, then, for example, later lyrics already have characteristic style features, which would later be called “Lermontov” by critics. The poet develops a thematic range (love and death, nature, civil lyrics, theme of the poet and poetry), which will henceforth contain his poems. Separate lyrical genres are also being developed - elegy, duma, “lyrical monologue”.

The last genre is especially interesting. Next to the lyrical narrative, which tends to the epic nature of the paintings, plot and picturesqueness, next to the landscape-symbolic poems in Lermontov’s lyrics, this special genre form. The “lyrical monologue” combines the characteristic features of traditional genres, but retains the inherent subjectivity of romanticism.

In Lermontov's mature lyrics, the lyrical monologue acquires the features of philosophical reflection, being the main form of expression of the lyrical hero's experience. This is the poem “Prayer”.

So, “Prayer” is a lyrical monologue of the hero asking the Mother of God for the “innocent virgin.” It may be noted that in this poem there are no verbs or pronouns indicating the gender of the person praying. But it seems that the phrase from the first quatrain: “... now with prayer... not before battle” may become an indication of the male gender of the lyrical hero.

Who is he praying for? The hero speaks of an “innocent maiden.” But who she is, what kind of relationship connects the hero and heroine is unknown. She is certainly young, and the hero, most likely, is no longer very young, or at least the age difference between them is considerable. The lines that hint at the latter circumstance are:

I don’t pray for my deserted soul,

For the soul of a wanderer, in the light of the rootless...

This could be a daughter or a lover... It is not known for sure, but it is clear that the lyrical hero has the most tender feelings towards this girl. This proves the general emotional background works, stanzas and melody of verse. The three-syllable meter of the verse (dactyl) and cross dactylic rhyme create a special melodiousness of the verse.

The addressee of the prayer is also known. Lyrical hero calls her “Mother of God,” “warm intercessor of the cold world.” This is the Mother of God, in front of whose icon the hero prays. This is indicated by the following lines:

Before your image, bright radiance...

As is known, the poem has no plot, but in “Prayer” conventional structural parts can be identified. Thus, the first two quatrains are a kind of beginning, an exposition to the main text of the “Prayer”:

I, Mother of God, now with prayer...

Not about salvation, not before battle,

Not with gratitude or repentance...

But I want to hand over an innocent maiden

Warm intercessor of the cold world...

From the introduction, the reader learns about who is praying, for whom he is praying, to whom, and where this is happening. The lines are oversaturated with nouns, so there is no dynamics in the verse. But the author creates tension that increases from line to line. This effect is achieved through anaphoric repetitions (“Not about salvation...”; “Not with gratitude...”; “Not for one’s own...”). As is known, such a syntactic pattern enhances the dynamism of poetry.

In addition, grammatically the first two quatrains are one sentence. This also welds two poetic segments together - they are read intonationally in one breath, without large caesuras.

As for the artistic and visual means of language, the poet uses them little (epithet: “desert soul”, “wanderer... rootless”, “innocent maiden”, etc.; periphrasis: “warm intercessor of the cold world”). And this despite the emotionality of the poem. In my opinion, the author does this deliberately, as he tries to convey not only the feelings of the lyrical hero, but also lively colloquial speech, which rejects pompous words and expressions. Therefore, lexically the poem is basically neutral. And to enhance the colloquial effect, the poet uses archaic words or their forms (“repentance”, “desert”, “in the light”, etc.).

These same features of vocabulary can be applied to the rest of the text of the poem.

The last two quatrains, as already noted, represent a request made by the lyrical hero:

Surround a worthy soul with happiness...

Bright youth, calm old age...

In the last quatrain, the poet uses an interesting periphrasis: “Is the time approaching the farewell hour...” This refers, of course, to death. But the lyrical hero cannot seem to pronounce this word and seriously believe that beautiful soul may die. Thus, a lyrical, piercing note of tenderness appears in the poem. In terms of emotional intensity, this quatrain is the culmination. The last epithet of the poem can be called a peculiar conclusion: “A beautiful soul.” This once again focuses attention on who the prayer is about.

This is a very sad and, at the same time, bright poem by Lermontov. I really liked it, because in it, like in many others, there is no anger at this world, no tragedy. His lines breathe complete peace and tranquility. I believe that this “Prayer” is a parting word in the life not of a beloved, but of one’s daughter. The hero speaks too warmly about the heroine; the poet’s love has never shone with such light before...

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Analysis of Mikhail Lermontov’s poem “Prayer (I, Mother of God.)”

The poet's contemporaries and, in particular, Vissarion Belinsky, note that the stormy and active nature of Mikhail Lermontov very often forces him to first perform actions and then comprehend them. A rebel in life, he did not even try to hide his political views. However, several months spent in the Caucasus made an indelible impression on the poet. He was not only amazed by Eastern wisdom, but also imbued with the ideas of a certain higher principle, to which the fate of every person is subject. Still remaining a rebel, Mikhail Lermontov apparently decided for himself that trying to prove to others their stupidity and worthlessness was not at all the mission that was destined for him from above. Upon returning to Moscow, he again shines at social events and even experiences some pleasure from the attention to his person from the fairer sex, who are seduced by his fame as a hero, rebel and daredevil. However, of all the young ladies, Mikhail Lermontov singles out young Maria Shcherbakova, who once tells him that only prayer addressed to God gives peace of mind and helps in the most difficult moments of life.

In this poem there are no words addressed to God, no requests, self-flagellation and repentance. However, the poet admits that ordinary words can have healing power, cleansing the soul of sorrow, melancholy and the heavy burden caused by the awareness of one’s own powerlessness. But, most importantly, Mikhail Lermontov really follows the advice of Maria Shcherbakova and begins to pray when he feels trapped in his own thoughts and experiences. An equally terrible enemy of the poet is doubt, which, however, is common to all young people. However, for Mikhail Lermontov they are something of a punishment, since they call into question not only the poet’s lifestyle, but also his goals, desires and aspirations. What if the passion for literature is an empty self-deception, and the bright ideals that identify equality and mutual respect of people are just a fiction generated by a rich imagination? But there are Pushkin and Vyazemsky, Belinsky and Kraevsky, who adhered to similar worldviews. And then, in order to dispel doubts and find spiritual support, Lermontov begins to pray, fervently, with tears and with a feeling of repentance for even allowing the thought that his fate could be different.

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Analysis of the poem Evgeny Baratynsky “Camp”

I, Mother of God, now with prayer

Before your image, bright radiance,

Not about salvation, not before battle,

Not with gratitude or repentance,

I don’t pray for my deserted soul,

For the soul of a wanderer in a rootless world;

“Prayer (I, Mother of God, now with prayer...)” M. Lermontov

I, Mother of God, now with prayer

Before your image, bright radiance,

Not about salvation, not before battle,

Not with gratitude or repentance,

I don’t pray for my deserted soul,

For the soul of a wanderer in a rootless world;

But I want to hand over an innocent maiden

Warm intercessor of the cold world.

Surround a worthy soul with happiness;

Give her companions full of attention,

Bright youth, calm old age,

Peace of hope to a kind heart.

Is the time approaching the farewell hour?

Whether on a noisy morning, or on a silent night -

You perceive, let's go to the sad bed

The best angel, a beautiful soul.

Analysis of Lermontov's poem "Prayer"

The poet's contemporaries and, in particular, Vissarion Belinsky, note that the stormy and active nature of Mikhail Lermontov very often forces him to first perform actions, and then comprehend them. A rebel in life, he did not even try to hide his political views. However, several months spent in the Caucasus made an indelible impression on the poet. He was not only amazed by Eastern wisdom, but also imbued with the ideas of a certain higher principle, to which the fate of every person is subject. Still remaining a rebel, Mikhail Lermontov apparently decided for himself that trying to prove to others their stupidity and worthlessness was not at all the mission that was destined for him from above. Upon returning to Moscow, he again shines at social events and even experiences some pleasure from the attention to his person from the fairer sex, who are seduced by his fame as a hero, rebel and daredevil. However, of all the young ladies, Mikhail Lermontov singles out young Maria Shcherbakova, who once tells him that only prayer addressed to God gives peace of mind and helps in the most difficult moments of life.

In this poem there are no words addressed to God, no requests, self-flagellation and repentance. However, the poet admits that ordinary words can have healing power, cleansing the soul of sorrow, melancholy and the heavy burden caused by the awareness of one’s own powerlessness. But, most importantly, Mikhail Lermontov really follows the advice of Maria Shcherbakova and begins to pray when he feels trapped in his own thoughts and experiences. An equally terrible enemy of the poet is doubt, which, however, is common to all young people. However, for Mikhail Lermontov they are something of a punishment, since they call into question not only the poet’s lifestyle, but also his goals, desires and aspirations. What if the passion for literature is an empty self-deception, and the bright ideals that identify equality and mutual respect of people are just a fiction generated by a rich imagination? But there are Pushkin and Vyazemsky, Belinsky and Kraevsky, who adhered to similar worldviews. And then, in order to dispel doubts and find spiritual support, Lermontov begins to pray, fervently, with tears and with a feeling of repentance for even allowing the thought that his fate could be different.

Prayer as a genre of lyric poetry by M.Yu. Lermontov

M.Yu. Lermontov is a very complex phenomenon in history literary life Russia. A poet who lived only 26 years and left a relatively small literary heritage, still remains an unsolved and not fully understood personality.

It was not by chance that I became interested in the poetry of this great man. I wanted to understand at least a little about his work.

As the person who created so many poems about the demon. turns to prayer lyrics. So he worked on the poem “Demon” almost all his life: it began in 1829, and last option completed only in 1839 - and this is the eighth edition! The poet lived his whole life under the terrible gaze of a demon - a gloomy spirit of evil. “And the proud demon will not leave me alone as long as I live” - this is what the young poet thought. But at the same time (in 1829) the poet turned to the genre of prayer and created beautiful poem“PRAYER” (“Don’t blame me, omnipotent”). and a few years later he creates other works with the same title.

Lermontov's prayer poems reflect the inconsistency of his religious views and are distinguished by the originality of the author’s position.

Purpose of the work: to analyze the prayer lyrics, to understand what the poet asks of God, what he prays for.

To achieve this goal, I put forward the following tasks:

1. Study the literature on this topic,

2. Analyze the poems “Prayer” of 1829, 1837, 1839.

3. Compare the poems and identify the differences between them.

2. Analysis of the poem "Prayer" of 1829.

Prayer is the heartfelt appeal of a believer to God. “Prayer is the expression of the highest Christian virtues - faith, love and hope” 2. This is a centuries-honored tradition of Christianity. The prayers that believers read in church and at home were created in ancient times by Christian ascetics, who were later recognized as holy people, the fathers of the church. Of course, every believer can turn to God in prayer, finding the right words in his heart, in his soul.

In the youthful poem “Prayer,” the poet turns with repentance to the “omnipotent”, who can blame and punish for the wrong (for intoxication with earthly passions).

Don't blame me, omnipotent

And don’t punish me, I pray, 3

But at the same time there arises “For that. ", conveying the growing tension of plea-argument, the drama of a struggle in which there is no winner and where repentance every time turns into disagreement, the assertion of one’s passions and rights.

Because the darkness of the earth is grave

With her passions I love;

For something that rarely enters the soul

A stream of your living speeches,

For wandering in error

My mind is far from you;

Because lava is inspiration

It bubbles on my chest;

For the wild excitement

The glass of my eyes is darkened;

Because the earthly world is small for me,

I'm afraid to get close to you,

And often the sound of sinful songs

God, I’m not praying to you. 4

In a rapid change of states, a tragic confrontation with the Almighty is born, a growing feeling of anxiety; broken organic connection between “I” and God, which is still recognized as life-giving

Lines from the poem

“Strait is the gate and narrow is the way that leads to (eternal) life” 7

“The earthly world is small for me” indicates complete hopelessness.

But discord with the creator was not always characteristic of the lyrical hero,

what do they point to final words: “I’ll contact you again.”

In “Prayer,” the poet’s spiritual gaze for the first time revealed the exclusivity of his life’s destiny: he felt that the path he would follow, remaining true to his “I,” would not lead him to the path of religious “salvation.” “Prayer” conveys confusion, a split in spirit between faith, calling to turn with a repentant prayer for forgiveness, and the aspirations of an ardent, proud, unreconciled soul.

So, we see that already in Lermontov’s early poems two muses appear - one demonic, which carries a mood of doubt, skepticism and leads to melancholy and boredom; the other is a muse who remembers the heavenly “holy songs.” For many years go by tense internal struggle these muses

3. Analysis of the poem "Prayer" of 1837.

In 1837, Lermontov addressed the “warm intercessor of the cold world.”

I, Mother of God, now with prayer

Before your image, bright radiance,

Not about salvation, not before battle,

Not with gratitude or repentance,

I don’t pray for my deserted soul,

For the soul of a wanderer in a rootless world;

But I want to hand over an innocent maiden

Warm intercessor of the cold world.

Surround a worthy soul with happiness;

Give her companions full of attention,

Bright youth, calm old age,

Peace of hope to a kind heart.

Is the time approaching the farewell hour?

Whether on a noisy morning, or on a silent night -

You perceive, let's go to the sad bed

Best angel beautiful soul 8.

This word is not about yourself. For his “deserted soul,” the poet is still afraid to utter the words of prayer addressed to God, but he asks the Mother of God to be the heavenly patroness of the “innocent virgin” (it is likely that in the poem we are talking about V.A. Lopukhina). How similar this already is to the faith of the Russian people, “for their friends” suffering and praying. And how precisely the poet guessed what has always lived in the soul of the Russian people: intercession in difficult times must be sought from the one who understands all human suffering - from the Mother of God.

During the monologue, three images emerge: the Mother of God, the lyrical hero and the one for whom he is praying.

The hero’s internal drama is relegated to the background, and the heroine’s image comes to the fore—her moral purity and defenselessness against the hostile forces of the “cold world.” Praying for her illuminates the hero from the other side: the tragedy of spiritual loneliness did not destroy his participation and deep interest in the fate of another person.

“Prayer” is imbued with an intonation of enlightened sadness. The existence of a “kind heart”, a kindred soul, makes the hero remember the bright “world of hope”, in which a “warm intercessor” protects the entire life path of a “worthy soul” and angels overshadow her on the verge of death. Lermontov introduced the poem into the text of a letter to M.A. Lopukhina dated February 15, 1838, entitled “The Wanderer’s Prayer”: “At the end of my letter, I send you a poem that I found by chance in a heap of my travel papers and which I liked to some extent, because I forgot it - but this is not at all proves nothing” 9.

The line “To the warm intercessor of the cold world” becomes the culmination. In it, the poet managed to concentrate one of the main ideas of his work. " Cold world“for the poet is not an abstraction, but a completely definite concept. In combination with the “warm intercessor” they create a striking antithesis. In this “Prayer” Lermontov is deeply popular, since it has long been noted that Russian prayer is mainly a prayer to the Mother of God, and through Her to Christ.

4. Analysis of the poem "Prayer" of 1839.

Two years later, in 1839, Lermontov again, for the third time, called the poem “Prayer” (“In a difficult moment of life.”).

This is not a prayer full meaning words, but the impression of prayer, the descent of grace from direct conversation with God.

In a difficult moment of life

Is there sadness in my heart:

One wonderful prayer

I repeat it by heart.

There is a power of grace

In the consonance of living words,

And an incomprehensible one breathes,

Holy beauty in them.

Like a burden will roll off your soul,

And I believe and cry,

And so easy, easy 10.

Now the demon of doubt will be rejected: “The soul is like a burden rolling away, / Doubt is far away. “This does not mean that everything in life became clear at once: the beginning of the poem speaks of a special state that was characteristic of the poet and was reflected in many of his poems. This is sadness, which used to be akin to despair, because the poet did not believe in the possibility of the existence of grace in the world.

And now the main semantic emphasis is the image of the very “consonance of living words”, which results in a “wonderful prayer”:

There is a power of grace

In the consonance of living words,

And an incomprehensible one breathes,

Holy beauty in them.

The “incomprehensible” charm and power of the holy word is the main thing that the poet wants to express. That is why it is not so important to whom the prayer is addressed and what it is about. What is more important is the result that is achieved by prayer spoken from the depths of the suffering soul:

Like a burden will roll off your soul,

And I believe and cry,

And so easy, easy.

Lermontov was finally able to comprehend such amazing lightness of soul, purified by tears of repentance, at the end of his life. life path.

Sergey Yesenin

"Poems of the 19th-20th centuries"

Sergey Yesenin - Mother's Prayer: Verse

There, an old woman prays in front of the icon.

A son saves his homeland in a distant land.

And dreams bloom in the eyes of the tired.

Where her hero's son lies murdered.

And in the frozen hands is the enemy banner.

She bowed her gray head in her hands.

And tears fall from the eyes like beads.

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Analysis of Sergei Yesenin’s poem “Mother’s Prayer”. write

There, an old woman prays in front of the icon.

A son saves his homeland in a distant land.

And dreams bloom in the eyes of the tired.

Where her hero's son lies murdered.

And in the frozen hands is the enemy banner.

She bowed her gray head in her hands.

And tears fall from the eyes like beads.

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In this poem, S. Yesenin paints a portrait of a real mother. She prays day and night for the salvation of her son, who is saving the Motherland. But her mother's heart tells her that her son will never return home. This poem reflects a portrait of a real mother who remembers and worries about her children until her last breath.

Mother's Prayer

On the edge of the village there is an old hut,

There, an old woman prays in front of the icon.

The old woman's prayer remembers her son,

A son saves his homeland in a distant land.

The old woman prays, wipes away her tears,

And dreams bloom in the eyes of the tired.

She sees a field, a field before a battle,

Where her hero's son lies murdered.

On the wide chest splashes blood like a flame,

And in the frozen hands is the enemy banner.

And she froze with happiness and grief,

She bowed her gray head in her hands.

And sparse gray hairs covered the eyebrows,

And tears fall from the eyes like beads.

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Mother's prayer - S. Yesenin

On the edge of the village there is an old hut,

There, an old woman prays in front of the icon.

The old woman's prayer remembers her son,

A son saves his homeland in a distant land.

The old woman prays, wipes away her tears,

And dreams bloom in the eyes of the tired.

She sees a field, a field before a battle,

Where her hero's son lies murdered.

On the wide chest splashes blood like a flame,

And in the frozen hands is the enemy banner.

And she froze with happiness and grief,

She bowed her gray head in her hands.

And sparse gray hairs covered the eyebrows,

And tears fall from the eyes like beads.

Mother's Prayer

On the edge of the village there is an old hut,

There, an old woman prays in front of the icon.

The old woman prays, remembers her son,

A son saves his homeland in a distant land.

The old woman prays, wipes away her tears,

And dreams bloom in the eyes of the tired.

She sees a field, this is a battlefield,

He sees his son in the field - a fallen hero.

There is a baked wound on the wide chest,

Hands clasped the banner of the enemy camp.

And she froze with happiness and grief,

She bowed her gray head in her hands.

And sparse gray hairs covered the eyebrows,

And tears fall from the eyes like beads.

Analysis of Sergei Yesenin's poem "Mother's Prayer" write On the edge of the village there is an old hut, There an old woman prays in front of the icon An old woman's prayer remembers her son, A son in a distant land saves his homeland An old woman prays, wipes away her tears, And dreams bloom in the eyes of the tired She sees a field, a field before a battle , Where the murdered son of her hero lies On her broad chest, blood splashes like flame, And in her frozen hands is the enemy banner And she froze with happiness and grief, She bowed her gray head in her hands And sparse gray hairs covered her eyebrows, And from her eyes, like beads, fall tears

Write an analysis of Sergei Yesenin’s poem “Mother’s Prayer”

On the edge of the village there is an old hut,

There is an old woman praying in front of the icon

The old woman's prayer remembers her son,

A son in a distant land saves his homeland

The old woman prays, wipes away her tears,

And dreams bloom in the eyes of the tired

She sees a field, a field before a battle,

Where lies the murdered son of her hero

On the wide chest splashes blood like a flame,

And in the frozen hands is the enemy banner

And she froze with happiness and grief,

She bowed her gray head in her hands

And sparse gray hairs covered the eyebrows,

And tears fall from the eyes like beads

In this poem, S. Yesenin paints a portrait of a real mother. She prays day and night for the salvation of her son, who is saving the Motherland. But her mother’s heart tells her that her son will never return home. This poem reflects a portrait of a real mother who remembers and worries about her children until her last breath.

Sergey Yesenin

There, an old woman prays in front of the icon.

A son saves his homeland in a distant land.

And dreams bloom in the eyes of the tired.

Where her hero's son lies murdered.

And in the frozen hands is the enemy banner.

She bowed her gray head in her hands.

And tears fall from the eyes like beads.

Texts of works, photographs, autographs and additional information on poems

for our “Collection”, provided literary portal "Poems of the 19th-20th centuries"

Sergey Yesenin

There, an old woman prays in front of the icon.

A son saves his homeland in a distant land.

And dreams bloom in the eyes of the tired.

Where her hero's son lies murdered.

And in the frozen hands is the enemy banner.

She bowed her gray head in her hands.

And tears fall from the eyes like beads.

Texts of works, photographs, autographs and additional information on poems

for our “Collection”, provided by the literary portal "Poems of the 19th-20th centuries"

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Poems by Yesenin S. A. “Mother’s Prayer”, “Threshing”, “Sea of Sparrow Voices”

Poem by S. A. Yesenin “Mother’s Prayer”

On the edge of the village there is an old hut,

There, an old woman prays in front of the icon.

A son saves his homeland in a distant land.

And dreams bloom in the eyes of the tired.

Where her hero's son lies murdered.

And in the frozen hands is the enemy banner.

She bowed her gray head in her hands.

And tears fall from the eyes like beads.

Sergei Yesenin - On the edge of the village there is an old hut (Mother's Prayer)

On the edge of the village there is an old hut,

There, an old woman prays in front of the icon.

The old woman's prayer remembers her son,

No. 4 A son saves his homeland in a distant land.

The old woman prays, wipes away her tears,

And dreams bloom in the eyes of the tired.

She sees a field, a field before a battle,

No. 8 Where her hero’s son lies murdered.

On the wide chest splashes blood like a flame,

And in the frozen hands is the enemy banner.

And she froze with happiness and grief,

No. 12 She bowed her gray head in her hands.

And sparse gray hairs covered the eyebrows,

And tears fall from the eyes like beads.

Analysis of the poem

Number of characters

Number of characters without spaces

Word count

Number of unique words

Number of significant words

Number of stop words

Number of lines

Number of stanzas

Classic nausea

Academic nausea

Semantic core

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You will be credited 100 rubles. They can pay for 50% of the first task.

Comments

Prayer materi

Na krayu derevni staraya izbushka,

There pered ikonoy molitsya starushka.

Prayer starushki syna pominayet,

Syn v krayu dalekom rodinu spasayet.

Molitsya starushka, utirayet slezy,

A v glazakh ustalykh rastsvetayut grezy.

Vidit ona pole, pole pered boyem,

Where lezhit ubitym syn yee geroyem.

Na grudi shirokoy bryzzhet krov, what plamya,

A v rukakh zastyvshikh vrazheskoye znamya.

I ot schastya s gorem vsya ona zastyla,

Golovu seduyu na ruki sklonila.

I closed my eyebrows redkiye sedinki,

A iz glaz, kak biser, syplyutsya slezinki.

Vjkbndf vfnthb

Yf rhf/ lthtdyb cnfhfz bp,eirf,

Nfv gthtl brjyjq vjkbncz cnfheirf/

Vjkbndf cnfheirb csyf gjvbyftn,

Csy d rhf/ lfktrjv hjlbye cgfcftn/

Vjkbncz cnfheirf, enbhftn cktps,

F d ukfpf[ ecnfks[ hfcwdtnf/n uhtps/

Dblbn jyf gjkt, gjkt gthtl ,jtv,

Ult kt;bn e,bnsv csy tt uthjtv/

Yf uhelb ibhjrjq ,hsp;tn rhjdm, xnj gkfvz,

F d herf[ pfcnsdib[ dhf;tcrjt pyfvz/

B jn cxfcnmz c ujhtv dcz jyf pfcnskf,

Ujkjde ctle/ yf herb crkjybkf/

B pfrhskb ,hjdb htlrbt ctlbyrb,

F bp ukfp, rfr ,bcth, csgk/ncz cktpbyrb/

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Topic SAEsenin Letter to Mother The Story of a Poem

Home > Documents > material > Topic SAEsenin Letter to mother The story of one poem

Subject : S.A. Yesenin “Letter to Mother.” The story of one poem.

Objectives: 1.To help students understand the poem.

2. Based on the text of the poem, trace how under the pen

Yesenin's poems about his mother develop into a son's prayer for his mother.

3. To achieve students’ understanding of Yesenin’s plan, to help

see the artistic details of this design.

4. To instill in students interest and respect for Russian

Epigraph: You alone are my help and joy,

You alone are an unspeakable light to me.

2. Slide - a film about Yesenin.

4. Songs “You are my fallen maple...”, “Letter to mother”.

1. Statement of the topic and purpose of the lesson.

2.Work on the topic of the lesson.

1923 Sergei Yesenin returned to his homeland. The marriage concluded with Isadora Duncan broke up. At this time it was difficult to recognize Yesenin. He has changed. Maxim Gorky, who met Yesenin abroad, wrote: “I saw Yesenin in Berlin. All that was left of the curly-haired, toy boy were very clear eyes, and even they seemed to have been burnt out by some too bright sun. Their restless gaze slid over people's faces, alternately, defiantly and disdainfully. Then suddenly embarrassed and incredulous. It seemed to me that in general he is unfriendly towards people... And he is all anxious, absent-minded, like a person who has forgotten something important and even vaguely remembers what exactly he has forgotten.”

Sing, sing. On the damn guitar

Your fingers dance in a semicircle.

I would choke in this frenzy,

My last, only friend.

Don't look at her wrists

And silk flowing from her shoulders.

I was looking for happiness in this woman,

And I accidentally found death.

The poet's path from the underworld leads him to the very bottom, and the sinner's suffering reaches its apogee here: the highest feeling, the greatest word - love - is trampled, trampled, crucified.

I didn't know that love is an infection

I didn't know that love was a plague.

Probably, this is the very point of fall, after which the ascent, the resurrection of the soul - the eternal beginning - should begin.

The last period of Yesenin’s life became the time of the true flowering of his lyrical talent. During 1924–1925, he wrote many dozens of “small masterpieces.” And almost every one of them contained a reflection of eternal truth and beauty. It was then that those very famous poems of the poet were created, which the Russian people always recognized with an unmistakable instinct in such cases as their folk songs:

“Letter to Mother”, “You are my fallen maple, icy maple...”

(The song “You are my fallen maple…” plays)

At this time, the poem “Letter to Mother” appeared.

“A mother is like the whole past life, gradually separating from a person, a foggy memory, a golden haze,” Stanislav and Sergei Kunyaev write in their book about Yesenin. “This is a blood connection that requires nothing but memory, completely devoid of egoistic energy.” Maybe that’s why even the most hardened heart in life’s storms shrinks when remembering his mother, when reading poetry or singing songs about her, albeit a stranger, but so similar to his in her love, patience, anxiety. Yesenin’s friend, writer Ivan Evdokimov, recalls the poet reading “Letters to a Mother”: “I remember how a small cold shock went down my back when I heard:

They write to me that you, harboring anxiety,

She was very sad about me,

That you often go on the road

In an old-fashioned, shabby shushun.

I looked sideways at him: the extremely sad and mournful figure of the poet was dark at the window...

I'll be back when the branches spread out

(The student reads the poem “Letter to Mother” by heart, while a slide show is shown.)

Conversation on a poem.

Yesenin developed such a piercing and exciting image of his mother only at the end of his life’s journey. Let's look at a photograph from 1925, where mother and son, Tatyana Fedorovna and Sergei, are sitting at the samovar. The poet reads his poems to her. Does Tatyana Fedorovna look like an old woman? No, before us is still strong elderly woman- a peasant woman of fifty years old, no decrepitude, no wrinkles on her face. After this meeting with Sergei, she lived another 30 long years, full of struggle for life, for the rehabilitation of her son. Why does Yesenin call her an old woman in the poem?

The roots of this transformation must be sought in the fate of the poet. In childhood, the relationship between mother and son did not work out, because due to family circumstances, he was raised by his grandmother, Tatyana Fedorovna’s mother. The mother was forced to leave her son in the care of his grandparents in order to earn money for herself and the child - she did not get along with her husband’s parents and even with him. Grandmother was meek and pious. The poet’s memory preserves the wanderers who gathered in the house and sang spiritual poems and grandmother’s tales. The grandmother loved her grandson, but the child grew up not like everyone else “not of this world”, without a mother and still unconsciously yearned for mother's love. When a few years later the family united again, the future poet could not get used to his new home and mother for a long time and often returned to his beloved grandmother. The relationship with my mother was not easy. Therefore, when the poet left home, at first he remembered her quite rarely, more often about his grandfather and grandmother. And only in 1917 Yesenin begins to feel not only a blood, but also a spiritual relationship with his mother. It is to her that he entrusts his dreams and hopes for poetic glory:

Wake me up early tomorrow

Shine a light in our upper room,

They say I'll soon be

Famous Russian poet.

For the first time, Yesenin evaluates the maternal feeling, in which love is combined with eternal care for her son, with pity and anxiety for him, evaluates it not in a childish categorical way, but gratefully. The heart of an adult. And the fate of his son was not easy: endless disappointments in friends and loved ones, confusion with revolutions, disappointment in socialism, anguish, pain, instability, illness, collapse of hopes. Where is support and refuge in this world turned upside down, if even poetry does not save you from melancholy? The mother becomes such a support, the one who will not change even in storms, wars, revolutions. This is how the poems appear: “Letter to the Mother”, “Letter from the Mother”, “Answer”, “The snowy snow is crushed and pricked”.

(Staging of the poem “Letter from Mother”)

How does the poet’s mother appear to you in the poem?

(Free expressions of students)

In Yesenin's poems, the images of mother and grandmother merge into one image. The grandmother gave life to the mother, and she gave him life and his connection with both of them is natural and indestructible. For a poet, similarity and accuracy are unimportant, because the poet creates an image - a symbol, the origins of which are in Russian national tradition. The mother becomes a symbol of childhood, home, hearth, native land. And therefore she becomes like all the mothers of the Russian land, patiently waiting for their sons and grieving over their troubles and failures.

Let us pay attention to the words of the poem, taken as an epigraph: “You alone are my help and joy, You alone are my untold light.”

Let’s compare these words with the prayer: “To whom shall I resort, guilty one, if not to You, the hope and refuge of sinners, with the hope of Your ineffable mercy and Your bounty? O Heavenly Lady! You are my hope and refuge, intercession and help.”

How are the words of the prayer related to the poem?

(Free expressions of students)

The poet refuses to pray: “And don’t teach me to pray, there’s no need!” She involuntarily comes to mind when he thinks about his mother. And he creates her bright image.

If the icon painter, creating the image of the Mother of God, magnified the Mother of the Son, who took upon himself the sins of all mankind, then Yesenin, dedicating poems to the mother, made the son’s prayer for the Mother:

Let it flow over your hut

That evening unspeakable light.

– How do you understand the expression “unspeakable light”?

(Free expressions of students)

And these words reached the heart, were engraved in the memory, forever becoming a folk song, V. Lipatov wrote one single melody, which the people accepted as their own.

(The song “Letter to Mother” plays)

– Why did this song become popular?

(When answering this question, the guys summarize everything that was said in the lesson)

A detailed description from several sources: “with Yesenin’s mother’s prayer, analysis of the poem” - in our non-profit weekly religious magazine.

Analysis of Yesenin’s poem “Letter to Mother”, key points

In the very name of the poet one can hear something clear, sincere, pure, Russian. This is what Sergei Alexandrovich was: a Russian guy with wheat-colored hair, with blue eyes. His poems, like himself, are sweet and simple. In literally every line you can hear a tender love for the homeland and its vastness. His poems warm the soul of any reader and leave no one indifferent. The poet's love came straight from his heart, as if from the depths of Russia itself.

“Letter to Mother” S. Yesenin

“Letter to Mother” Sergei Yesenin

Are you still alive, my old lady?

I'm alive too. Hello, hello!

She was very sad about me,

That you often go on the road

In an old-fashioned, shabby shushun.

And to you in the evening blue darkness

We often see the same thing:

Nothing, dear! Calm down.

This is just a painful nonsense.

So that I can die without seeing you.

I'm still as gentle

And I only dream about

So that rather from rebellious melancholy

Our white garden looks like spring.

Only you have me already at dawn

Don't wake up what was noted

You alone are my help and joy,

You alone are an unspeakable light to me.

Don't be so sad about me.

Don't go on the road so often

In an old-fashioned, shabby shushun.

The work of this poet is very multifaceted and extraordinary. However, a distinctive feature of most of Sergei Yesenin’s works is that in them he is extremely honest and frank. Therefore, from his poems one can easily trace the poet’s entire life path, his ups and downs, mental torments and dreams. “Letter to a Mother” is no exception in this sense. This is the confession of the prodigal son, full of tenderness and repentance, in which, meanwhile, the author directly states that he is not going to change his life, which by that time he considers ruined.

Literary fame came to Yesenin quite quickly, and even before the revolution he was quite well known to readers thanks to numerous publications and collections lyric poems striking with their beauty and grace. Nevertheless, the poet never for a moment forgot where he came from and what role the people close to him played in his life - his mother, father, older sisters. However, circumstances were such that for eight long years the public’s favorite, leading a bohemian lifestyle, did not have the opportunity to visit his native village. He returned there as a literary celebrity, but in the poem “Letter to a Mother” there is no hint of poetic achievement. On the contrary, Sergei Yesenin is worried that his mother must have heard rumors about his drunken brawls, numerous affairs and unsuccessful marriages. Despite his fame in literary circles, the poet realizes that he could not live up to the expectations of his mother, who first of all dreamed of seeing her son good and decent person. Repenting of his misdeeds to the person closest to him, the poet, nevertheless, refuses help and asks his mother for only one thing - “don’t wake up what you dreamed of.”

Realizing that even in his native village, where everything is familiar, close and understandable since childhood, he is unlikely to be able to find peace of mind, Sergei Yesenin is sure that the upcoming meeting will be short-lived and will not be able to heal his emotional wounds. The author feels that he is moving away from his family, but is ready to accept this blow of fate with his characteristic fatalism. He worries not so much for himself as for his mother, who is worried about her son, so he asks her: “Don’t be so sad about me.” There is a premonition in this line own death and attempts to somehow console the one for whom he will always remain the best, dearest and most beloved person.

Analysis of Sergei Yesenin “Mother's Prayer” The poem is written on the edge of the village by an old hut, There an old woman prays in front of an icon The old woman's son remembers the prayer, A son saves on the edge of a distant homeland Praying, the old woman wipes away her tears, And tired dreams bloom in her eyes She sees a field, a field before the battle , Where is the murdered son of the hero On the chest of wide splashes of blood, like flames, And in the hands of the enemy the banner is frozen And all this happiness was frozen with grief, Gray bowed his head in his hands And Sedinko’s rare eyebrows were closed, And from his eyes, like beads, pouring tears

She bowed her gray head in her hands

Write an analysis of Sergei Yesenin’s poem “Mother’s Prayer”

On the edge of the village there is an old hut,

There is an old woman praying in front of the icon

The old woman's prayer remembers her son,

A son in a distant land saves his homeland

The old woman prays, wipes away her tears,

And dreams bloom in the eyes of the tired

She sees a field, a field before a battle,

Where lies the murdered son of her hero

On the wide chest splashes blood like a flame,

And in the frozen hands is the enemy banner

And she froze with happiness and grief,

She bowed her gray head in her hands

And sparse gray hairs covered the eyebrows,

And tears fall from the eyes like beads

In this poem, S. Yesenin paints a portrait of a real mother. She prays day and night for the salvation of her son, who is saving the Motherland. But her mother’s heart tells her that her son will never return home. This poem reflects a portrait of a real mother who remembers and worries about her children until her last breath.

Sergei Yesenin - On the edge of the village there is an old hut (Mother's Prayer)

On the edge of the village there is an old hut,

The old woman's prayer remembers her son,

No. 4 A son saves his homeland in a distant land.

The old woman prays, wipes away her tears,

She sees a field, a field before a battle,

No. 8 Where her hero’s son lies murdered.

On the wide chest splashes blood like a flame,

And she froze with happiness and grief,

No. 12 She bowed her gray head in her hands.

And sparse gray hairs covered the eyebrows,

Analysis of the poem

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Prayer materi

Na krayu derevni staraya izbushka,

There pered ikonoy molitsya starushka.

Prayer starushki syna pominayet,

Syn v krayu dalekom rodinu spasayet.

Molitsya starushka, utirayet slezy,

A v glazakh ustalykh rastsvetayut grezy.

Vidit ona pole, pole pered boyem,

Where lezhit ubitym syn yee geroyem.

Na grudi shirokoy bryzzhet krov, what plamya,

A v rukakh zastyvshikh vrazheskoye znamya.

I ot schastya s gorem vsya ona zastyla,

Golovu seduyu na ruki sklonila.

I closed my eyebrows redkiye sedinki,

A iz glaz, kak biser, syplyutsya slezinki.

Vjkbndf vfnthb

Yf rhf/ lthtdyb cnfhfz bp,eirf,

Nfv gthtl brjyjq vjkbncz cnfheirf/

Vjkbndf cnfheirb csyf gjvbyftn,

Csy d rhf/ lfktrjv hjlbye cgfcftn/

Vjkbncz cnfheirf, enbhftn cktps,

F d ukfpf[ ecnfks[ hfcwdtnf/n uhtps/

Dblbn jyf gjkt, gjkt gthtl ,jtv,

Ult kt;bn e,bnsv csy tt uthjtv/

Yf uhelb ibhjrjq ,hsp;tn rhjdm, xnj gkfvz,

F d herf[ pfcnsdib[ dhf;tcrjt pyfvz/

B jn cxfcnmz c ujhtv dcz jyf pfcnskf,

Ujkjde ctle/ yf herb crkjybkf/

B pfrhskb ,hjdb htlrbt ctlbyrb,

F bp ukfp, rfr ,bcth, csgk/ncz cktpbyrb/

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Analysis of Sergei Yesenin’s poem “Mother’s Prayer”. write

There, an old woman prays in front of the icon.

A son saves his homeland in a distant land.

And dreams bloom in the eyes of the tired.

Where her hero's son lies murdered.

And in the frozen hands is the enemy banner.

She bowed her gray head in her hands.

And tears fall from the eyes like beads.

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Analysis of Yesenin's poem Letter to Mother

Analysis of Verse #1

“Letter to Mother” is a very gentle, lyrical and calm poem, of which there are not many in the works of Sergei Yesenin. In it, the lyrical hero turns to his old mother living in the village (far from him) and talks with her about the past, present and future.

The poem has a mirror composition, and in the finale not only the first, but also the second stanza is reflected - the words are literally repeated, but the poetic thought develops and undergoes a change.

The lyrical hero is not like the hooligan hero Yesenin, this is that part of the lyrical hero’s personality that is turned not just to childhood, to the past, but, as it were, inside himself - therefore the poem is filled with memories, images associated with the thought of his mother and himself “ still as gentle,” and not about a “bitter drunkard.”

The world of the lyrical hero’s memories on the one hand - “ evening untold light", "evening blue darkness" (associated more with loneliness), on the other - "a spring-like white garden", "dawn" (the moment of return). Talking about his return, the lyrical hero immediately says: “ There is no going back to the old ways anymore" There is a way home, to your mother, but there is no way back to your past. The hero has become completely different; his views and beliefs have changed (“ And don’t teach me to pray... You alone are my untold light"). A letter to your mother is an attempt to “express your soul” and calm not only your loved one, but also yourself, and calm your anxiety. The reflection and unity of the images of the lyrical hero and his mother is emphasized not only by the ring composition, but also by the appeal in the opening lines: “ Are you still alive, my old lady? // I’m alive too...»

Analysis of Yesenin’s poem “Letter to Mother”, key points

Sergei Aleksandrovich Yesenin... “Letter to a Mother” is a verse by this remarkable creator of Russian poetry, which certainly deserves special attention.

In the very name of the poet one can hear something clear, sincere, pure, Russian. This is what Sergei Alexandrovich was: a Russian guy with wheat-colored hair and blue eyes. His poems, like himself, are sweet and simple. In literally every line you can hear a tender love for the homeland and its vastness. His poems warm the soul of any reader and leave no one indifferent. The poet's love came straight from his heart, as if from the depths of Russia itself.

One of his wonderful poems- “Letter to Mother.” We will dwell on this in more detail. Let’s begin the analysis of Yesenin’s poem “Letter to a Mother” by turning to the history of its creation, because sometimes without it it is impossible to fully feel the written lines.

1924 (when the poem was written) - this time refers to the last period of the poet’s work, which is considered highest point Yesenin's mastery. This is a kind of summing up of everything.

“Letter to Mother” is dedicated to one to a specific person, and to all mothers, and to the Motherland.

Analysis of Yesenin’s poem “Letter to a Mother” implies a more detailed consideration of it. The work is distinguished by its ring composition, which means that the phrase is almost completely repeated at the beginning and at the end. This construction speaks of the logical completeness of the thought; it enhances some semantic accents.

The first two stanzas are the beginning. It serves as a kind of preface to the poem itself. The third stanza can be considered the development of the plot. Here we notice emotions and even tragedy. The fourth stanza is the climax, showing the true feelings that the hero has for his mother. It becomes clear that, despite all the hardships of life, a person remembers his mother, knows to whom he owes his life. Further, the plot develops in a descending intonation (from the fifth to the eighth stanzas). Here we will see some memories from the past, a detailed description of the hero’s feelings. The last stanza is a conclusion summed up after all of the above.

In order to competently analyze Yesenin’s poem “Letter to a Mother”, it is necessary to highlight the main images - this is, of course, the hero and his mother. One can also note the image of the garden, symbolizing spring and the poet’s childhood, and the image of the road (life path).

Used in the poem large number various means of expression. One of them is rhetorical question, which opens the “letter”: “Are you still alive, my old lady?” The question is rhetorical because it does not require an answer. This is followed by the lines “I’m alive and I”, respectively, the author knows the answer to asked question. Rather, this is an indication of the hero’s experiences regarding his mother’s health, his longing for her.

The main idea of the poem is that you need to love your mother. It is necessary to visit her and pay attention while there is such an opportunity. Under no circumstances should we forget about her, because a mother’s heart worries, waits, and yearns. The hero asks for forgiveness for long absence, for his wild life, for taverns, for fights. The main thing is to realize your mistakes in time and ask for forgiveness from your closest and dearest person. Mom is the person who will love you all your life, no matter what. And, of course, one cannot help but highlight the image of the Motherland. He is also key idea. To love the Motherland, admire it, remember it always and everywhere - the poet sets up the reader in such a patriotic mood.

Still, let us dwell on the fact that Yesenin’s poem “Letter to a Mother” presents us with a dual image of the heroine. Before us is both one person and the Motherland, love for which begins precisely with love for one’s own mother.

Sergei Alexandrovich Yesenin loved his home, his mother very much, so he managed to convey all the feelings authentically.

At this point, the analysis of Yesenin’s poem “Letter to a Mother” can be considered complete, because we have revealed its main points and ideas.

Analysis of the poem by S.A. Yesenin “Letter to Mother”

“Letter to Mother” was written in 1924, during the last period of creativity and almost at the very end of his life. For Yesenin, this is the time to take stock. In many poems, the theme of an irretrievably gone past arises. Along with this theme, the “Letter to a Mother” contains the theme of the mother, and the poem is an appeal to her. This is a fairly traditional theme for Russian lyrics, but Yesenin’s works can perhaps be called the most touching declarations of love for his mother. The entire poem is permeated with inescapable tenderness and touching care for her.

The lyrical hero admires the endless patience and tender love of his “old lady”:

They write to me that you, harboring anxiety,

She was very sad about me,

That you often go on the road

In an old-fashioned, shabby shushun.

The lyrical hero bitterly realizes that “his old lady” has reason to worry about her unlucky son: she knows about “tavern fights” and binges. The mother’s melancholy is so great, and her forebodings are so sad that she “often goes on the road.” The hero’s spiritual crisis is emphasized by the epithets “evening” and “painful.” It is no coincidence that the word “sadanul” was used - colloquial, reduced, indicating its distance from eternal values. The harshness of this verb softens in the fourth stanza:

Nothing, dear! Calm down.

This is just a painful nonsense.

I'm not such a bitter drunkard,

So that I can die without seeing you.

The lyrical hero tries to console his mother, promising to return “when our white garden spreads its branches like spring.” The last stanzas are the utmost intensity of emotions, the bitter realization that too much has been “dreamed of” and “did not come true.” The poem ends with a heartfelt request:

So forget about your worries,

Don't be so sad about me.

Don't go on the road so often

In an old-fashioned, shabby shushun.

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“Letter to Mother” S. Yesenin

“Letter to Mother” Sergei Yesenin Text

Are you still alive, my old lady?

I'm alive too. Hello, hello!

Let it flow over your hut

That evening unspeakable light.

They write to me that you, harboring anxiety,

She was very sad about me,

That you often go on the road

In an old-fashioned, shabby shushun.

And to you in the evening blue darkness

We often see the same thing:

It's like someone is in a tavern fight with me

I stabbed a Finnish knife under my heart.

Nothing, dear! Calm down.

This is just a painful nonsense.

I'm not such a bitter drunkard,

So that I can die without seeing you.

I'm still as gentle

And I only dream about

So that rather from rebellious melancholy

Return to our low house.

I'll be back when the branches spread out

Our white garden looks like spring.

Only you have me already at dawn

Don't be like eight years ago.

Don't wake up what was noted

Don't worry about what didn't come true -

Too early loss and fatigue

I have had the opportunity to experience this in my life.

And don’t teach me to pray. No need!

There is no going back to the old ways anymore.

You alone are my help and joy,

You alone are an unspeakable light to me.

So forget about your worries,

Don't be so sad about me.

Don't go on the road so often

In an old-fashioned, shabby shushun.

Analysis of Yesenin’s poem “Letter to Mother”

In 1924, after an 8-year separation, Sergei Yesenin decided to visit his native village of Konstantinovo and meet his loved ones. On the eve of leaving Moscow for his homeland, the poet wrote a heartfelt and very touching “Letter to his Mother,” which today is a program poem and one of the most striking examples of Yesenin’s lyricism.

The work of this poet is very multifaceted and extraordinary. However, a distinctive feature of most of Sergei Yesenin’s works is that in them he is extremely honest and frank. Therefore, from his poems one can easily trace the poet’s entire life path, his ups and downs, mental torments and dreams. “Letter to a Mother” is no exception in this sense. This is the confession of the prodigal son, full of tenderness and repentance. in which, meanwhile, the author directly states that he does not intend to change his life, which by that moment he considers ruined.

Literary fame came to Yesenin quite quickly, and even before the revolution he was quite well known to readers thanks to numerous publications and collections of lyrical poems, striking in their beauty and grace. Nevertheless, the poet never for a moment forgot where he came from and what role the people close to him played in his life - his mother, father, older sisters. However, circumstances were such that for eight long years the public’s favorite, leading a bohemian lifestyle, did not have the opportunity to visit his native village. He returned there as a literary celebrity, but in the poem “Letter to a Mother” there is no hint of poetic achievement. On the contrary, Sergei Yesenin is worried that his mother has probably heard rumors about his drunken brawls, numerous affairs and unsuccessful marriages. Despite his fame in literary circles, the poet realizes that he could not live up to the expectations of his mother, who first of all dreamed of seeing her son as a good and decent person. Repenting of his misdeeds to the person closest to him, the poet, nevertheless, refuses help and asks his mother for only one thing - “don’t wake up what you dreamed of.”

For Yesenin, mother is not only the dearest person who can understand and forgive everything, but also an executor, a kind of guardian angel, whose image protects the poet in the most difficult moments of his life. However, he is well aware that he will never be the same as before - the bohemian lifestyle has deprived him of spiritual purity, faith in sincerity and devotion. Therefore, Sergei Yesenin, with hidden sadness, turns to his mother with the words: “You alone are my help and joy, you alone are my untold light.” What lies behind this warm and gentle phrase? The bitterness of disappointment and the realization that life has not turned out the way we would like, and it is too late to change anything - the burden of mistakes is too heavy, which cannot be corrected. Therefore, anticipating a meeting with his mother, who is destined to become the last in the poet’s life, Sergei Yesenin intuitively understands that for his family he is practically a stranger, a cut off piece. However, for his mother, he still remains the only son, dissolute and left his father’s house too early, where they are still waiting for him, no matter what.

Realizing that even in his native village, where everything is familiar, close and understandable since childhood, he is unlikely to be able to find peace of mind, Sergei Yesenin is sure that the upcoming meeting will be short-lived and will not be able to heal his emotional wounds. The author feels that he is moving away from his family, but is ready to accept this blow of fate with his characteristic fatalism. He worries not so much for himself as for his mother, who is worried about her son, so he asks her: “Don’t be so sad about me.” This line contains a premonition of his own death and an attempt to at least somehow console the one for whom he will always remain the best, dearest and most beloved person.

“Letter to Mother”, analysis of a poem by Sergei Yesenin

It is impossible to correctly analyze a poem "Letter to Mother". without knowing the history of its writing.

After many years of separation, Yesenin was going to his native village to visit his mother, and invited two comrades with him, inspired by his stories about the beauty and poetry of those places. It was necessary to get there by railway, and at the station the whole company was waiting for the train to arrive in the buffet. Conversations and wine brightened the wait, but soon the friends ran out of money. Then one of them offered to return his ticket, continue the gathering and see off his comrades. After a while, the second friend also refused the trip; they decided to send only Yesenin. But the revelry turned out to be large-scale: he, too, handed over his ticket, although he knew that his mother was waiting for him. And the next morning I wrote this piercingly sad, repentant poem.

By 1924, the poet was already widely known; a special refinement of language and images appeared in his work. But “Letter to a Mother”, upon first reading, seems more like a lively conversation than poetic work. The abundance of colloquial and dialect words and the often repeated appeal to the interlocutor simplify the poem, but the depth and piercing sadness of the content balance the impression.

In the first stanza there is a greeting, not burdened with melancholy, a good wish. The mood at the beginning of the “Letter” is peaceful, and the second stanza is written in the same way. “They write to me that you... are sad about me”- It is unlikely that anyone could have told Yesenin such information; rather, this vision - of a mother looking out for her son on the road - was suggested to the poet by his heart. And starting from this stanza, he seems to renounce his glory and image of a bohemian poet. becoming a simple guy from the village, unlucky, but loving mother. "Big". "shushune". "got it" - dialect words reveal the poet’s nature, which has not changed during his life away from his home. The repentant letter is intended to reassure the mother, but through the consoling words the most terrible bitterness peeks through: disappointment that destroys life.

“I’m not such a bitter drinker”- Knowing the fame that is going on about him, Yesenin is trying to at least partially renounce it. And then the lines addressed to the mother become a conversation with oneself. The recognition that his soul remained as tender as it was many years ago, that in the whirlwind of metropolitan life and fame lurks a poisonous melancholy, and salvation from it is only in the silence of his native places, becomes a revelation. Where is the dandy poet in a top hat and with a cane? This image is washed away by sincerity, and the naked suffering heart seeks solace from the only person who can help is from the mother.

Seventh stanza - climactic. here the bitterness of disappointment is felt to the fullest. The author asks not to try to revive the faded soul and return the joy of life to him - "loss and fatigue" too strong. And further words addressed to the mother are no longer imbued with sadness, but with hopelessness. Here Yesenin places her image even above God, at least above religion and its consolation. “Don’t teach me to pray. No need!"- such renunciation can only come from a completely burnt-out soul...

Composition The poem is looped - a wish from the first stanza ( "let the unspeakable light flow") becomes a statement in the penultimate ( “You alone are an unspeakable light to me”), and in between the author’s mood moves from affectionately comforting to bitter and disappointed. But the mother, her image remains unchanged: both at the beginning of the work and at the end she goes out onto the road "in an old-fashioned shabby shushun". looking out for my son. This repetition once again confirms the inviolability of the support - mother's heart, who sees only his beloved child in both the poet and the tavern regular and hooligan.

Poem size - trochee pentameter. with a shortened foot in the second and fourth lines. A clear rhythm and cross-rhyme make the work easy to remember, as well as its simple words that reach the soul of any reader.

“Letter to a Mother” will remain one of Yesenin’s best poems, as long as there are mothers in the world who forgive and love their sons, and grown-up children who are tired and disappointed with life.

Poem by S.A. Yesenin “Letter to Mother” (perception, interpretation, evaluation)

1. The history of the creation of the work.

2. Characteristics of the work lyrical genre(type of lyrics, artistic method, genre).

4. Features of the composition of the work.

5. Analysis of funds artistic expression and versification (the presence of tropes and stylistic figures, rhythm, meter, rhyme, stanza).

6. The meaning of the poem for the poet’s entire work.

The poem “Letter to Mother” was written by S.A. Yesenin in 1924. Its genre is indicated in the title - writing. The main theme is the theme of motherhood, home, filial love. The work is confessional in nature. The voice of the lyrical hero contains sad, repentant notes.

The poem opens with a rhetorical question, which smoothly flows into a sincere, frank conversation with the mother:

Are you still alive, my old lady?

I'm alive too. Hello, hello!

Let it flow over your hut

That evening unspeakable light...

The composition here fully corresponds to the genre. In the first stanza we see a kind of introduction. In the second stanza we have a development of the theme, here the motif of the road appears, which then turns into the motif of the hero’s life journey, wandering:

They write to me that you, harboring anxiety,

She was very sad about me,

That you often go on the road

In an old-fashioned, shabby shushun.

The wandering of the lyrical hero, his homelessness, and sinful life are contrasted in the poem with the world of his home and all-forgiving maternal love. In the third stanza, the theme of maternal love and concern for her son is developed.

And to you in the evening blue darkness

We often see the same thing:

It's like someone is in a tavern fight with me

I stabbed a Finnish knife under my heart.

Yesenin's lyrical hero is deprived of spiritual integrity. He is a hooligan, a “Moscow mischievous reveler,” a rake, a tavern regular, full of “rebellious melancholy.” Internal state it is conveyed in the poem by the epithets “evening”, “bitter”, “painful”, and the harsh verb “sadanul”. At the same time, tenderness, love for his mother, and sadness for his home live in his soul. Researchers noted in this work Yesenin’s development of the motives of the biblical parable about prodigal son. One of these motives is returning home from travels. It sounds in the fifth, sixth, seventh and eighth stanzas. And we are talking here not only about a meeting with the mother, with the parental home, but also about returning to the past, to one’s former self:

I'm still as gentle

And I only dream about

So that rather from rebellious melancholy,

Return to our old house.

In the parental home, the lyrical hero sees his salvation from life’s storms and adversities, from the melancholy of restlessness, from misfortunes, and painful thoughts. He remembers the past, and this past appears as best time in life:

I'll be back when the branches spread out

Our white garden looks like spring.

Only you have me already at dawn

Don't be like eight years ago.

Then the hero reflects on his fate, his experiences, and his unfulfilled hopes. His voice sounds bitter and tired. The plot deepens internally here:

Don't wake up what was dreamed of

Don't worry about what didn't come true -

Too early loss and fatigue

I have had the opportunity to experience this in my life.

The hero's feelings reach their climax in the penultimate stanza. He seems to be summing up his life, clearly realizing that he cannot bring back the past. At the same time, he turns to maternal love, hoping to find hope, spiritual harmony, and to be healed from mental wounds. The hero’s address to his mother is climactic here:

And don’t teach me to pray. No need!

There is no going back to the old ways anymore.

You alone are my help and joy,

You alone are an unspeakable light to me.

The denouement is given in the last stanza. The lyrical hero here seems to forget about himself, about his hardships, fatigue, melancholy. In the center of the stanza here is the image of the mother. The topic closes with her son's concern about her. We see his sincere love and care:

So forget about your worries,

Don't be so sad about me.

Don't go on the road so often

In an old-fashioned, shabby shushun.

Compositionally, we can distinguish three parts in the work. The first part is the three initial stanzas. Here the poet outlines the image of a loved one to whom you can pour out your soul. The first part contains a question, a greeting and a detailed answer. The fourth, fifth, sixth and seventh stanzas are the second part of the poem. Here the lyrical hero appears before the reader. The last two stanzas again return us to the image of the mother.

Thus, we have a ring composition. At the beginning of the poem and at its finale, the image of a mother appears, framing the lyrical hero’s thoughts about home and his confession. The lines “That you often go on the road In an old-fashioned shabby shushun” also ring the main part of the letter.

The poem is written in iambic pentameter, quatrains, and cross rhymes. The poet uses various means artistic expressiveness: epithets (“evening untold light”, “in... the blue darkness”, “I am a bitter drunkard”), metaphor (“light flows”), anaphora (“You alone are my help and joy, You alone are my untold light”) , rhetorical question (“Are you still alive, my old lady?”), inversion (“I’m not such a bitter drunkard”), colloquial expressions (“got hard”, “very hard”) alliteration (“I’m still just as gentle”) , assonance (“Let it flow over your hut”).

“Letter to a Mother” is one of Yesenin’s best works. The poet's lyrical hero acquires his characteristic features in him. These poems are very melodious, musical, and a magnificent romance was created on their basis.

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Sergei Yesenin - On the edge of the village there is an old hut (Mother's Prayer)

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Prayer materi

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Poems by Yesenin S. A. “Mother’s Prayer”, “Threshing”, “Sea of ​​Sparrow Voices”

Poem by S. A. Yesenin “Mother’s Prayer”

Sergei Yesenin - On the edge of the village there is an old hut (Mother's Prayer)

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Topic SAEsenin Letter to Mother The Story of a Poem

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Analysis of Yesenin’s poem “Letter to Mother”, key points

“Letter to Mother” S. Yesenin

Sergei Yesenin - On the edge of the village there is an old hut (Mother's Prayer)

Analysis of the poem

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Poems by Yesenin S. A. “Mother’s Prayer”, “Threshing”, “Sea of Sparrow Voices”